CHAPTER XXIV.
SOHO.
"The lights are fled, the garlands dead."—Old Song.
The Situation and Etymology of Soho—Historical Reminiscences—Newport Market—French Refugees—Gerrard Street—The Toxophilite Society—Dryden's House—Edmund Burke—The "Turk's Head" Tavern, and the Literary Club—The "Literary Society"—Macclesfield or
Gerard House—The Prince of Wales's Shooting-ground—L'Hôtel de l'Étoile—St. Anne's Church—The Burial-place of Lord Camelford—Vicissitudes of the King of Corsica—The Parish Watch-house and "Sir Harry Dimsdale."
It has been often remarked—but at the same
time, we think, not altogether truthfully—that the
past history and character of London cannot be
read—like that of Paris, Rome, or Athens—from
the appearance of its public buildings and principal
thoroughfares. Thus, for instance, Mr. T. Raikes
says, in his "Journal," in 1844—"What a difference
there is between Paris and London! You may
walk through the latter from Hyde Park Corner to
Wapping, and, with the exception of a few old
churches, the Tower, and the Monument, you see
nothing that calls to mind the ancient history of
the country. In Paris every street is a memoria
technica of some anecdote in former times. The
one is all poetry, the other is all prose. The
Faubourg St. Honoré is now become the residence
of the aristocracy in Paris. It is what the Quai
des Tournelles and the Quai d'Anjou were in the
times of Charles IX., Henri III., and Henri IV.;
what the Palais Royal and the Marais were in the
times of Louis XIII. and Louis XIV.; what the
Faubourg St. Germain was in the times of Louis
XV., XVI., and the Restoration. These different
migrations of the nobility have left in their former
quarters the traces of past splendour, which time
has hitherto respected, but which the barbarism of
the present age is eager to destroy. One exception
to this feeling may be cited. The beautiful old
Hôtel Lambert, in the Rue St. Louis, which I
visited with Glengall a few years ago, has been
purchased by Prince Czartoryski, who has repaired
and restored it to its original freshness. Liberty
and equality are fine words, but they will leave no
monuments behind them, except railroads, barracks,
and model prisons."
But, at all events, there is one portion of our
metropolis to which this remark will not apply;
for we fancy that no city in Europe can more
thoroughly tell the story of its own past history,
than can Soho testify to the glories of other days,
which still surround its decaying and decayed
houses as with a halo.
The name Soho, as it is uncertain in its derivation, so also is it loosely applicable to a neighbourhood which it would be impossible to define
accurately. It is enough to describe it roughly as
lying between St. Martin's and St. Giles'-in-theFields, Leicester Square and Oxford Street; but
its limits on the western side are very vague. It
lies mostly in the district of St. Anne's, which was
formed out of the parish of St. Martin's-in-theFields, towards the end of the seventeenth century.
Pegge mentions the tradition that the name of
"Soho"—the watchword at
the battle of Sedgemoor,
in 1685—was given to a
"square" that at that time
existed here, called King's
Square, in memory of the
Duke of Monmouth, whose
mansion was upon the south
side. Mr. Peter Cunningham, however, negatives
this assertion, for he tells
us that he has found the
name of "Soho" in the
rate-books of St. Martin's
parish as early as the year
1632. At any rate, people
were described as living at
the "brick kilns near Soho"
as far back as 1636—nearly
half a century before the
famous battle of Sedgemoor.

GAMBLE'S SHOP-BILL. (After Hogarth.)
"The ruthless head of
historical truth," says a writer in the Saturday
Review, "has of late years demolished many
pretty stories, and has not spared the favourite
legend of Soho. In the happy days when we
believed in the immaculate purity of Anne Boleyn,
when we derived Charing Cross from the chère
reine, when we attributed the razing of Fotheringay to the filial piety of King James, and had a
child-like faith generally in the honour and virtue
of crowned heads, there were many tales to be
repeated as constantly appropriate to the certain
localities. Among them, and involving a singular
perversion of facts, is the popular account of the
name of this district. 'Soho' was the Duke of
Monmouth's watchword at Sedgemoor, and was
applied by his party to the square in which his
town-house stood. So ran the tale. There is a
sediment of truth in it. The Duke did live in a
house on the south side of what was then called
King's Square, and his memory was long cherished
in that district and elsewhere. But the district
was then called, as it is called still, 'Soho,' and
King's Square was then, as it is still, in 'Soho.'
Monmouth's watchword was derived from the
name of the place where his house stood, not
exactly from the name of the square, for it was
then called generally King's Square, or else Soho
Fields, and this name had been known, as Lord
Macaulay points out, at least a year before Sedgemoor, and, as he might have pointed out, at least
fifty years before that again. Where the name
came from is a different question. It is easy to
form conjectures about it,
and to say it is derived
either from the footpad's
slang of the sixteenth century, when the fields were
lonely at night, and divers
persons were robbed in
them, and so forth; or else
from the cry of the huntsmen in calling off the
harriers in the day when
all to the west of Holborn
and Drury Lane was open
country. This sporting
derivation of the name will
appear the more probable
if we remember what Stow
says of these parts in 1562,
'The Lord Mayor, aldermen, and many worshipful
persons rode to the conduit
leads … according to
the old custom, and then
they went and hunted a hare before dinner and
killed her; and thence went to dinner at the banqueting-house at the head of the conduit, where
a great number were handsomely entertained by
the chamberlain. After dinner they went to hunt
the fox. There was a great cry for a mile, and
at length the hounds killed him at the end of
St. Giles', with great hollowing and blowing of
horns at his death.' In reality, however, we do
not know much about the matter, and had better
let it alone; while for those who like associations
of the kind, it will be enough to point out that
Monmouth's house stood where there is now a
hospital for women, and that the narrow alley
called Bateman's Buildings is on part of the site.
There is still an old-world air about the place. If
you dive down into the streets and lanes, you see
everywhere evidences of the greatness of former
occupants. If a street-door is open, there is a
vision of carved oak-panelling, of fretted ceilings,
of frescoed walls, of inlaid floors. Squalid as are
some of the tenements, their inhabitants do not
need to dream that they dwell in marble halls."

SOHO SQUARE, ABOUT 1700.
"Once on a time," continues the same writer,
"even Seven Dials was fashionable; and is not a
king buried in St. Anne's? for one Wright, an oilman in Compton Street, had the body of Theodore
of Corsica interred at his own expense, and Horace
Walpole pointed the moral of the poor Fleet
prisoner's tale in his well-known epitaph. Here
and there, at the corners, a little bit of the quaint
style now in vogue as Queen Anne's allures the
unwary passenger into a noisome alley, and Soho
can boast of fully as many smells as Cologne.
The paradoxes, in which facts and statistics are so
often connected, may receive another example from
this densely populated and still more densely perfumed region, for it has been found that children
survive the struggles of infancy better in Soho than
in many a high and airy country parish. Paintings
by Sir James Thornhill and Angelica Kauffmann are
to be seen in some of the houses. Modern castiron railings may stand abashed before the finelywrought work which encloses some of the filthiest
areas. There are mantelpieces in marble, heavy
with Corinthian columns, and elaborate entablatures in many an upper chamber let at so much
a week. Visitors to the House of Mercy at
the corner of Greek Street have an uncovenanted
reward for their charity in seeing how the great
Alderman Beckford was lodged when he did not
make the speech now inscribed on his monument
in Guildhall. Art still reigns in the house opposite,
where the Royal Academy held its infant meetings;
and it was close by, at the corner of Compton
Street, that Johnson and Boswell, Reynolds and
Burke, kept their literary evenings, and were derided by Goldsmith. The more purely scientific
associations of the place are almost equally remarkable. In the south-west of the square, in the
corner near Frith Street, Sir Joseph Banks and
Mr. Payne Knight successively flourished, and the
Linnæan Society had here its head-quarters before
it was promoted to Burlington House. Since the
whole of Soho was more or less fashionable, it is
nothing remarkable to find Evelyn and Burnet
and Dryden residing within its bounds; but there
is some interest in the lying in state there of
Sir Cloudesley Shovel, when his body, recovered
from the sea at Scilly, was on its way to Westminster Abbey. No doubt an effigy surmounted
the pall, and the illustrious foundling appeared in
the Roman armour and the full-bottomed wig in
which he reposes upon his monument. Half the
sites of the curious scenes in Soho, half the residences of historical characters have, however, been
left without identification. When the Society of
Arts began some years ago to follow the French
example, and to place little tablets on the houses in
which great men lived or died, they did well; but
of late, for some years, they have slackened their
efforts, and the whole district deserves and still
needs the signs of their activity. If they are not
disposed to carry on the task, they should formally
give it up. Here and there among the narrow
streets and the crowded passages a shield of arms
attached to the front of a house marks the former
residence of a great noble, or the name of a corner
suggests the scene of some great event; but for the
most part the labyrinth is unexplored, and the sites
are forgotten or altogether unknown."
In "Burns' Handbook of the Season," Soho is
described as "an industrial district characterised
by several special features of its own. The principal peculiarity which is most likely to arrest
the attention of a stranger here is the display of
antique furniture and archæological subjects to be
seen in the warehouses of manufacturers, and in the
Dryasdust-looking curiosity shops. It is worthy of
notice that ancient furniture can be manufactured
in this locality, of any age, from the tenth century
to the nineteenth, and in all manner of styles, from
the clumsy Dutch to those in fashion in the reign
of Louis XIV. The curiosity shops in Soho are
the means of drawing round them numbers of
gentlemen, who are continually fishing for relics of
a bygone age. Many men with mediæval idiosyncracies have added to their stock of archæological
stores from this antiquarian storehouse of modernmade furniture. Soho is also the emporium of
musical-instrument makers; the square is full of
pianoforte manufacturers: these lyres find their way
into all parts of the civilised world, and tune the
minds of millions of the human family to joy and
sadness. This district is also a principal rendezvous for foreigners in London, many of whom
here ply their avocations as artists and mechanics."
Although, as compared with Belgravia and
Tyburnia, the district known as Soho may be
called old, yet it has about it none of the poetry
of a venerable antiquity. It is a dull, dingy, and
dreary part of London, in spite of its proximity
to Regent Street and Oxford Street, and it contains
little that is picturesque to relieve the monotony of
its appearance.
It was laid out for building in the reign of
Charles II., and consists almost wholly of straight
and narrow streets running at right angles to each
other. In many of these streets, however, there
are noble and substantial mansions, which were
largely occupied by wealthy merchants and members
of Parliament, and even by a few peers of the
realm, down to the commencement of the present
century.
Soho rejoices in a square; but that is of small
dimensions and uninviting aspect; and it seems
difficult to realise the fact that a century ago, when
Mrs. Cornelys' masqued balls were in vogue, it was
crowded night after night with the carriages of
"the quality," and even of the highest ranks of the
nobility; and that, so lately as the first years of
her present Majesty's reign, the Duke of Marlborough occupied a residence in it during the
Parliamentary session. It is now chiefly occupied
by musical and medical publishers, and by other
trades which do not depend much on the publicity
of a thoroughfare.
We give on page 175 a rare and curious print of
the square as it must have been about the year 1700.
The view is that of the southern side, in the centre
of which, within large iron gates and with a large
square courtyard in front, stands Monmouth House.
The gardens in the rear are square, and extend as
far south as Compton Street; the entrance is
flanked by two large houses, the only ones on that
side. St. Anne's tower and spire not being built,
there is nothing to break the monotony of the
square and rectangular streets which cover the
ground apparently nearly to Leicester Square. The
statue is in the centre as now, and the enclosure
is laid out after the regular Dutch type. In the
original inscription to this print "Frith" Street is
called "Thrift" Street, and "Greek" Street figures
as "Grig" Street, while what is now Carlisle Street,
running into the square from the west, rejoices in
the name of "Merry Andrew" Street. The details
of the square we shall give in the next chapter.
That the growth of a population and the building
of houses in this neighbourhood was looked upon
with no favour at Court, and that St. James's
already was beginning to growl out its dislike in
the direction of St. Giles's, is clear from a royal
proclamation, dated in April, 1671, forbidding the
erection of small cottages and other tenements in
"the Windmill Fields, Dog Fields, and the fields
adjoining 'So Hoe,'" on the ground that such
buildings "do choak up the air of his Majesty's
palaces and parks, and endanger the total loss of
the waters which, by expensive conduits, are conveyed from those fields to our palace at White
Hall." It is to be feared that this latter ground of
alarm was not without foundation, for certainly it
would be no longer possible to supply any of the
royal residences with water from this neighbourhood; though Allen tells us that when the square
was first laid out, "a fountain of four showers fell
into a basin in the centre."
Commencing on the south side of this district,
we find immediately behind Leicester Square a
very remarkable neighbourhood forming part of
Soho, and comprising Newport Market, where the
famous orator Henley held his mock preaching.
The father of Horne Tooke was a poulterer in this
market, or, as he is reported to have told his
schoolfellows, "a Turkey merchant." In this queer
locality a number of genuine French shops are to
be found much as they were during the emigration
after the revocation of the Edict of Nantes. Many
of them are cheap cafés and restaurants, like those
near "the barrier" in Paris. Most of the French
refugees who came to England settled here; and
in a work published in 1688, entitled the "Happy
Future of England," it is noticed that they had
already filled 800 of the new-built and empty
houses in London. Maitland, who wrote in 1739,
observes that, "Many parts of the parish abound
with French, so that it is an easy matter for a
stranger to fancy himself in France."
Newport Market was so named from the townhouse of the Earl of Newport, which stood close
by at its north-west angle. It boasts of no attractiveness in the way of buildings, being neither
more nor less than a narrow avenue of shops,
occupied chiefly by butchers, the market being
established for the sale of butcher's meat.
It has been more than once suggested that it
would, perhaps, do much for the improvement of
the western portion of the metropolis if the site of
Newport Market could be used for some such
purposes as a railway-station, a market for fish,
poultry, &c., or for the erection of a block of
Peabody buildings. The property comprised within
the area of Newport Market cannot be of much
value, and is something worse than an architectural
blotch on the map of London.
At the back of Leicester House, as we have
already seen, were extensive lawns and gardens,
where now stands Lisle Street, and "several noblemen residing in Gerrard Street were allowed to
have private entrances into the gardens, where
there was space for three pairs of targets." In
these gardens, in 1781, Sir Ashton Lever, who has
already been mentioned in connection with Saville
House, in conjunction with Mr. Waring and other
friends, started the Toxophilite Society, of which
the then Prince of Wales shortly afterwards condescended to become patron. The butts, however, not having sufficient range, the members
used to hold their fête-days at Canonbury Tower,
at the Artillery Ground, Finsbury, or at Highbury
Barn; holding, however, convivial gatherings in the
evening in their own quarters here. For about
twenty years this society continued to flourish, and
its meetings were well supported; but its members
dwindled sadly down during the long war against
Napoleon, at the end of which they numbered but
twenty-five. They afterwards hired a ground at
Bayswater, and in 1834 obtained their present
grounds in the Regent's Park, where we shall
doubtless find the society again, in full plume and
feather, when we reach that place.
Gerrard Street took its name from Gerard, Earl
of Macclesfield, the owner of the site, and the
building of the street was commenced about the
year 1677.
In Gerrard Street, on the south side, "the fifth
door on the left hand, coming from Newport
Street," as he tells his friend Steward in a letter,
lived John Dryden. We have Pope's authority, in
"Spence's Anecdotes," for the assertion that he
used commonly to write in the ground-room next
the street. Mr. Peter Cunningham identifies this
house with that which is now No. 43, and he quotes
Dryden's own dedication of "Don Sebastian" to
the Earl of Leicester, in which the poet styles himself "a poor inhabitant of your lordship's garden,
whose best prospect is on the garden of Leicester
House." Here Dryden died in the year 1700, and
here, as John Timbs tells us, took place the disgraceful interference with the poet's funeral procession by a party of drunken Mohocks, headed by
Lord Jeffries. Edmund Burke, too, in 1787, was
a resident in Gerrard Street, but the number of his
house is not known for certain, although Mr. J. T.
Smith, who was living here at the same time, says
of him, "Many a time when I had no inclination
to go to bed at the dawn of day, I have looked
down from my window to see whether the author
of 'Sublime and Beautiful' had left his drawingroom, where I had seen the great orator many a
night after he had left the House of Commons,
seated at a table covered with papers, attended by
an amanuensis who sat opposite to him."
But Burke and Dryden are not the only literary
names on which Soho can pride itself. It was at
the "Turk's Head," at the corner of Greek Street
and Compton Street, and afterwards in Gerrard
Street, that the Literary Club—sometimes also
called "The Club"—was founded in 1764 by Dr.
Johnson and Sir Joshua Reynolds. The "Turk's
Head" had already a reputation of its own, having
been a kind of head-quarters for the Loyal Association during the Scottish rising of 1745. "The
members," says Mr. Peter Cunningham, "met one
evening in every week, at seven, for supper, and
generally continued their conversation till a late
hour." Sir John Hawkins, Burke, and Goldsmith
were among its original members, the latter being
admitted in spite of Sir John Hawkins' objection to
"Goldy" as a mere literary drudge. At its origin
it was composed, or at all events intended to be
composed, of representatives of intellectual power
in various lines of excellence, Goldsmith gaining
admission as "naturalist," on account of his "Animated Nature," whilst Reynolds was, of course,
the painter, and Gibbon the historian. In 1772
the supper was changed to a dinner, and the
number of members increased from twelve to
twenty. In 1783 their landlord died; the original
tavern was converted into a private house, and the
club removed to Sackville Street. All elections
took place by ballot. Johnson himself proposed
Boswell, and the last member elected in Johnson's
life was Dr. Burney. It was at first called "The
Club," but at Garrick's death it was styled the
"Literary Club." In 1780 the number of members
was raised to forty. After several migrations in
the neighbourhood of Dover Street and Sackville
Street, in 1799 the club took up its quarters at the
"Thatched House" tavern in St. James's Street.
After alluding to a speech of that gruff and sarcastic judge, Lord Chancellor Thurlow, in which
his lordship called the "Thatched House" tavern
an "alehouse," Mr. Timbs says that "from the
time of Garrick's death the club was known as the
'Literary Club,' since which time, however, it has
certainly lost its claim to this epithet. It was
originally a club of authors by profession; it now
numbers few except titled members, which was
very far from being the intention of its founders.
The name of the club is now 'The Johnson.'" He
also states, in the first volume of his "Club Life in
London," that "the centenary of the club was
celebrated in 1864, at the Clarendon Hotel, the
Dean of St. Paul's (then Dr. Milman) being in the
chair. Among the members present were—His
Excellency M. Sylvain Van de Weyer; Lords
Stanhope, Clarendon, Brougham, Stanley, Cranworth, Kingsdown, Hatherley, and Harry Vane;
the Bishops of London (Tait) and Oxford (Wilberforce); Sir Edmund Head, Mr. Spencer Walpole,
Mr. Robert Lowe, Sir Henry Holland, Sir Charles
Eastlake, Sir Roderick Murchison, Dr. Whewell,
Professor Owen, Mr. George Grote, Mr. C. Austin,
Mr. H. Reeve, and Mr. George Richmond."
In some of these statements, however, as it
would seem from information to which we have
had access, and which has been placed at our disposal, Mr. Timbs is not strictly accurate. Another
association, known as the "Literary Society," has
for many years run a parallel course to the "Literary
Club," or, as it was formerly styled, "The Club,"
founded by Johnson and Reynolds. Though running parallel to each other, there is no rivalry or
hostility between the two; for, indeed, many distinguished persons belong to both of them. The
"Literary Society" is of comparatively recent origin,
and one tradition says it is due to the disappointment of one or two of its originators at their nonadmission into "The Club," where a single black
ball has always excluded a candidate. Perhaps,
however, the truer account of its origin may be
found in the increase of men of literary, scientific,
artistic, and administrative attainments of the grade
of those who originally founded "The Literary
Club." The latter name was not retained for
long after Dr. Johnson's death, because it was
too limited to express the real constitution of the
association, though possibly it may be urged that
the innovators may be held open to blame in
choosing the present name of "The" Club, as
laying claim to a singular and special excellence.
There can be no doubt that generation after
generation its members have been elected—not
merely from among authors, but among painters,
lawyers, statesmen, the only test being that of
eminence in a man's own profession. In this way
"The Club" has secured a series of "representative men," whose names, if given at length, would
go far to justify the apparent conceit of the title.
For instance, when Sir Charles Eastlake and Mr.
George Richmond were chosen, it was held, no
doubt, that they succeeded to the place once held
in that circle by Sir Joshua Reynolds; that Grote,
Hallam, and Milman were no unworthy successors
of Edmund Gibbon; and possibly Professor Owen
was at least as great a naturalist as Oliver Goldsmith.
"The Club" dined for many years, as stated
by Mr. Timbs, at the "Thatched House" tavern,
and afterwards at Grillon's, and at the "Clarendon
Hotel." It may also be recorded as a matter of
interest that at the centenary dinner Lord Brougham
was the "father of the club," and that he came all
the way from the south of France in order to be
present on the occasion. Mr. John Timbs gives a
list of seven absentees from that dinner, including
Lords Russell and Carlisle; but one of the members
who dined on that day at the "Clarendon" tells us
expressly that "it was the only meeting within his
memory which included all the then members."
Lord Macaulay was very desirous to hold the
dinner—not at the "Clarendon," but at the old
house where the club had been commenced; but
this was found to be impossible.
In 1864 the secretary was Dean Milman, who
took a great pride in showing to friends the books
and archives of the club, including a valuable collection of autographs. Among the other memorials
in the possession of the club is the portrait of Sir
Joshua Reynolds with his spectacles on, which he
painted with his own hand and presented to the
society, and which is well known by an engraving.
The "Literary Society," the other association,
dates, as we have said, from a far more recent period.
Among its members we find the names of the
Right Hon. Spencer H. Walpole (president), Lords
Coleridge, Chelmsford, Dufferin, Houghton, Lawrence, Cairns, Stratford de Redcliffe, and Selborne;
the Archbishop of York and the Bishop of Peterborough; the Dean of Westminster and Professor
Partridge; Generals Sir Edward Sabine, Sir William Boxall, Sir Henry Rawlinson, Sir William
Erle, Sir James W. Colvile, Sir John W. Lubbock,
and Sir Travers Twiss; Mr. George Richmond,
Mr. Henry Reeve, Mr. Gathorne Hardy, Colonel
Hamley, Captain Douglas Galton, the Right Hon.
William Massey, Mr. Charles T. Newton, Mr.
J. A. Froude, Rear-Admiral Sherard Osborn, Mr.
Kirkman D. Hodgson, and Mr. Matthew Arnold.
It may be added that the "Literary Society" meets
for dinner once a month on Mondays, at half-past
seven, during the season, at Willis's Rooms, from
November to July inclusive.
"Of the Literary Club," says Mrs. Piozzi, in
her "Johnsoniana," "I have heard Dr. Johnson
speak in the highest terms, and with a magnificent
panegyric on each member, when it consisted of
only a dozen or fourteen friends; but as soon as
the necessity of enlarging it brought in new faces,
and took off from his confidence in the company,
he grew less fond of the meeting, and loudly proclaimed his carelessness as to who might be admitted, when it was become a mere dinner-club."
It was at the "Turk's Head," too, that a Society
of Artists met in May, 1753; and another society,
numbering among its members West, Chambers,
Wilton, Sandby, and others, who, from the "Turk's
Head," petitioned George III. to bestow his patronage on a Royal Academy of Art.
In Gerrard Street, just opposite to Macclesfield
Street, looking northwards directly up it, stands
Macclesfield or Gerard House, the residence
formerly of Charles, first Lord Gerard, and afterwards first Earl of Macclesfield. It is a poor, dulllooking structure, and still stands much as it did
when first built, about 1680. It was afterwards
tenanted by Lord Mohun, the duellist, and also by
Lord Lyttelton. The house is now a lamp manufacturer's warehouse. It still retains many traces
of its former magnificence, in the fine ceilings with
carved cornices, mantelpieces, and one of the
noblest staircases to be seen in London, down
which gay ladies swept with their long trains in
the days of my Lords Macclesfield and of the
gay and profligate Lord Mohun.
Before quitting Gerrard Street, we may say that
in this street the Linnæan Society held its meetings previous to its establishment in Soho Square.

DRYDEN'S HOUSE. (From an Original Sketch.)
The neighbourhood of Gerrard and Macclesfield
Streets, as appears from a MS. in the British
Museum, was originally an enclosure of ground
made by Henry Prince of Wales, elder brother of
Charles I., for the purpose of "the exercise of
arms." Here, it appears, he built a house, which
was standing at the Restoration; and the site
afterwards passed, probably by purchase, into the
hands of Lord Gerard, who let out the ground
around him on building leases.
Macclesfield Street, we may add, was in the last
century popularly known by the abridged name of
"Maxfield" Street, but it has since recovered its
orthography.
Princes Street, which crosses Gerrard Street at
right angles, is built on part of the ground used
as the prince's artillery yard. Here, in 1718, lived
Halley, the astronomer.
The house in Windmill Street in which the
Museum of John Hunter was formed and located
before it was transferred to Leicester Square, is
now a foreign restaurant and dining hall, rejoicing
in the name of L'Hôtel de l'Étoile.
We learn that as the parish of St. Martin's grew
more and more populous, fresh streets being built
to the north and west, the inhabitants of the newlybuilt district applied to the bishop and the legislature, by whose joint action a site of land in "Kemp's
Field," as it then was called, was granted, though
not without difficulty. In 1673, soon after the
erection of the new church, it was made into a
separate parish, a district cut off from St. Martin's
being assigned to it. It was then "discharged
from all manner of dependence on the mother
church, and ordered to be called the parish church
of St. Anne, within the liberty of Westminster."
As. however, there was but a slender endowment,
and no provision had been made for the completion
of the tower and steeple, or for building a rectory
house, commissioners were appointed to carry out
this work; and in March, 1685, the church was
consecrated by Dr. Compton, Bishop of London,
"and dedicated," says Allen, "to 'the Mother of
the Blessed Virgin.'" The parish commences at
the eastern end of Oxford Street, including Soho
Square and all the south side of Oxford Street as
far as Wardour Street. Its eastern boundary is
formed by Crown Street and West Street, and it
extends southwards to about the centre of Leicester
Square.

ST. ANNE'S, SOHO. (From a Sketch taken in 1840.)
Contrary to the usual custom, the chief front
of this church is not to the west, but to the east,
abutting on Macclesfield Street. It is a fair specimen internally of the classical style of the period,
and calls for little remark or detail; but its spire
may safely be said to rival that of St. George's,
Bloomsbury, in ugliness. The name of the architect was Hakewill.
"The church was dedicated to St. Anne," says
Allen, "out of compliment to the Princess Anne of
Denmark. It is said to have been surmounted at
first by a steeple of Danish architecture, which was
'the only specimen of the kind in London.'" But
what the Danish style of art may have been in the
early part of the eighteenth century, we are not
informed.
In the vaults beneath this church is buried the
eccentric and unhappy Lord Camelford, who fell in
a duel which he fought at Kensington, in the year
1804. He was the only son of Thomas, first Lord
Camelford, and was born in 1775. "This young
nobleman," says his biographer in the Gentleman's
Magazine, "was not only inclined to the more enlightened pursuits of literature, but his chemical
researches, and his talents as a seaman, were
worthy of the highest admiration. His lordship
had an idea that his antagonist (Captain Best) was
the best shot in England, and he was therefore
extremely fearful lest his reputation should suffer,
if he made any concession, however slight, to such
a person."
It was Lord Camelford's eccentric wish, and,
indeed, it was commanded by him in his will, that
he should be buried in a lonely spot on an island
in a lake in Switzerland; but dying at the time
when he fell, while the European war was raging,
it was impossible for his executors to carry out his
instructions at the time; and when the peace
came, in 1815, he had been too long in his grave
for his wishes to be remembered. So his body
still lies in a gorgeous coffin, surmounted with his
coronet, in the vaults under St. Anne's Church,
which have for many years been sealed down and
closed.
Among those who lie buried here is the Lady
Grace Pierrepont, daughter of the Marquis of Dorchester. A letter published by Sir Henry Ellis in
1686 speaks of the Countess of Dorchester, Sedley's
daughter, as furnishing a fine house in St. James's
Square, and having just taken a seat (sitting) in the
"newly-consecrated St. Anne's Church."
The church also contains the remains of royalty
of a certain kind—namely, of a king of Corsica,
whose unhappy career and end has been told by
Sir Bernard Burke, in his "Vicissitudes of Families;" and before him by Horace Walpole and by
Boswell. A tablet in the churchyard to his
memory bears the following inscription:—
"Near this place is interred Theodore, King of Corsica,
who died in this parish, December 11th, 1756, immediately
after leaving the King's Bench Prison by the benefit of the
Act of Insolvency; in consequence of which he registered
his kingdom of Corsica for the benefit of his creditors.
The grave, great teacher, to a level brings
Heroes and beggars, galley-slaves and kings;
But Theodore this moral learn'd ere dead;
Fate pour'd its lesson on his living head—
Bestow'd a kingdom and denied him bread."
It may interest our readers to know that this
fallen monarch was buried at the cost of a small
tradesman who had known him in the days of his
prosperity, and that the tablet above-mentioned
was erected by Horace Walpole, who also wrote
the epitaph quoted above.
The King of Corsica was Stephen Theodore,
Baron Neuhof of Prussia, and was born at Metz,
in 1696. Mr. Cunningham styles him "an adventurer," and certainly in assuming royalty here he
went a step further than most other pretenders.
He was educated in France, under the care of the
Duchess of Orleans. He entered the service of
Charles XII. of Sweden, when his name and the
distressed state of Corsica induced the inhabitants
of the latter island to ask his protection, and in
return to offer him their crown. In March, 1736,
we are told, he arrived at Aleria in a ship, with two
others very richly laden with provisions and ammunition. He was conducted to Corsica, and was
elected king amid the acclamations of the people,
and was crowned as Theodore I. At this time the
Corsicans were in a state of comparative barbarism.
Theodore coined money, and maintained an army
of 15,000 men at his own cost. The Genoese, in
envy and jealousy, published a manifesto filled
with falsehoods, and set a price on his head.
Finding his life attempted by his own people, he
called an assembly, and made them a short speech,
which so affected them that they called him their
saviour and king. In 1743 he issued a "declaration" calling back to that island all Corsicans in
foreign service, under the penalty of confiscation
of their estates. His money being now exhausted,
he was obliged to seek foreign succour, conferring
the regency in his absence on twenty-eight of the
nobles. Theodore now went from place to place
begging assistance, and in constant fear of assassination. The English sent him to their fleet
in the Mediterranean, instructing their admiral to
re-establish him on his throne. The admiral,
however, told Theodore that the Corsicans meant
to oppose his landing. It appears that he was
now, in his helpless condition, made the victim of
foul play, for on returning soon after to London,
money was lent to him by a scheme of the Genoese
minister; for this debt he was arrested and sent to
prison.
He was arrested by a ruse. He lived in a
privileged place—probably the Sanctuary at Westminster—and his creditors seized him by making
him believe that Lord Grenville wanted to see him
on business of importance; he bit at the bait,
thinking that he was to be reinstated at once. We
may mention that while in England King Theodore
distinguished himself, like his humble successor,
the soi-disant Duc de Roussillon, by his fondness
for the fair sex. He fell in love with Lady Lucy
Stanhope, sister of the second earl, and even made
her an offer of marriage; and another lady, a
widow, he all but persuaded to share his shadowy
crown.
Horace Walpole describes him as a "comely,
middle-sized man, very reserved, and affecting much
dignity." A life of him, Walpole tells us, was published, "too big to send but by messenger."
There is a fine portrait of Theodore, taken from
life by order of the King of Naples, when under
confinement in the castle at Gaeta.
Horace Walpole wrote a paper in the World, as
he tells us, in order to promote a subscription for
King Theodore during his imprisonment. His
Majesty's character, however, as Walpole tells us,
was so bad, that the sum raised was only fifty
pounds; but "though it was much above his
deserts, it was so much below his expectation that
he sent a solicitor to threaten the printer with a
prosecution for having taken so much liberty with
his name; and that, too, after he had accepted the
money." Well may Horace Walpole add, "I have
done with countenancing kings."
It was at Soho that Theodore went "to the place
which levels kings and beggars, an unnecessary
journey for him," as Walpole says, "who had
already fallen from the one to the other."
The story of his actual death is thus related by
the gossiping pen of Horace Walpole, who met
him at several parties in London in 1749:—"King
Theodore recovered his liberty only by giving up
his effects to his creditors under the Act of Insolvency; all the 'effects,' however, that he had to
give up were his right, such as it was, to the throne
of Corsica, which was registered accordingly in due
form for the benefit of his creditors. As soon as
Theodore was at liberty, he took a (sedan) chair
and went to the Portuguese minister; but not
finding him at home, and not having a sixpence to
pay, he desired the chairmen to carry him to a tailor
in Soho, whom he prevailed upon to harbour him;
but he fell sick the next day, and died in three
more."
"I would have served him if a king, even in
jail, could he have been an honest man," said
the individual who generously erected his monument.
It may be added that Boswell wrote an account
of Theodore, strung together from anecdotes which
he picked up from Walpole in Paris.
In the church or churchyard also lie Mr. William
Hamilton, a Royal Academician of the last century;
Sir John Macpherson; Mr. David Williams, who
deserves to be remembered as the founder of the
Literary Club; and William Hazlitt, the critic and
essayist, over whom the grave closed in 1830.
Adjoining the south-east angle of St. Anne's
Church is the parish mortuary. This building was
formerly the "watch-house" in the days of the old
"Charleys;" and here George Prince of Wales, in
his youthful days, was more than once confronted
with the ministers of parochial authority, on account
of his share in some midnight brawl, but allowed
to depart on unbuttoning his coat and showing the
"star" on his breast beneath, whilst less well-born
marauders were detained, to be brought before the
"beak" the next day. Mr. J. T. Smith tells the
following amusing anecdote concerning a scene
witnessed by him at St. Anne's watch-house during
one of those nocturnal rambles he occasionally
indulged in whilst lodging in Gerrard Street:—
"Sir Harry Dinsdale, usually called Dimsdale, a
short, feeble little man, was brought in to St. Anne's
Watch-house, charged by two colossal guardians of
the night with conduct most unruly. 'What have
you, Sir Harry, to say to all this?' asked the Dogberry of St. Anne. The knight, who had been
roughly handled, commenced like a true orator, in
a low tone of voice, 'May it please ye, my magistrate, I am not drunk; it is languor. A parcel of
the bloods of the Garden have treated me cruelly,
because I would not treat them. This day, sir, I
was sent for by Mr. Sheridan to make my speech
upon the table at the Shakespeare Tavern, in
Common Garden; he wrote the speech for me, and
always gives me half-a-guinea when he sends for
me to the tavern. You see I didn't go in my
royal robes; I only put'um on when I stand to be
member.' Constable: 'Well, but, Sir Harry, why
are you brought here?' One of the watchmen
then observed, 'That though Sir Harry was but a
little shambling fellow, he was so upstroppolus, and
kicked him about at such a rate, that it was as
much as he and his comrade could do to bring
him along.' As there was no one to support the
charge, Sir Harry was advised to go home, which,
however, he swore he would not do at midnight
without an escort. 'Do you know,' said he,
'there's a parcel of raps now on the outside waiting
for me.' The constable of the night gave orders
for him to be protected to the public-house opposite the west end of St. Giles's Church, where he
then lodged. Sir Harry, hearing a noise in the
street, muttered, 'I shall catch it; I know I shall.'
'See the conquering hero comes' (cries without).
'Ay, they always use that tune when I gain my
election at Garrett.' "
"Sir Harry Dimsdale," remarks Mr. J. T. Smith,
"first came into notice on the death of 'Sir Geoffrey
Dunstan,' a dealer in old wigs, who had been for
many years returned 'member for Garrett,' on his
becoming a candidate. He received mock knighthood, and was ever after known as 'Sir Harry.'"
He exercised the itinerant trade of a muffin-man,
in the afternoon; he had a little bell, which he
held to his ear, smiling ironically at its tingling.
His cry was—
"Muffins! muffins! ladies, come buy me! pretty, handsome, blooming, smiling maids."
Flaxman, the sculptor, and Mrs. Mathews, of bluestocking memory, equipped him as a hardwareman, and as such Mr. J. T. Smith made two
etchings of him.
This parish has one point in which it differed
two centuries ago, and to a great extent still differs,
from the surrounding districts. To use the words of
the "London Spy," in 1725, "King Charles II., of
pious memory, was a great benefactor to this parish;
for soon after the Plague of London he re-peopled it
with ten thousand Protestant families from abroad,
who prov'd the most implacable enemies the late
French king ever had." The same satirist draws
an amusing picture, evidently from life, of one of
the "shabby-genteel" households of Soho in his
day, where a shopkeeper maintained himself, his
wife, and a grown-up daughter, on a limited income.
He says, "They were extraordinary economists;
brewed their own beer, washed at home; made
a joint hold out two days, and a shift three; let
three parts of their house ready furnished; and
kept paying one quarter's rent under another.
. . . . The worst the world could say of them
was that they liv'd above what they had; that the
daughter was as proud a slut as ever clapp'd clog
on shoe-leather; and that they entertained lodgers
who were no better than they should be." What
a picture Charles Dickens could have called up out
of this description!