CHAPTER XIX
South Street
South Street extends across the full width of the
southernmost part of the estate and is bisected by South
Audley Street. The north side west of South Audley Street
is described in Chapter XVIII.
North Side east of South Audley Street
To the east of South Audley Street nearly half of the
ground between that street and the boundary of the estate
formed the return frontage of one of the blocks of land
which in 1730 Sir Richard Grosvenor agreed to lease to the
quadrumvirate responsible for building the Grosvenor
Chapel (see pages 298–9).
The remainder of the ground on the north side of South
Street was not taken until 1737, when Sir Robert
Grosvenor agreed to grant it in several small takes to four
undertakers each acting independently—Edward Scott
and Charles Durham, bricklayers, Roger Blagrave,
carpenter, and William Harrod of Kensington, gentleman. (ref. 1) They or their nominees (who included Joshua
Lassell and Robert Lowd, bricklayers, Francis Ives, Henry
Peat and John Spencer, carpenters, and Richard Aslat,
joiner) (ref. 2) had completed building by about 1740. (ref. 3)
All of the land here backed on to the burial ground, and
probably for this reason the houses were small and narrow.
Behind their yards rear buildings abutted directly on to the
graveyard, and at the east end of the range four very small
houses called North Terrace were tucked in behind the
houses in South Street, being approached by a covered
archway. In 1756–60 Edmund Rush, a mason previously
active at the west end of the street, had his yard on
approximately the site of the present No. 39, (ref. 3) which in
1824 was leased to Charles Philliston, a bricklayer also
active nearby. (ref. 4) In the following year Philliston sub-let the
premises to John Elger, a builder active on the estate and in
Princes Gate, Knightsbridge. (ref. 5) Elger had a house and
workshop here until 1846, latterly with (Sir) John Kelk,
the future builder of the Albert Memorial, who in turn
remained until 1862, his main premises being in Commercial Road, Pimlico. Smith and Taylor (later George
Smith and Company), who succeeded Kelk in his business,
retained the workshops until their demolition in 1895. (ref. 6) In
1871 two of the houses were occupied by physicians and
another by an army major; five others were lodging-houses, and the rest were inhabited by tradesmen or
servants. (ref. 7)
All the leases had been synchronised by the Estate to
expire in 1895. By this time the first Duke had undertaken
to present a substantial site for the rebuilding of the
parochial schools, (ref. 8) but the western portion of the now
vacant land was ready for improvement by residential
redevelopment.
Nos. 39–47 (odd).
In the summer of 1895 the Duke
decided that this site should be set back so as to allow space
for trees to be planted in front, and in August it was offered
to the builder William Willett of Sloane Gardens, who was
required to have J. J. Stevenson as his architect. (ref. 9) Willett
had previously been compelled by the Grosvenor Board to
have Stevenson as his architect in the building of Nos.
126–158 (even) Buckingham Palace Road in 1891, and
although this enforced association had proved somewhat
stormy, the Duke had evidently been satisfied with its
results. (ref. 10) In South Street Willett did not favour the
proposal to set back the frontage and wanted instead to put
up a substantial range, but the Duke was determined 'to
adhere to the small class of house proposed by Mr. Balfour'
(the estate surveyor), and terms were ultimately agreed for
the erection of five 'small private houses'. Stevenson's
elevations were in due course approved, and building work
took place in 1896–8. (ref. 11) By June 1898 Willett had sold all
five of the houses.
This small development forms a terrace of original
design which though not having a parallel in Mayfair, has a
precedent in the mid-Victorian terraces of Kensington and
Bayswater which turn their backs on the street and their
fronts towards communal gardens. Here the principal
rooms overlook St. George's Hanover Square Gardens
(formerly the burial ground). But unlike the Kensington
terraces this side, treated in a sober 'Queen Anne' manner,
is less elaborate than the South Street front, where deep
recesses, required to light the centrally placed staircases,
break up the elevations into what looks like a group of two
semi-detached pairs and a single house (Plate 95a). The
individuality of the units resulting from this plan-form is
emphasised by minor variations in the detailing, particularly of the entrance doorways. But the group as a whole
is given unity by the repetition of the angular bays at the
corners, the continuous balustraded balcony at first-floor
level, the uniform treatment of the mullion-and-transom
windows and the steep hipped roofs of Westmorland slate.
The inspiration for the architectural treatment is widely
eclectic, drawing on Gothic, François Premier, Jacobean
and 'Queen Anne' sources to create an ensemble which
contemporaries thought managed to suggest 'some
examples of old French domestic architecture'. (ref. 12)
Internally the houses are arranged with one full-width
room at back and front on all the main floors, with the
staircase, circulation space and service rooms in the
middle. They were provided with fireproof floors and 'all
modern conveniences'. (ref. 12) As with the exteriors the seeming
internal uniformity reveals minor variations on closer
inspection. At No. 41, for instance, the space at the back of
the area is used for service stairs whereas at No. 43 it forms
a little balcony overlooking the area at first-floor level.
Occupants include: No. 41, Sir Percy Daniels, K.B.E.,
1920–33. No. 43, Sir Albert Henry Stanley, latterly Baron
Ashfield, Chairman of London Passenger Transport Board,
1918–40. No. 45, (Sir) William Wyndham Portal, latterly 2nd bt.,
1898–1908.
St. George's, Hanover Square, Church of England
Primary School
St. George's, Hanover Square, Church of England
Primary School (Plate 95b). A school has existed on part
of this site for well over two centuries. By his will of 1726
General William Steuart bequeathed £5,000 for the
establishment of a school for twenty poor boys of the
parish, and in 1742 his trustees bought a piece of freehold
land in South Street just outside the Grosvenor estate, and
built a school-house there. The land on which this school
stood forms the south-eastern part of the site of the present
school. (ref. 13)
In 1804 the St. George's United Day Schools of
Instruction and Industry were established by voluntary
subscription in leasehold premises elsewhere in South
Street. These premises were evidently not very suitable,
and in 1817 this and General Steuart's school were
amalgamated, this united school being conducted in
General Steuart's buildings, which were probably enlarged at this time. (ref. 14) Its site, adjoining the south-east
corner of the burial ground, is shown on the first edition of
the Ordnance Survey map of 1869–70.
In 1887 the first Duke of Westminster announced his
intention to present a new site for this school, which was
now evidently much overcrowded, and the western part of
the site of the present school was provisionally designated
for this purpose. But the Duke's leases of this land did not
expire until 1895, and meanwhile James Innes, the owner
of the ground to the east of the united school, was wanting
to redevelop his property, the value of which could be
greatly enhanced by widening the street there. In 1893,
accordingly, the Vestry surveyor produced a plan for
setting back the frontage and providing a passageway from
South Street into St. George's Hanover Square Gardens
(formerly the burial ground). (ref. 15) But the implementation of
this scheme required complicated exchanges of land
between the Duke, Innes and General Steuart's trustees
(who still owned the freehold of the united school), and the
concurrence of the official trustee of charity lands, the
managers of the united school, the parish Vestry and the
rector and churchwardens. The main obstacle was the
determination of the Steuart trustees to retain their
endowments for the provision of scholarships for poor
boys of the parish, but with the help of the Charity
Commissioners agreement was ultimately reached. Part of
the site of the united school was sold to Innes (who shortly
afterwards erected a block of mansion flats on his much-improved land); other parts were incorporated into the
sites of the new school and of the new passageway into St.
George's Gardens; and a small piece at the south end was
used to widen South Street. The Duke presented a
handsome site immediately to the west, worth over
£9,000, all these complex dispositions being finalised by a
single conveyance in 1898. (ref. 16)
By this time a public appeal for funds for the rebuilding
had been opened and in 1896 a limited competition for the
design of the new school was held, with J. Macvicar
Anderson as the assessor.
The Duke, as usual, required red brick with stone or
terracotta or moulded brick dressings, and the 'general
style of the buildings' was 'to be assimilated to those
recently erected' elsewhere on his estate. In due course
Philip A. Robson (son of E. R. Robson, the architect to the
London School Board) was declared the winner, but
'owing to certain revised requirements on the part of the
Duke', Robson's first designs had to be greatly modified.
The old school building was closed and demolished in
1897. (ref. 17) The new school was built in 1897–8 by Dove
Brothers.
Philip Robson stated that his intention had been 'not
merely to convey the impression of a school building, but
that of a higher grade church school'. (ref. 18) In pursuit of this
aim he adopted a red-brick and Portland-stone Jacobean
style with Arts and Crafts detailing. It is not, however, so
much the architectural style as the unusual plan which sets
St. George's School aside from most late nineteenth-century schools and gives it its distinctive character. A
compressed L-shape was adopted, with the tall main
school block, lit by large mullion-and-transom windows,
forming one stroke and the smaller flatted teachers' house
forming the other. At the junction of the two is placed the
stumpy circular latrine tower. The playground is sunk and
makes the most of the site by extending partly under the
main building.
South Side west of South Audley Street
In this part of the street all of the ground extending to Park
Lane formed the return front of the large block of land
having its main frontage to South Audley Street which was
taken by the architect and plasterer Edward Shepherd in
1736. (ref. 19) The eastern part of the South Street front was
quickly occupied by the garden of No. 71 South Audley
Street and the back premises of Nos. 72–75 whose sites
were so shaped as to abut northwards also on South
Street. (ref. 20) The remaining ground to the west was, however,
reserved until 1745 when stables and coach-houses were
built on part of it by Shepherd's sub-lessees, including
Roger Blagrave, carpenter, and John Hill, coachmaker. (ref. 21)
Four years later Edmund Rush, mason, agreed to take all
the rest of the South Street frontage extending to Park
Lane and containing some 168 feet, from Shepherd's
widow, Elizabeth, (ref. 22) who in 1749–51 granted leases to him
or his nominees of six houses then built or in building. (ref. 23)
No. 2 (formerly No. 31)
No. 2 (formerly No. 31), the westernmost house, had a fine
position overlooking Hyde Park. Leased to Edmund Rush
in 1751, (ref. 24) it was first occupied in the following year, but its
main claim to fame was its tenure by Louis-Philippe-Joseph, Duke of Orleans, from 1788 to 1793. (ref. 3) For some
years he had been making frequent visits to England, (ref. 25) and
in June 1788 he paid £5,000 for this house, which was
described as 'already good'. (ref. 26) After the fall of the Bastille in
July 1789 he enjoyed much short-lived popularity in
France, but soon went into voluntary exile and, after a
rough handling from the fish-wives of Boulogne, he
reached South Street in October for what was to be his last
visit. (ref. 27) He immediately took a lease of No. 3 Chapel Street,
a house nearby at the west corner of Chapel and Portugal
Streets which was evidently intended for his mistress,
Madame de Buffon, and in November he was said to be
building two additional rooms at his own house in South
Street. (ref. 28) In December there was talk of extra offices and a
servants' staircase with a wooden framework, the covering
of which 'against the weather is canvas and papers, like Sir
James Wright's'. (ref. 29) Two months later his agent was
negotiating with Earl Grosvenor for a renewal of the lease
and produced plans of 'new intended Buildings', (ref. 30) but
when the formalities had been completed in June 1790, his
visit was nearly over, for he returned to Paris in the
following month. In March 1791, when he was expected
back in England, the house was 'quite finished: his new
carriage remains at Hatchett's, and his stud is still
unsold', (ref. 31) but in January 1793 (before his arrest) the house
was 'peremptorily' put up for sale by auction. It was then
said to 'have recently been enlarged, and rendered
extremely convenient, at a very considerable expence', (ref. 32)
and £8,000 was bid for it, though whether this was
accepted is not clear. Its owner, who was now named
Philippe Égalité and had voted for the execution of his
cousin, Louis XVI, was himself guillotined on 6 November of the same year. A few weeks later the house was
bought by Mrs. Charlotte Wheeler for only £6,000, which
was thought to be 'at least as much as it is worth', the
interior being 'like the former owner . . . good for
nothing'. (ref. 33)
In the autumn of 1842 the house was rented for one year
by the Dowager Lady Holland, the famous Whig hostess,
who had previously used No. 6 as a town house. (ref. 34) The
owner (and occupant since 1832) was then Lord Kilmaine.
In 1845 he asked for the lease to be renewed, but was told
that his application was premature. (ref. 35) Shortly afterwards he
sold the house to his brother-in-law, David Lyon, a West
India merchant, who in 1851 agreed, as a condition for a
new lease, to make alterations specified by the estate
surveyor, Thomas Cundy II. The most important of these
requirements were the addition of a square attic storey
above the existing three storeys and basement, the
construction of stone balconies to the first-floor windows
on the south and west fronts and the addition of window
dressings and a double Ionic portico. But when Lyon set
about the work in 1852 he employed Sir Charles Barry,
who sent in his own designs (much superior to those of
Cundy, and less expensive) for the alteration of the three
elevations. After some negotiations Lyon was allowed to
omit the proposed new square attic, instead of which Barry
raised the walls four feet to form a kerb roof behind a
balustrade (Plate 94a: see also Plate 22b in vol. XXXIX).
Above the second-floor windows a decorated frieze
surmounted by a handsome projecting cornice extended
round all three fronts, which were entirely clothed in
stucco, and on the north side there was a double Ionic
portico with balustrade to the principal doorway. (ref. 36) The
builder was J. Scantlebury. (ref. 37)
David Lyon lived here until 1867, and thereafter his
brother, Major William Lyon, until 1887. In 1897 the
house was leased to the builder John Garlick. Later
occupants included J. Pierpont Morgan junior (1900–1)
and Katherine, Duchess of Westminster (1902–27), widow
of the first Duke, shortly after whose removal the house
was demolished. (ref. 38)
Nos. 4–12 even (formerly Nos. 32–36 consec.).
These
five houses were built under leases granted by Elizabeth
Shepherd in 1749–51 to Edmund Rush (Nos. 6 and 8), or
his nominees, John Whitby, upholsterer and cabinet-maker (Nos. 10 and 12), and the Hon. Barbara Cavendish
(No. 4). (ref. 39) Photographs taken in 1930, (ref. 40) shortly before their
demolition, show the houses with a variety of altered fronts
but all having projecting bays at the back which faced
south over the garden of Dorchester House and had
oblique views of the park (Plate 94a, 94b, 94c). Although of
modest dimensions two of the houses (Nos. 8 and 10) were
distinguished by having symmetrical façades with a central
front door flanked by a window on each side. This
particular arrangement was never widespread on the estate
and only one or two examples have survived. At No. 12
there was a very fine eighteenth-century doorcase with an
open pediment, high triglyph frieze and engaged Doric
columns. In 1777 No. 8, then recently let to Lord Edward
Bentinck for a hundred guineas a year, was described as 'a
very pleasant habitation for a single gentleman or lady'. (ref. 41)
In 1835 Lady Holland inherited No. 6 from her mother,
Lady Affleck. Shortly afterwards she wrote that 'We shall
occasionally come to the dear little house in South Street',
which she described as 'no more than a closet and a
cupboard so small are the rooms'. (ref. 42) In 1919 Detmar Blow
thought that No. 6 'was one of the most charming houses
on the Estate'. (ref. 43) By this time all five houses had, of course,
been considerably altered, chiefly by the addition of extra
storeys or attics, and of balconies at the back, and at No. 4
the front had been completely stuccoed in the Italianate
style of the 1840's. (ref. 44)
The later history of all five houses was influenced by the
long residence of Florence Nightingale at No. 10. Her
brother-in-law, Sir Harry Verney, had lived at No. 4
(formerly No. 32) since 1859, and she had often stayed
there; but in July 1865 she had taken No. 8 (formerly No.
34), furnished, for a year at a rental of £500. Almost
immediately afterwards, however, the next door house,
No. 10 (then No. 35), came on the market, and after
prompting from her sister, Lady Verney, her parents
agreed to pay £7,000 for the remaining twenty-one years of
its lease. No. 8 was soon disposed of, and in October 1865
she moved into No. 10, where she remained until her death
in 1910. (ref. 45) It was in the simply furnished back bedroom on
the second floor, or in the smaller front room with which it
communicated, that 'the greater part of Miss Nightingale's
life for forty-five years was passed'. (ref. 46)
In 1876, when she was in her mid fifties, she applied
through Sir Harry Verney to the Duke of Westminster for
the renewal of her lease 'for as long as possible'. The Duke
was told that 'the sanitary condition of the house has been
improved', and 'she does not wish to be disturbed'. At the
same time Sir Harry also applied for the renewal of his own
lease of No. 4, and the Duke at once agreed that both Miss
Nightingale and Sir Harry Verney could remain in their
respective houses for life. (ref. 47) Later in the same year he made
the same concession at No. 2 to Major William Lyon, then
in his seventieth year, and in 1880 at No. 12 to the Earl of
Lucan, then aged eighty, and to fit in with these
arrangements he subsequently granted yearly tenancies of
Nos. 6 and 8. (ref. 48) During negotiations over the rent to be paid
by Florence Nightingale after the expiry of her lease in
1886 he at first stated that he 'had no intention of letting
the house be occupied at less than the value', but when
informed by Sir Harry Verney that the proposed rent of
£400 would compel her to 'go to Onslow Gardens or South
Kensington which would be a Public injury as she is mixed
up with nursing etc.', he at once agreed to take only £150. (ref. 49)
After Florence Nightingale's death in 1910 the house
had evidently fallen below the new standards of sanitation
which she had herself promoted, for it was stated that 'all
the drainage was bad ... the we's were in the centre ... and
the hot water service should be carried upstairs and bath
rooms provided'. In 1912 the second Duke, acting on a
suggestion of the London County Council, erected a tablet
to commemorate her long residence there. (ref. 50) The later
history of the site of Nos. 4–12 is described on page 266.
Occupants include: No. 4, 9th Earl of Winchilsea, 1787–1826.
Sir John Leach, Master of the Rolls, 1830–4 (previously at No.
12). Gen. Sir James Kempt, G.C.B., Governor General of
Canada, 1835–43. 2nd Earl of Stradbroke, 1855–8. Sir Harry
Verney, 2nd bt., M.P., 1859–90. Col. (latterly Lieut.-gen. Sir)
George Henry Fowke, K.C.B., 1911–21. No. 6, 3rd Baron
Holland, 1835–40: his wid., Elizabeth, Lady Holland, 1840–2.
Algernon Grosvenor, son of 1st Baron Ebury, 1890–1907: his
wid., Catharine Grosvenor, 1907–17. No. 8, 2nd Earl (later 1st
Marquess) Cornwallis, later commander at Yorktown, 1766–8.
Lord Edward Bentinck, son of 2nd Duke of Portland, 1777–8.
Mrs. Elizabeth Armistead, successively mistress and wife of
Charles James Fox, 1787–92: Fox was the ratepayer, 1793–8. Sir
Thomas Clarges, 4th bt., 1811–34: his kinsman, latterly Lieut.-gen. Sir Richard Goddard Hare-Clarges, K.C.B., 1837 57. No.
10, Sir William Meredith, M.P., 3rd bt., 1753–5. Lord Harry
Powlett, later 6th Duke of Bolton, 1756–61. Henry Skeffington,
latterly 3rd Earl of Massereene, 1803–11. Charles Western,
latterly Baron Western, 1830–44. Florence Nightingale,
1865–1910. Sir Alfred Lawrence, latterly Lord Chief Justice and
1st Baron Trevethin, 1912–27. No. 12, Sir John Leach, Master of
the Rolls, 1818–30 (later at No. 4). Duke of Sussex, son of George
III, 1832–43. Elizabeth, Countess of Cardigan, estranged wife of
7th Earl, 1856–8: his brother-in-law, 3rd Earl of Lucan, cavalry
commander in Crimean war, 1862–88.
Nos. 14–20 even (formerly Nos. 37–40 consec.).
The leases of the stables to the east of No. 12 which had been
built in 1745 were due for renewal in the 1820's, and in
1822 the Reverend John Sanford applied to take this
ground, which had a frontage of 118 feet to South Street.
Negotiations were conducted by Sanford's architect, J. P.
Gandy (who in 1828 assumed the name of Deering), and in
1825 an agreement was signed with Sanford for the
building on ninety-nine-year leases of 'first rate' houses
here. (ref. 51)
The building of Nos. 14–20 by Spicer Crowe of George
Street, Euston Square, who also built St. Mark's, North
Audley Street, for Gandy Deering, (ref. 52) was carried out under
the superintendence of James Gallier, a builder and
surveyor who had been working at Huntingdon. In his
autobiography Gallier states that 'I received an encouraging offer to return to London and superintend the building
of a range of houses in South street, near Park Lane,
agreeably to plans made by Mr. John Deering, architect; I
accepted the offer, and returned to London with my family
in June, 1828'. (ref. 53) Gallier also worked with Deering on the
north side of South Street (ref. 54) and on his own account
nearby, this work and his later career being described on
page 331.
All four houses were leased to Sanford in 1829. None of
them now survives, but in outward appearance Nos. 14, 16
and 18 were identical with No. 24 (Plate 94d: see also Plate
24c, fig. 12c in vol. XXXIX). They were large-scaled and
austere of aspect in front with stuccoed ground storeys and
shallow Greek Revival porches on square piers decorated
only with guttae. At the back they had wide curved bows
instead of the canted ones of the earlier Nos. 4–12 (Plate
94b). Inside, the formidable ceiling heights must in
themselves have made the houses memorable. No. 20
(where Gandy Deering himself was the occupant from
1830 until his death in 1850) had a narrower two-bay front
of nineteen instead of thirty-three feet, (ref. 55) and, latterly, a
more conventional columned porch which could hardly
have been original. In 1835 No. 14 was described as a
'Spacious and Elegant Mansion ... finished in the best
taste', having a stone-floored hall, 'two stone staircases',
and on the principal floor a drawing-room nearly thirty-five feet long with a fine prospect 'commanding the entire
Park view'. (ref. 56) Lord Melbourne lived at No. 18 for many
years, including his period of office as Prime Minister,
when he did not take up residence at No. 10 Downing
Street. In South Street he employed sixteen servants, 'all
thievish and drunk'. (ref. 57) Nos. 16–20 were demolished in
1934 (ref. 58) and No. 14 in 1978.
Occupants include: No. 14, Baron Langdale, Master of the
Rolls, 1836–48. Sir Thomas Colebrooke, M.P., 4th bt., 1859–90.
Sir Albert Stern, K.B.E., banker, 1923–52. No. 16, (Sir)
Alexander Matheson, M.P., China merchant, latterly 1st bt.,
1849–83. 1st Baron Gerard, 1884–7. No. 18, 2nd Viscount
Melbourne, Prime Minister, 1830–48. 3rd Earl of Clare,
1852–64. No. 20, J. P. Gandy Deering, architect, 1830–50. 4th
Viscount Hood, 1868–72. Hugh Boscawen, son of 6th Viscount
Falmouth, 1873–1908.
Nos. 22–26 even (formerly Nos. 41–43 consec.).
In the
1820's all of the ground between No. 20 South Street and
the back of No. 71 South Audley Street still formed part of
the curtilages of Nos. 72–75 South Audley Street, and was
occupied by stables, and, in the case of the Portuguese
Embassy at No. 74, a chapel (see page 309). In 1827 the
local speculator John Feetham, who was probably a
partner in the firm of John and Thomas Feetham, coal
merchants, of Abingdon Street, Westminster, acquired
No. 74 with the chapel in South Street, (ref. 59) and in 1831 he
bought Nos. 72 and 73 and their stables. (ref. 60) He then
demolished the chapel and stables and in 1833–4 built two
sets of new stables on the site of the present Nos. 26 and 28
South Street. (ref. 61) At the same time he exchanged the new
stables at No. 26 for adjacent ground to the west, which
then belonged to Lord Dinorben, the occupant of No. 75
South Audley Street, (ref. 62) and by this arrangement he was
able to build two first-rate houses, Nos. 22 and 24 South
Street, in continuation of Gandy Deering's range at Nos.
14–20.
Nos. 22 and 24 were leased to Feetham in 1835, (ref. 63) and,
being identical with their neighbours at Nos. 14–18, it
seems certain that Gandy Deering was the architect. No.
22 was demolished in 1934, but No. 24 still survives, and is
now used as offices by the Embassy of the Arab Republic of
Egypt (Plate 94d).
No. 26, also now occupied by the Arab Republic of
Egypt, may also have been designed by Deering. (ref. 64)
Originally it had only two storeys and an attic, with a
covered entrance in the middle bay, leading to the stables
at the rear. (ref. 65) At some time, probably around 1928, when it
became the Egyptian Consulate, an extra storey was added
and the ground-storey front given its present appearance,
stuccoed and pierced by three large round-headed
openings (Plate 94d).
Occupants include: No. 22, 8th Earl of Scarbrough, 1836–56.
8th Viscount Downe, 1873–80. (Sir) Reginald Hardy, latterly
2nd bt., 1882–93. 4th Earl Grey, Governor General of Canada,
1902–17. No. 24, Edward Strutt, latterly 1st Baron Belper,
1838–59. Herbert Jessel, latterly 1st Baron Jessel, 1915–43.
No. 28.
In 1898 Sir Cuthbert Quilter, the occupant of
No. 74 South Audley Street, acquired the stables at No. 28
South Street, the lease of which was renewed to him in
1900 for twenty-eight years. In the following year he was
thinking of building a house there for his son, with Detmar
Blow as his architect. Blow's first plans evidently only
provided for alterations which Eustace Balfour, the estate
surveyor, considered 'so slight as to be unobjectionable'; (ref. 66)
but as executed the work amounted to an almost complete
rebuilding, a substantial house replacing the much smaller
old stables here. The neighbours objected, and in April
1902 the Estate was threatening Blow with an injunction to
make him stop the works (by Maple and Company)
because he was not complying with the specification; and
Sir Cuthbert was angry too when, after he had spent
£10,000 on the house, the Estate quite reasonably refused
to extend his lease, granted only three years previously. (ref. 67)
This was Detmar Blow's first substantial job on the
estate, and although the front is clearly his work, some of
the internal detailing was by his assistant and future
partner, Fernand Billerey. The pretty brick-and-stone
front is in the English vernacular style of the late
seventeenth century with quoins, dormer windows, and a
modillion eaves-cornice, but its two best features are a
pedimented stone doorcase of refined Arts and Crafts
sensitivity and the sophisticated, French-inspired, iron-work of the area railings (Plate 45a, fig. 23e in vol. XXXIX).
The interior is not remarkable except for a wide wooden
staircase in the late seventeenth-century manner. In one of
the second-floor back rooms there is an imported marble
fireplace in the Adam style of the 1780's. Like the
preceding stable block the house is planned around a small
internal courtyard of which the fourth side is the back wall
of No. 72 South Audley Street.
Soon after its completion the house was let to Lord
Dunglass, and his eldest son, the future Prime Minister,
Sir Alec Douglas-Home, was born in it on 2 July 1903. (ref. 68)
Sir Cuthbert Quilter may later have lived here for some
years. His widow was the occupant from 1911 to 1920, and
his son, Sir William Quilter, from 1929 for many years.
South Side east of South Audley Street:
and Waverton and Hill Streets
The three 'takes' of land on the east side of South Audley
Street upon which Nos. 9–16 in that street now stand all
originally extended eastwards to the boundary of the estate
in what later became Union Street and since 1886 has been
called Waverton Street. The three undertakers here were
Roger Blagrave and John Eds, carpenters, and William
Singleton, plasterer, who all agreed for their respective
plots in 1736; (ref. 69) and behind the houses on the principal
front to South Audley Street they or their nominees
afterwards built a number of mostly smaller houses and
stables, coach-houses and workshops on the back land
fronting South Street, Union Street and Hill Street. In the
early years of the twentieth century almost all these
buildings were demolished, the sole survivors (all much
altered) being Nos. 30, 34 and 36 South Street and No. 40
Hill Street. Many of the original plots were then rearranged by the estate surveyor, Edmund Wimperis, and
between 1915 and 1929 six very large houses were built in
South Street, Waverton Street and Hill Street, backing on
to a communal garden laid out on the site of the maze of
outbuildings and yards which had hitherto occupied the
centre of the block.
These outbuildings had included the workshops of (Sir)
Richard Westmacott, the sculptor, who lived at No. 14
South Audley Street from 1818 to 1856. The curtilage of
this house extended through to Union Street, and his back
premises (which are described on page 295) may have
included a casting pit for works in bronze as well as shops
for the many pieces of marble statuary which he produced.
Nos. 30–36 (even) South Street
Nos. 30–36 (even) South Street (Plate 95d). No. 30 (formerly No. 43A) was first occupied as a separate house in
c. 1757, (ref. 3) its site formerly being part of the curtilage of No.
16 South Audley Street which was leased to Roger
Blagrave in 1736. (ref. 70) In 1914 it was taken by the local
builders, Haywood Brothers, who probably renovated it. (ref. 71)
No. 32, the site of which had been originally occupied by
garden ground and later stables for No. 15 South Audley
Street, was built in 1832 by the local speculator John
Feetham to serve as stables and coach-houses for No. 74
South Audley Street, the occupant of which, the first Earl
Cawdor, became Feetham's tenant here. (ref. 72) In 1907 the
stables were converted to garages, and in 1915 the
irregularly shaped plot was divided by Haywood, part of
the back premises being transferred to No. 36 to provide
that house with access to the communal garden then in
course of formation. (ref. 73) No. 34 (formerly No. 43) dates from
1737, when it was leased to Roger Blagrave. (ref. 74) In 1924 the
house was taken by Patricia, Countess of Cottenham, who
spent £4,000 on it and lived here until 1937. (ref. 75) No. 36
(formerly No. 44) was also leased in 1737 to Blagrave, who
lived here himself from at least 1744 to 1752. (ref. 76) In 1828
John Feetham acquired an interest in the house, which in
1886 was said to be 'very old and in poor condition
externally and internally'. (ref. 77) In 1915 it was considerably
enlarged by the addition of part of the site of No. 32,
Haywood Brothers being the builders and A. E. Cockerell
the architect of the extension fronting on to the new
communal garden. At that time the house contained
panelling in two rooms. (ref. 78)
By about 1900 the whole block was from the Estate's
point of view ripe for improvement, and all the leases were
therefore arranged to expire in 1914. But when the future
treatment of the area was considered in 1907 the second
Duke proved very averse to the proposed demolition of
Nos. 9–16 South Audley Street, and rebuilding was
therefore restricted to the South Street and Waverton
Street frontages, the proximity of the latter to fashionable
Hill Street making a very suitable site for the erection of
large expensive houses. (ref. 79) Even here complete redevelopment did not take place, however, for the depleted financial
circumstances of the tenant of No. 40 Hill Street led the
Estate, on compassionate grounds, to accept the surrender
of her interest and to grant a new long lease there in 1907, (ref. 80)
while in South Street Nos. 30–36 were retained after 1914
because their back premises did not interfere with the
plans for the rest of the block. (fn. a)
The Estate's main object—the provision of half a dozen
substantial building plots—was achieved in 1914 when all
the other houses in South Street and Waverton Street, and
the workshops and stables leading off the latter, were
demolished, and the rear curtilages of the houses in South
Audley Street greatly reduced in extent.
Nos. 40A and 40B Hill Street and 54 South Street
Nos. 40A and 40B Hill Street and 54 South Street (Plate 95c, 95e). In 1913 Captain J. E. H. Orr, who was already
living on the site of the future No. 40B Hill Street, was
negotiating with Edmund Wimperis, the estate surveyor,
for one of the plots, and in November he introduced his
friend, Dr. Percy Mitchell of 6 Eccleston Square and 90
Harley Street, as a prospective client for rebuilding next
door (No. 40A). (ref. 82) On the corner site with South Street,
Haywood Brothers wished to build one or two large houses,
but eventually agreed to make do with one (No. 54 South
Street), with a small office for their business tucked into the
site between this and No. 40B Hill Street, their workshops,
hitherto in a yard off Waverton Street, being transferred to a
nearby site in Farm Street. (ref. 83)
But in February 1914 Wimperis decided to form a
communal garden in the centre of the block, and this
involved some re-arrangement of the plots to provide
greater width and less depth. (ref. 84) Despite the outbreak of war
in August 1914 work began in 1915 on Dr. Mitchell's No.
40A Hill Street, where Wimperis's partner, W. B. Simpson, was the architect and Prestige and Company the
contractors, and on the Haywoods' No. 54 South Street,
with A. E. Cockerell the architect and F. Foxley and
Company the contractors. (ref. 85) At No. 40B, where Wimperis
and Simpson were the architects, Captain Orr's absence
abroad on war service compelled him to assign his building
contract to A. C. F. Hill, a speculator also active in the
Green Street district of the Grosvenor estate. (ref. 86) Hill
quickly found a purchaser in a Mrs. Van Raalte, who asked
for a small number of changes, the most important being
between this house and No. 54 South Street. Haywoods
had now decided against having their office here, and a
small inconspicuous addition was therefore made on the
north of No. 40B Hill Street. Work was completed by
October 1916, and by this time Haywoods had completed
and sold No. 54 South Street. Dr. Mitchell's No. 40A Hill
Street was finished in February 1917. (ref. 87)
All three of these very large houses are in the reticent
neo-Georgian style then prevalent on the estate. At No.
40B the hall has pine panelling, and both this and No. 40A
are generally fitted out in the courteous manner of much of
Wimperis and Simpson's work. The communal garden at
the back, with a small fountain in the centre, was laid out in
1915–16 to designs by Wimperis, with Haywood Brothers
the contractors (ref. 88) (Plate 95c).
No. 40 Hill Street
No. 40 Hill Street (Plate 95e). The two houses to the
south of No. 40A Hill Street occupied sites facing obliquely
into Hill Street and were originally much larger than their
neighbours to the north. The site of No. 40 (formerly No.
20A Hill Street) was acquired by George Thwaits,
gentleman, and the house here, which still stands, was
built in 1752–3, probably by John Blagrave. (ref. 89) In the
middle years of the nineteenth century a projecting portico
of the type favoured by the second Marquess of
Westminster was added to its four-storeyed brick front,
and in 1894 the occupant, Joseph J. E. Senior, 'spent
thousands of pounds on the house', much of the work
being done by Thomas Ison, upholsterer. (ref. 90) In 1907 the
Estate accepted the surrender of the lease from Senior's
widow, who had been left 'practically unprovided for', (ref. 91)
and very substantial alterations were made at the back by
the next lessee, David Charles Guthrie, formerly M.P.,
whose builders were Smith Brothers of Northampton. (ref. 92) In
1914 the stabling was demolished for the formation of the
communal garden, and in 1917 improvements were made
to the now very visible rear elevation (Plate 95c) to designs
probably by W. B. Simpson. (ref. 93)
Occupants include: James Beauclerk, Bishop of Hereford,
1754–5. John Talbot, M.P., son of Lord Chancellor Talbot, 1756.
2nd Viscount Powerscourt, 1758–61. Nathaniel Ryder, later 1st
Baron Harrowby, 1762–70. Sir John Gresham, 6th bt.,
1776–1801: his son-in-law, William Leveson-Gower, grandson
of 1st Earl Gower, 1806–52. Gabriel Goldney, M.P., bank
director, later 1st bt., 1868–80. Joseph J. E. Senior, 1886–1906.
Captain Harold Ernest Brassey, grandson of Thomas Brassey the
railway contractor, 1910–16. Sir Laurence Philipps, bt., company
chairman, latterly 1st Baron Milford, 1919–41.
Nos. 42 and 44 Hill Street (formerly 20B).
This large
house at the corner of Waverton Street has a frontage of
some fifty feet (Plate 95e). Its site was leased in 1739 to
John Blagrave, with Roger Blagrave and John Eds as
consenting parties, and in 1750 John Blagrave was
mortgaging the newly built house here. (ref. 94) A plan made in
about 1806 shows that it was six windows wide and had a
basement, three storeys and garrets. (ref. 95) In 1914 the architect
and speculator F. W. Foster agreed to pay a premium of
£5,000 and spend £10,000 on the house in return for a
sixty-three-year lease, but the war intervened and in
January 1919 Viscount Furness, the coal, steel and
shipping magnate, acquired Foster's interest. (ref. 96) He also
acquired the vacant land at the back hitherto occupied by
stables, where he proposed to build underground kitchens
with a tennis court on the flat roof. By June he thought that
'it would be far better to demolish this house entirely and
rebuild', and in the following month his 'architect', W.
Ernest Lord of the Mount Street decorating firm of
Turner Lord and Company, presented himself to the
Grosvenor Board with plans and elevations and 'also stated
that No. 42 Hill Street has been pulled down'. After the
furore evoked by this unexpected news had died down the
Board tried to persuade Viscount Furness to employ 'some
architect of position', and he did indeed employ Mewes
and Davis, though in what capacity is not clear, for Lord
later stated explicitly that he had been 'architect for the
building of 42 Hill Street'. This grand but somewhat
sombre brick house was built shortly afterwards, the
extensive subterranean domestic offices at the back having
a paved garden above instead of the tennis court originally
proposed. The builder was W. F. Blay of Dowgate Hill, a
contractor often used by Turner Lord. Viscount Furness's
first wife died in 1921 and he seems never to have lived
here. (ref. 97)
The house was severely damaged in the war of 1939–45
and in 1951 was reinstated to designs by C. Edmund
Wilford. (ref. 98) The ground and first floors, now numbered 44
Hill Street and entered from the return front, are used for
business purposes, and have an impressive hall lined with
polished stone walls which leads to a stone staircase with a
wrought-iron balustrade. The upper storeys are used as
flats, and have a separate entrance at the front, still
numbered 42 Hill Street.
Occupants include: General John Peirson, 1763–80. General
James Patterson, 1781–1805. Sir William Abdy, 7th bt., 1810–68.
Thomas Charles Bruce, M.P., son of 7th Earl of Elgin, 1871–90.
Anthony de Rothschild, 1928–40.
No. 38 South Street.
Rebuilding on the South Street
front of the block was not completed until 1929. In 1915
the Grosvenor Board decided not to deal with the
remaining vacant land there until after the war, but in 1916
negotiations were afoot with Henry McLaren, the
industrialist, later second Baron Aberconway, for a very
large plot with a frontage of some ninety feet. (ref. 99) In 1917–18
Edmund Wimperis as estate surveyor was experiencing
'very great difficulty in getting Mr. McLaren to agree to
the alterations which he has had to insist upon to get a
decent elevation'. Wimperis and his partner W. B.
Simpson were officially McLaren's architects, but in fact
the house was almost entirely designed by the young John
Murray Easton, soon to be a partner in the firm of Easton
and Robertson (and later, through McLaren's influence,
the architect of the Royal Horticultural Society's New Hall
of 1926–8). The building contract was finally signed in
June 1918, but building did not start until a year later,
Trollope and Colls being the main contractors. The cost of
the house was estimated at £40,000, but Wimperis thought
it would 'cost more in the end'. (ref. 100) The McLarens had
moved in by 1922, and remained here until 1943. In 1948
the house was taken by the J. Arthur Rank Organisation
Limited, which still occupies it.

Figure 83:
No. 38 South Street, plans and front elevation
This was the last private house of great size to be built in
Mayfair. Its restrained neo-Georgian elevations exude an
air of good breeding, with tall sash windows, bland
expanses of thin hand-made bricks and a steep pantiled
roof (fig. 83: see also Plate 45c in vol. XXXIX). The
symmetrical street front has stone pilasters and a
projecting Ionic porch with a swan-necked pediment and
cartouche. The garden front is less formal, having
irregularly placed segmental bow windows of full height.
The same qualities of spacious simplicity pervade the
interior (Plate 96: see also Plate 43b in vol. XXXIX). Both the
ground and first floors contained only three rooms each: a
full-width entrance hall, dining-room and morning-room,
with a gallery, drawing-room (now board room) and
music-room over. Indeed so spacious was this plan that the
Estate was concerned that it might detract from the future
letting value of the property. (ref. 101) The main rooms were
devised as a setting for the owner's art collection, and their
two dominant moods, English early Georgian and Italian
quattrocento, reflect the fashionable character of the
original contents. The Georgian work was presumably all
from the hand of Murray Easton but the Italian decoration
in the entrance hall and dining-room was devised by
Harold Peto. (ref. 102) In the former the black marble chimneypiece, pilasters and floor are complemented by inlays
and capitals of white metal, while the swirling cantilever
staircase has a polished steel balustrade incorporating a
shell pattern. In the dining-room (now subdivided) the
decoration was partly carried out in Siena marble.
The other principal rooms all have more conventional
painted pine panelling. Only the drawing-room has its
panelling left unpainted and the floor, of ebony, introduces
an exotic note. These rooms remain largely unaltered but
the bedrooms on the second floor have been almost totally
transformed with the exception of Lady Aberconway's
room, now a dining-room, which retains something of its
original neo-Adam flavour.
No. 40 South Street.
After McLaren had agreed for
the site of his mansion, there was still one vacant plot left in
South Street. In 1915 the Grosvenor Board had agreed
with the London County Council to leave this as an
entrance to the communal garden, but after Lord Furness
had completed his building operations at No. 42 Hill
Street the Board had agreed to keep the land in Hill Street
west of Lord Furness's paved garden as an open space. In
1926 the L.C.C. therefore decided to forego the intended
entrance from South Street, and in 1927–9 a four-storey
house with double attics and basement was built here to
designs by W. Ernest Lord. (ref. 103) In the first-floor back room
there is an inlaid fireplace of Adam style and date.
Occupants include: Evan Morgan, later 2nd Viscount
Tredegar, 1930–3.