CHAPTER XXVIII.
MAY FAIR.
"The morals of May Fair."
Derivation of the Name of May Fair—The Earliest Notice on Record of St. James's Fair—Description of the Fair in the Last Century—Puppet
Shows—The Eccentric "Tiddy Dol"—Suppression of the Fair—The Rev. Dr. Keith's Chapel, and the Clandestine Marriages there—The
Marriage of "Handsome Tracy"—Miss Elizabeth Gunning and the Duke of Hamilton—Extracts from the Marriage Registers of St.
George's, Hanover Square—Curzon Street—The Misses Berry—Epigram by Horace Walpole—Distinguished Residents of Curzon Street—Hertford Street—Dr. Jenner—The "Dog and Duck"—Shepherd's Market—"Kitty Fisher"—Seamore Place—Chesterfield Street—The
Hon. Mrs. Norton—Queen Street—Chesterfield House, and its Reminiscences.
This spot, which embraces in its somewhat vague
and undefined area the present Curzon Street,
Hertford Street, and Chesterfield House and
gardens, took its name, in the days of Edward I.,
from an annual fair, which that king privileged the
hospital of St. James's to keep "on the eve of
St. James', the day, and the morrow, and four
days following," as has already been stated in
our account of St. James's Palace. (fn. 1) Pepys speaks
of it as St. James's Fair, a name which expresses
it geographically with sufficient accuracy, at a
time when all to the north and west of St. James's
Hospital was an open field.
The following amusing notice of "the Fair in
St. James's" is quoted from Mackyn's Diary by
Mr. Frost, in his "Old Showmen of London," as
the earliest on record:—"The xxv. day of June
[1560]. Saint James's fayer by Westminster was
so great that a man could not have a pygg for
money; and the bear wiffes had nether meate nor
drink before iiij. of cloke in the same day. And
the chese went very well away for 1d. q. the
pounde. Besides the great and mighti armie of
beggares and bandes that were there."
Beyond the fact that it was postponed for a few
weeks or months in 1603, on account of the
plague, nothing more is recorded concerning this
fair till 1664, in which year, Mr. Frost tells us, "it
was suppressed, as considered to tend rather to
the advantage of looseness and irregularity, than
to the substantial promotion of any good, common
and beneficial to the people."
It is to be hoped that the bad character of the
fair, as given by the Observator somewhat later, in
the reign of Queen Anne, is a little exaggerated.
The editor writes:—"Oh! the piety of some people
about the Queen, who can suffer things of this
nature to go undiscovered to her Majesty, and
consequently unpunished! Can any rational men
imagine that her Majesty would permit so much
lewdness as is committed at May Fair, for so many
days together, so near to her royal palace, if she
knew anything of the matter? I don't believe
the patent for that fair allows the patentees the
liberty of setting up the devil's shops and exposing
his merchandise for sale." As to the precise nature,
however, of this diabolic ware and "merchandise"
he does not enlighten us in detail.
According to Mr. Frost, in his work quoted
above, "May Fair" did not assume any importance
till about the year 1701, when the multiplication of
shows of all kinds caused it to enlarge its sphere
of attractions. "It was held," he writes, "on the
north side of Piccadilly, in Shepherd's Market,
Shepherd's Court, White Horse Street, Sun Court,
Market Court, and on the open space westwards,
Chapel Street and Hertford Street, as far as Tyburn
(now Park) Lane. The ground-floor of the Market
House, usually occupied by butchers' stalls, was
appropriated during the fair to the sale of toys and
gingerbread, and the upper portion was converted
into a theatre. The open space westwards was
covered with the booths of jugglers, fencers, and
boxers, the stands of mountebanks, swings, roundabouts, &c.; while the sides of the streets were
occupied by sausage-stalls and gambling-tables.
The first-floor windows were also, in some instances,
made to serve as the proscenia of puppet-shows."
"I have been able to trace," he adds, "only two
shows to this fair in 1702, namely, Barnes and
Finley's, and Miller's, which stood opposite to the
former, and presented 'an excellent droll called
Crispin and Crispianus, or a shoe-maker a prince,
with the best machines, singing, and dancing ever
yet in the fair.'" The fair, on this occasion, drew
together a large concourse of persons, and an
attempt to exclude some young women of light
character resulted in a riot. The young women,
arrested for the purpose of being turned out, were
rescued by some soldiers; a conflict ensued, other
constables came up, and the "rough" element, of
course, took part with the accused women. In
the end one constable was killed and three others
seriously injured. The man who actually dealt the
fatal blow to the unfortunate constable managed to
escape; but a butcher who had been active in the
affray, was tried for his part in the affair, convicted,
and hung at Tyburn. This tragical occurrence
helped, no doubt, to bring the fair itself into discredit, especially among the respectable inhabitants
of the neighbourhood of Piccadilly."
Pennant, who remembered the last "May Fair,"
describes the locality as "covered with booths,
temporary theatres, and every enticement to low
pleasure." A more minute description of the
scene, evidently drawn from the life, is given by an
antiquary named Carter, in the Gentleman's Magazine for 1774.
"A mountebank's stage," this person tells us,
"was erected opposite the 'Three Jolly Butchers'
public-house, on the eastern side of the market
area, now the 'King's Arms.' Here Woodward,
the inimitable comedian and harlequin, made his
first appearance as 'Merry Andrew;' from these
humble boards he soon after made his way to those
of Covent Garden Theatre. Then there was a
'beheading of puppets,' in a coal-shed attached to
a grocer's shop (then Mr. Frith's, now Mr. Frampton's). One of these mock executions was exposed
to the attending crowd. A shutter was fixed horizontally, on the edge of which, after many previous
ceremonies, a puppet was made to lay its head,
and another puppet instantly chopped it off with
an axe. In a circular staircase-window, at the north
end of Sun Court, a similar performance by another
set of puppets took place. In these representations the late punishment of the Scottish chieftain,
Lord Lovat, was again brought forward, in order
to gratify the feelings of southern loyalty at the
expense of that further north."
"After the Scottish rebellion of 1745," writes
Chambers, in his "Book of Days," "the beheading
of puppets formed one of the most regular and
attractive parts of the exhibitions at the 'May Fair,'
and was continued for several years. The last
great proprietor of such puppet-shows was a man
named Flockton, whose puppets were in the height
of their glory about 1790, and who retired soon
after on a handsome competence." A puppet-show,
we may add, under the name of the Marionettes,
was revived at St. James's Hall about the year
1872.
At these annual gatherings in May Fair, too,
was to be seen "Tiddy Dol," the eccentric vendor
of gingerbread, whom we have mentioned in our
account of the Haymarket, and who figures in
Hogarth's well-known picture of the "Idle Apprentice" at Tyburn, where he, in his ornamental dress,
is seen in the crowd holding up a gingerbread cake
in his hand and addressing the mob. Here, too,
was to be seen a Frenchman, whose name has
passed away, who submitted to the curious his
wife's powers of physical endurance. Fragile and
delicate as she appeared, she would (so it was
stated) raise from the floor a blacksmith's anvil by
the hair of her head, which she twisted round it;
and then, lying down, she would have the anvil
placed on her bosom, while a horse-shoe was
forged upon it with the same heavy blows which
may be heard and seen in a blacksmith's shop.
In "Malcolm's Anecdotes" (vol. ii.) is preserved an advertisement of this fair from one of
the London papers of the time:—"In Brookfield
market-place, at the east corner of Hyde Park, is a
fair to be kept for the space of sixteen days, beginning with the 1st of May; the first three days for
live cattle and leather, with the same entertainments as at Bartholomew Fair, where there are
shops to be let, ready built, for all manner of tradesmen that usually keep fairs, and so to continue
yearly at the same place."
May Fair, which had long been falling into disrepute, ceased to be held in the reign of George I.
It was "presented by the grand jury of Middlesex
for four years successively as a public scandal;
and the county magistrates then presented an
address to the Crown, praying for its suppression
by royal proclamation." Its abolition was brought
about mainly through the influence of the Earl of
Coventry, to whose house in Piccadilly it was an
annual nuisance.
In 1721, as we learn from the London Journal
of May 27th in that year, "the ground upon which
the May Fair formerly was held is marked out for
a large square, and several fine streets and houses
are to be built upon it." The idea of a "square,"
however, was never realised.
In recording the downfall of May Fair and of its
doings, the Tatler announces that "Mrs. Saraband,
so famous for her ingenious puppet-show, has set
up a shop in the Exchange, where she sells her
little troop under the name of jointed babies."
The fashionable locality now known as May
Fair, in the days of George I. and George II.,
however, enjoyed, on other grounds than that of
the annual fair, a celebrity almost unique, and
rivalled only by the Fleet Prison, of which we
have already spoken. (fn. 2) Here was a chapel for
the celebration of private and secret marriages,
which stood within a few yards of the present
chapel in Curzon Street. It was presided over
by a clergyman, Dr. George Keith, who advertised
his business in the daily newspapers, and, in the
words of Horace Walpole, made "a very bishopric
of revenue." This worthy parson having contrived
for a long time to defy the Bishop of London and
the authorities of Church and State, was at length
excommunicated for "contempt" of the Church of
which he was a minister; but he was impudent
enough to turn the tables upon his superior, and to
hurl a sentence of excommunication at the head of
his bishop, Dr. Gibson, and the judge of the Ecclesiastical Court. Keith was sent to prison, where
he remained for several years. His "shop," however, as he called it, continued to flourish under
his curates, who acted as "shopmen;" and the
public was kept daily apprised of its situation and
its tariff, as witness the following advertisement in
the Daily Post of July 20th, 1744: "To prevent
mistakes, the little new chapel in May Fair, near
Hyde Park corner, is in the corner house, opposite
to the city side of the great chapel, and within ten
yards of it, and the minister and clerk live in the
same corner house where the little chapel is; and
the licence on a crown stamp, minister and clerk's
fees, together with the certificate, amount to one
guinea, as heretofore, at any hour till four in the
afternoon. And that it may be the better known,
there is a porch at the door like a country church
porch."
But the rank and fashion of May Fair did not
care whether the fees demanded were high or low,
provided they could get the marriage ceremony
performed secretly and expeditiously, yet legally.
"Sometimes," writes Charles Knight, in "Once
upon a Time," "a petticoat without a hoop was
led by a bag-wig and sword to the May Fair altar,
after other solicitations had been tried in vain." As
an instance of the way in which this marriage, not
à la mode, worked in West-end society, let us take
the following sketch from Horace Walpole in his
best style:—"Did you know a young fellow that
was named 'Handsome Tracy?' He was walking
in the Park with some of his acquaintance, and
overtook three girls; one was very pretty. They
followed them; but the girls ran away; and the
company grew tired of pursuing them, all but Tracy.
He followed them to Whitehall Gate, where he gave
a porter a crown to dog them. The porter hunted
them, and he the porter. The girls ran all round
Westminster, and back to the Haymarket, where
the porter came up with them. He told the pretty
one that she must go with him, and kept her talking till Tracy arrived, quite out of breath, and exceedingly in love. He insisted on knowing where
she lived, which she refused to tell him; and after
much disputing, went to the house of one of her
companions, and Tracy with them. He there made
her discover her family, a butter-woman in Craven
Street, and engaged her to meet him next morning
in the Park; but before night he wrote her four
love-letters, and in the last offered to give two
hundred pounds a year and a hundred a year to
Signora la Madre. Griselda made a confidence to
a staymaker's wife, who told her that the swain was
certainly in love enough to marry her, if she could
determine to be virtuous, and to refuse his offers.
'Ay,' says she; 'but suppose I should, and should
lose him by it?' However, the measures of the
cabinet council were decided for virtue; and when
she met Tracy next morning in the Park, she was
convoyed by her sister and brother-in-law, and
stuck close to the letter of her reputation. She
would do nothing; she would go nowhere. At
last, as an instance of prodigious compliance, she
told him that if he would accept such a dinner as
a butterman's daughter could give him, he should
be welcome. So away they walked to Craven
Street; the mother borrowed some silver to buy a
leg of mutton, and kept the eager lover drinking
till twelve o'clock at night, when a chosen committee accompanied the faithful pair to the minister
of May Fair. The doctor was in bed, and swore
he would not get up to marry the king, but added
that he had a brother over the way who perhaps
would, and who did marry them." It is to be
hoped that the union, thus hastily and thoughtlessly
concocted and cemented, turned out a happy one
afterwards.

CLARIDGE'S HOTEL.
But the butterman's daughter was far from being
the only person who found her way through this
little chapel into the matrimonial "ship of fools."
Everybody has heard of the three Miss Gunnings,
whose beauty and attractions set the West-end in a
perfect flame in the reign of George II., the eldest
of whom was married to the sixth Earl of Coventry.
One of these young ladies here went through the
marriage ceremony, which gave her the coronet
of a duchess. Horace Walpole thus records the
fact in his gossiping letters, under date February
27th, 1752:—"The event that has made the most
noise since my last is the extempore marriage of
the youngest of the Miss Gunnings, who have made
so vehement a noise of late. About a fortnight
since, at an immense assembly at my Lord Chesterfield's, made to show the house, which is really
most magnificent, the Duke of Hamilton made
violent love at one end of the room while he
was playing faro at the other; that is, he saw
neither the bank, nor his own cards, which were
of three hundred pounds each; he soon lost a
thousand. . . . Two nights afterwards he found
himself so impatient, he sent for a parson. The
doctor refused to perform the ceremony without
license or ring, so the duke swore he would send
for the archbishop. At last they were married
with a ring off the bed-curtain at half an hour after
twelve at night, at the May Fair Chapel."
At last even the people of rank and "quality,"
the inhabitants of May Fair, grew frightened at
their own practices; and, as a consequence, an
Act was passed forbidding clandestine marriages.
On the day previous to its coming into operation no
less than sixty-one marriages were registered here.
The Act itself was passed in the previous year,
though its operation was delayed till Lady-day,
1754. During this period of suspense, Walpole
writes to Montague:—"The Duchess of Argyll
harangues against the marriage bill not taking
place (i.e., effect) immediately, and is persuaded
that all the girls will go off before next Ladyday."

CHESTERFIELD HOUSE, 1760.
Among the registers of St. George's, Hanover
Square, are three dingy volumes, marked "A," "B,"
and "C," respectively, containing such records as
exist of about 7,000 marriages which were performed by the Rev. Mr. Keith and other clergymen
in the little chapel here. The entries in these
volumes extend over nearly twenty years; and
there is a duplicate set in the Bishop of London's
registry covering, probably, a somewhat larger
period.
Dr. Keith himself was a clergyman from the north
of the Tweed, but he had been driven from Scotland on account of his attachment to Episcopacy.
He had set up a marriage office in the Fleet Prison,
but had been forced to abandon it. He found,
however, a better opening here, and a richer class of
customers. It is said that, in one morning during
the Whitsun holidays, he tied up in the silken bonds
of matrimony a greater number of loving couples
than had been married at any ten churches within
the "bills of mortality." But this surely must have
been an exaggeration.
While in prison, Keith seems to have had a keen
eye to business. During his incarceration his wife
died, and he kept her corpse embalmed and unburied for many months, and by that means ingeniously contrived to turn the circumstance into
an advertisement of his trade. At all events, here
is a record of his proceedings taken from the Daily
Advertiser of January 30, 1750:—"We are informed that Mrs. Keith's corpse was removed from
her husband's house in May Fair the middle of
October last, to an apothecary's in South Audley
Street, where she lies in a room hung with mourning, and is to continue there till Mr. Keith can
attend the funeral. The way to Mr. Keith's chapel
is through Piccadilly, by the end of St. James's
Street, and down Clarges Street, and turn on the
left hand." Then follows the announcement that
the marriages are still carried on as usual by
"another regular clergyman," as quoted above.
In the Connoisseur for October, 1754, are the
following witty and satirical remarks apropos of the
then recent Act for preventing clandestine marriages, and its effects on Keith's chapel:—"I
received a scheme from my good friend Mr. Keith,
whose chapel the late Marriage Act has rendered
useless on its original principles. The reverend
gentleman, seeing that all husbands and wives are
henceforth to be put up on sale, proposes shortly to
open his chapel on a new and more fashionable
plan. As the ingenious Messrs. Henson and Bever
have lately opened, in different quarters of the
town, repositories for all horses to be sold by auction, Mr. Keith intends setting up a repository for
all young males and females to be disposed of in
marriage. From these studs (as the Doctor himself
expresses it) a lady of beauty may be coupled to a
man of fortune, and an old gentleman who has a
colt's tooth remaining may match himself with a
tight young filly. The doctor makes no doubt but
his chapel will turn out even more to his advantage
on this new plan than on its first institution, provided he can secure his scheme to himself, and
reap the benefits of it without interlopers from the
fleet (sic). To prevent his design being pirated, he
intends petitioning the Parliament that, as he has
been so great a sufferer by the new Marriage Act,
the sole right of opening a repository of this sort
may be vested in him, and this, his place of residence in May Fair, may still continue the grant for
marriages." Here follows a "Catalogue of Males
and Females to be disposed of in Marriage to the
best bidder, at Mr. Keith's Repository, in May
Fair:"—
"A young lady of £100,000 fortune—to be bid
for by none under the degree of peers, or a commoner of at least treble the income.
"A homely thing, who can read, write, cast
accounts, and make an excellent pudding—this lot
to be bid for by none but country parsons.
"A very pretty young woman, but a good deal
in debt, would be glad to marry a member of
Parliament, or a Jew.
"A blood of the first-rate, very wild, and has
run loose all his life, but is now broke, and will
prove very tractable.
"Five Templars—all Irish. No one to bid for
these lots of less than £10,000 fortune."
The concluding announcement in the article is
as follows:—
"Wanted, a dozen of young fellows, and one
dozen of young women, willing to marry to advantage; to go to Nova Scotia."
The following extracts, taken at random from
the register-books at St. George's, above mentioned,
will serve to show that the private marriages celebrated in Dr. Keith's little chapel were not confined to the lower or rougher element, but were
often taken advantage of by the "upper ten thousand:"—
"1748, March 23.—Hon. George Carpenter and
Frances Clifton."
"1749, September 14.—William, Earl of Kensington, and Rachel Hill, Hempstead."
"1751, May 25.—Henry Trelawney, Esq., and
Mary Dormer, St. Margaret's."
"1751, July 21.—Edward Wortley Montagu and
Elizabeth Ashe, St. Martin's Fields."
"1752, June 30.—Bysshe Shelley and Mary
Catherine Michell, Horsham."
"1751, May 25.—Hon. Sewallis Shirley and
Margaret, Countess of Oxford."
"1753, March 15.—James Stewart Stewart, Esq.,
and Catherine Holoway, of St. Matthew's, Friday
Street."
"1752, February 14.—James, Duke of Hamilton, and Elizabeth Gunning."
Of the lady whose name is contained in the lastmentioned entry we have already spoken. We
may add, however, that she was the second of three
fair sisters, of Irish extraction, without fortune, but
closely related to the first baronet of the same
name. Miss Elizabeth Gunning was not content
with a single dukedom, for, after the death of the
Duke of Hamilton, she married John, Duke of
Argyll, and was eventually created a peeress of Great
Britain in her own right, as Baroness Sundridge
and Hamilton. The last time she appeared at any
public assembly was at a pic-nic ball at Marseilles,
during a three months' sojourn of the family in
France in 1785. With reference to that event, a
writer of that period observes: "I had the honour
of dining with them that day, and the duchess, as
soon as possible, retired from the company to dress.
She came down to coffee in all her splendour; every
one was struck with astonishment; and I could not
refrain from saying that I thought her Grace really
looked as well as when I first saw her in the courtroom in England as Duchess of Hamilton. The
duke, with a smile, replied, 'Less aided then, perhaps, than now, sir.' Her Grace could not but be
apprised of the wonder that was excited, and the
Lieutenant of Police, rather too loudly, exclaimed,
'I have never seen any one so completely beautiful
before.'" Her elder sister, Maria, was the wife of
George William, sixth Earl of Coventry, and lived
close by, in Piccadilly.
The marriages at May Fair Chapel, if not quite so
loosely conducted as they were at the Fleet, were
at least attended with the same evils, and afforded
the same facilities for the accomplishment of forced
and fraudulent unions. For instance, marriages
could be antedated without limit, on payment of a
fee, or not entered at all. Parties could be married
without declaring their names. It was a common
practice for women to hire temporary husbands at
the Fleet, in order that they might be able to plead
coverture to an action for debt, or to produce a
certificate in case of their being enceinte. These
hired husbands were provided by the parson for
five shillings each; sometimes they were women.
It appears that, for half-a-guinea, a marriage might
be registered and certified that never took place.
The marriage of the Hon. H. Fox, son of the first
Lord Holland, to the daughter of the Duke of
Richmond, at the Fleet, in 1744, and the increase
of these irregular practices, led to the introduction
of the Marriage Act. The interval between the
passing of the bill and its coming into operation,
as we have stated, afforded a rich harvest to the
parsons of the Fleet and May Fair. In one registerbook there are entered 217 marriages which took
place at the Fleet on the 25th of March, 1754, the
day previous to the Act coming into force. Clandestine marriages continued at the Savoy till 1756,
when a minister and his curate being transported,
an effectual stop was put to them.
To return once more to Dr. Keith, we may add
that, in spite of being a person of loose morals,
and frequently performing the marriage service in
a state of intoxication, he published at least one
religious treatise—"The Guide; or, the Christian
Pathway to Everlasting Life." He lived to be
nearly ninety, and died in 1758.
Curzon Street was so named from the ground
landlord, George Augustus Curzon, third Viscount
Howe, ancestor of the present Earl Howe. In this
street, in November, 1852, died at No. 8, at the
age of ninety, Miss Mary Berry, one of the two
Misses Berry who enjoyed for so many years the
friendship of Horace Walpole; and, indeed, the
lady to whom, when late in life he succeeded to
the earldom of Orford, he made an offer of his
hand and his coronet. She and her younger
sister, Agnes, were the daughters of a Yorkshire
gentleman, Mr. Robert Berry, who lived in South
Audley Street, as already stated in our last chapter.
Walpole first met them when on a visit at Wentworth Castle, in Yorkshire, and the friendship there
made proved a lasting one. "The young ladies,"
says Mr. Robert Chambers, in his "Book of Days,"
"afterwards took up their abode at Twickenham,
in the immediate neighbourhood of Strawberry
Hill, with whose master a constant interchange
of visits and other friendly offices was maintained.
Horace Walpole used playfully to call them his
'two wives,' corresponded with them frequently,
told them many stories of his early life, and what he
had seen and heard, and was induced by these
friends, who used to take notes of his communications, to give to the world his 'Reminiscences of the
Courts of George I. and II.' On Walpole's death,
the Misses Berry were left his literary executors,
with the charge of collecting and publishing his
writings. This task was accomplished by Mr.
Berry, under whose superintendence an edition
of Walpole's works was published, in five quarto
volumes. He died, a very old man, in 1817; and
his daughters, for nearly forty years afterwards,
continued to assemble around them all the literary
and fashionable celebrities of London. Agnes, the
younger sister, pre-deceased Miss Berry by about
a year and a half. Miss Berry was an authoress, and
published a collection of 'Miscellanies' in 1844.
She also edited about sixty letters, addressed to
herself and her sister by Horace Walpole, and came
chivalrously forward to vindicate his character
against the sarcasm and aspersions of Lord Macaulay in the Edinburgh Review."
The following epigram on the Misses Berry was
written by Horace Walpole, on their paying a visit
to his printing-press at Strawberry Hill, soon after
their return from a visit to Italy and a stay at
Rome:—
"To Mary's lips has ancient Rome
Her purest language taught;
And from the modern city home
Agnes its pencil brought.
"Rome's ancient Horace sweetly shouts,
Such maids with lyric fire;
Albion's old Horace sings nor paints—
He only can admire.
"Still would his griefs their fame record,
So amiable the pair is;
But ah! how vain to think his word
Can add a straw to Berry's."
Sir, Henry Halford, the Court physician, during
his long reign of successful practice, lived for many
years in this street, as also did the Princess Sophia
Matilda of Gloucester. The name of Madame
Vestris also appears as the occupier of No. 1, in
the year 1826. Here, too, Tobias Smollett was
living, in third-rate lodgings, when he heard the
news of the victory of Culloden.
Mr. Peter Cunningham enumerates, as residents
of this street, Pope's Lord Marchmont, and Richard
Stonehewer, the friend and correspondent of the
poet Gray, at No. 41. In 1808, Francis Chantrey
was living in this street, before his marriage, while
first beginning to make his name famous as a
sculptor. Whilst here, he received his first great
order, from Mr. Alexander, the architect. It was
for four colossal busts of Howe, St. Vincent,
Duncan, and Nelson, for the Trinity House, with
duplicates for the Royal Naval Asylum at Greenwich. He had already occupied rooms in Chapel
Street, close by, where we find him in 1804, when
he sent his first work for exhibition to the Royal
Academy, of which he afterwards became so leading a member.
In the large house on the north side of the
street, enclosed in its own grounds, and embowered
in a grove of plane-trees, nearly opposite Curzon
Chapel, lived Lord Wharncliffe, the great-grandson
of Lady Mary Wortley-Montagu, and editor of her
works. The house is still the property of his
descendants. Curzon Chapel—a chapel of ease—is a large, dull, brick building, on the south side;
and it stands within a few yards of the spot
whereon Dr. Keith's unlicensed chapel formerly
flourished.
Hertford Street—a somewhat dull and heavy
thoroughfare, running parallel with Curzon Street
on its south side, and crossing the top of Down
Street, which it connects with Park Lane—has long
been one of the most fashionable thoroughfares in
this aristocratic neighbourhood, and is often mentioned as typical of the height of fashion in the
days of William IV. and the early part of the reign
of Queen Victoria.
In No. 14 lived Dr. Jenner, for a few years,
from 1804, a man sadly in advance of his age, as
may be inferred from the fact that, in spite of his
wonderful discovery of vaccination, which arrested
the ravages of the small-pox, he was unable to make
a good professional connection at the West-end, and
returned to Gloucestershire in disgust. His merits
have been somewhat tardily acknowledged by the
erection of a statue. The first Earl of Liverpool,
father of the prime minister, died here in 1808.
At No. 10 lived, in the last century, Lord Sandwich, famous for his musical parties: the house
was afterwards inhabited by General John Burgoyne, the unsuccessful hero of the American War;
and subsequently, for a short time, by Richard
Brinsley Sheridan. At No. 30 was living, in 1841,
Mr. H. B. Trelawny, Lord Byron's companion in
his last expedition to Greece, and in whose arms
the poet breathed his last. In this street resided
the late Sir Charles Locock, Bart., the eminent
physician-accoucheur to Her Majesty, who died in
1875; and that consummate lawyer and accomplished scholar, Sir Alexander Cockburn, the Lord
Chief Justice of England.
But Hertford Street is rich also in its past
memories of quite another kind. As nearly as possible on its site there stood, a couple of centuries
ago, a public-house, with gardens attached, called
"The Dog and Duck," from the diversion of duckhunting by spaniels which was carried on there.
The fun was to watch the duck dive in order to
escape from the dog's jaws; and it was quite a
fashionable sport in the suburbs of London till the
early part of the present century, when it was superseded by pigeon-shooting. Mr. Larwood, in his
"History of Sign-boards," describes it as an oldfashioned wooden house, extensively patronised by
the butchers, and other rough characters, during the
"May Fair" time. The pond in which the sport
took place was situated behind the house, and, for
the benefit of the spectators, was boarded round to
the height of the knee, in order to preserve the
over-excited spectators from involuntary immersions. The pond, he adds, "was surrounded by a
gravel walk, shaded by willow-trees."
In the immediate neighbourhood of Curzon and
Hertford Streets are a number of small and dingy
streets and lanes, the names of which help to perpetuate the market formerly held here, such as
Market Street, Shepherd's Market, and Shepherd's
Street. But this market, rural as the name may
sound, is not so called from any pastoral associations, but from a certain Mr. Shepherd, or Sheppard,
to whom once belonged the ground on which the
"May Fair" was held. We fear, therefore, that all
poetical thoughts of shepherds and shepherdesses
going there a-Maying must be dismissed as baseless fictions. In Carrington Street, an insignificant
thoroughfare between Down Street and Park Lane,
there was a riding-school; and in this street lived
the noted "Kitty Fisher."
Seamore Place is the name of a row of handsome but somewhat old-fashioned mansions, which
occupy a sort of cul de sac at the western end of
Curzon Street. They are only nine in number,
and their chief fronts look westward over Hyde
Park. In one of them, Lady Blessington, with her
daughter and her son-in-law, Count D'Orsay, resided during a part of her widowhood, from about
1836 to 1840, surrounded by all the fashionable
butterflies of the world of bon ton, whose admiration
she so much courted. Whilst living here, too, she
followed her bent by penning and sending some
of her best known contributions to the literature of
the day. We shall have to speak of her career
hereafter, when we come to Gore House, between
Knightsbridge and Kensington. Here, too, at one
time, resided Lord Normanton.
Chesterfield Street, which runs out of Curzon
Street northwards to Charles Street, was so called
out of compliment to the great, or rather the polite,
Lord Chesterfield, whose grounds it bounded on
the east. In this street lived "Beau" Brummell
for some years, after his retirement from the army,
and while he still basked in the sunshine of royal
favour among the circle of the Prince of Wales at
Carlton House. Here, consequently, the Prince
would frequently come of a morning in order to
see the "Beau" make his toilette, and to learn
the art of tying his neckerchief a la mode. And
here the Prince would continue to sit so late
into the evening that he would send his horses
home from the door, and insist on taking a quiet
chop or steak with his host, but with no intention
of returning home till he was half-seas over, and
the streaks of early morning were appearing in the
sky.
Here, too, was living, in 1847, the gallant admiral,
the Earl of Dundonald, formerly known as Lord
Cochrane, when his name was formally restored to
his rank in the navy and to the roll of the Knights
of the Order of the Bath, by an order of the
Queen in Council; and from this street he dated
his letter of thanks to Mr. Douglas Jerrold for
having advertised that tardy act of justice in the
public press.
At No. 1 in this street lived that amiable, talented,
and eccentric personage, Mr. J. W. Ward, afterwards Mr. Canning's Secretary for Foreign Affairs,
and eventually known as Lord Dudley; and No.
11 was for many years the residence of Sir
Robert Adair, the distinguished diplomatist. He
died here in 1855. In this street, too, at No. 3,
has lived, for upwards of thirty years, the Hon.
Mrs. Norton, the poetess. By birth a Miss Caroline
Sheridan, one of three beautiful grand-daughters
of Richard Brinsley Sheridan, in early life she
married the Hon. George C. Norton, a brother of
the late Lord Grantley. She contributed to the
annuals from a date prior to her marriage, and
is known to the world as the authoress of several
poems, which have taken a high stand in English
literature, among which should be mentioned "The
Undying One," based on the legend of the Wandering Jew, "The Child of the Islands," "The
Dream," and the "Lady of La Garaye."
The next turning on the east of Charles Street
is Queen Street, where the ever youthful widow of
the last Viscount Saye and Sele died in 1789, at
the age of ninety-four, a lady about as celebrated
as Queen Elizabeth for her fondness for dancing,
in which she indulged almost to the last week of
her long life. She was supposed to be the original
of the Viscountess delineated in Hogarth's print
of the "Five Orders of Periwigs, Coronets, &c." (fn. 3)
It may be added that here, too, Lord John Russell
was living in 1835, whilst M.P. for South Devon
and for Stroud.
Chesterfield House, to which we now turn, stands
at the junction of South Audley and Curzon Streets,
and was built on ground belonging to Curzon, Earl
Howe, by Isaac Ware, the same who edited "Palladio" for Philip, fourth Earl of Chesterfield. From
one of Lord Chesterfield's "Letters to his Son,"
dated "March 31, O.S., 1749, Hotel Chesterfield,"
and from a quotation in No. 152 of the Quarterly
Review, we get a fair account of the house when
newly built. In the former his lordship writes: "I
have yet finished nothing but my boudoir and my
library; the former is the gayest and most cheerful
room in England; the latter the best. My garden
is now turfed, planted, and sown, and will, in two
months more, make a scene of verdure and flowers
not common in London." The writer in the Quarterly Review says: "In the magnificent mansion
which the earl erected in Audley Street you may
still see his favourite apartments, furnished and
decorated as he left them—among the rest, what
he boasted of as 'the finest room in London,'
and, perhaps, even now it remains unsurpassed, his
spacious and beautiful library looking on the finest
private garden in London. The walls are covered
half-way up with rich and classical stores of literature; above the cases are in close series the portraits of eminent authors, French and English, with
most of whom he had conversed; over these, and
immediately under the massive cornice, extend all
round, in foot-long capitals, the Horatian lines—
'NUNC. VETERUM . LIBRIS . NUNC . SOMNO . ET .
INERTIBUS . HORIS:
DUCERE . SOLICITÆ . JVCUNDA . OBLIVIA . VITÆ.'
On the mantelpieces and cabinets stand busts of
old orators, interspersed with voluptuous vases and
bronzes, antique or Italian, and airy statuettes, in
marble or alabaster, of nude or semi-nude opera
nymphs." The columns of the screen facing the
court-yard, and also the spacious marble staircase,
were brought from Canons, near Edgware, the
mansion of the "princely" Duke of Chandos,
which was pulled down in the year 1744, and the
costly materials dispersed by auction. Among the
historic relics which found a place here was a
lantern of copper gilt, for eighteen candles, which
was bought at the sale at Houghton, Sir Robert
Walpole's seat. An amusing story is told with
reference to the portraits of Lord Chesterfield's
ancestors, which hung upon the walls of the library.
As a piece of satire on the boast of ancestry so
common at that time in great families, his lordship,
it is said, placed among these portraits two old
heads, which he inscribed "Adam de Stanhope"
and "Eve de Stanhope." Surely no one could
beat that.

THE GRAND STAIRCASE, CHESTERFIELD HOUSE.
In 1869 this splendid mansion was—or, rather,
so it was reported—doomed to be abolished; but
it was purchased by a City merchant, Mr. Charles
Magniac. Although it is no longer inhabited by
the family of the noble earl whose name it bears,
its walls still remain, and doubtless its interior is
but little altered in its general appearance from
what it was in the above year, when the following
description was written:—"The house itself has
many fine points, and in others, it must be owned, it
is slightly disappointing. Passing from the porter's
lodge across a noble court paved with stones, and
entering the hall, the visitor cannot fail to be
struck by the grand marble staircase, up and down
which the great Chandos must have walked when
it stood beneath his own palatial roof at Canons.
And, apart from historical traditions, it is really a
staircase for ideas to mount, especially when one is
met on its first landing, not only by busts of Pitt
and Fox, but by a lofty clock, apparently of antique
French construction, and which looks as though it
had, at some time or other, chimed out the hours at
Versailles, long ere gay courtiers there perceived
the shadow of the scaffold cast by the coming
event of the 'Great' Revolution.

THE EARL OF CHESTERFIELD.
"Entering the music-room by means of this same
staircase, we confess to some sense of disappointment. Not, of course, that we had expected to be
greeted by any harmony of sweet sounds, any music
from the spheres, but that the symbolism of decoration on the walls, on the ceiling, and the mantelpiece, might, on the whole, have been more graceful
and more appropriate than it is, considering that
the two fiddles in bas-relief, gilt and crossed one
over the other, are scarcely to be compared in
appearance with harps, lyres, &c., the usual metaphorical tributes to the Muse of Melody, the Muse
of Apollo, to Orpheus, and to Sappho; and that
one is more reminded of the violinists who played
prominent parts at the Court of France in the
reign of Louis XIV., and at the beginning of
that of Louis XV., than of the divine origin of
music itself, which such a room ought to suggest.
More pleasingly reminded, however, of that same
Court is the visitor on descending to the receptionrooms on the lower floor, and entering the drawingroom, which is especially called the French room.
There not only do the panelling of the walls, and
the construction of the various pieces of furniture
transport one back to the glories of the ancient
régime of the time when Chesterfield enjoyed its
society, but the looking-glasses, one over the fireplace and another facing it, appear as though they
had mirrored that society, and not only mirrored
but multiplied it; for these looking-glasses, being
severally formed of various panels, fit, mosaic-like,
one into another, and the divisions of these panels
being ornamented by wreaths of painted flowers,
&c., the beholder is reproduced again and again,
and, in many a fantastic multiform, may judge of
himself under various, not to say versatile, aspects.
"In one of the apartments—another drawingroom, to which this French salon leads—hangs a
large chandelier, formed of pendent crystal, which
once belonged to Napoleon I. Historically, this
chandelier is so luminous in interest that it requires a narrative to itself; but the effect of it is
somewhat heavy, owing to the large size of the
crystal drops.
"The mantel-shelf in this room is classically
beautiful; and amongst the pictures on the walls
is a fine copy of Titian's 'Venus,' the original
of which—if we remember aright—hangs in the
Uffizii Gallery at Florence. But, perhaps, the most
interesting apartment in the whole house is the
library. There, where Lord Chesterfield used to
sit and write, still stand the books which it is only
fair to suppose that he read—books of wide-world
and enduring interest, and which stand in goodly
array, one row above another, by hundreds. . . In
another room, not far from the library, one seems
to gain an idea of the noble letter-writer's daily life,
for we can still see its ante-chamber, in which the
aspirants for his lordship's favour were sometimes
kept waiting (fn. 4) —aspirants to favour who afterwards, in
various ways, achieved fame for transcending that of
'their then patron.' On the garden-front outside is a
stone or marble terrace, overlooking the large lawn,
stretching out in lawn and flower-beds behind the
house. Upon this terrace Chesterfield, doubtless,
often walked, snuff-box in hand, and in company
with some choice friends—let us say from France—friends with whom he might gossip on matters
connected with the courts, and camps, and cabinets
of his day." The old earl, it would seem, was
fond of the repose which his garden and court-yard
afforded; for the late Earl of Essex, who died in
1839, the husband of Kitty Stephens, used to say
that he remembered, as a boy, seeing the courtly
old earl sitting on a rustic seat in front of his
mansion, and basking in the sun.
Chesterfield House is one of the few private
houses in London which M. Grossley, in his
"Tour to London," allows to be equal to the hotels
of the nobility in Paris. After it was sold to Mr.
Magniac, as above stated, that gentleman considerably curtailed the grounds in the rear, and erected
a row of handsome buildings overlooking Chesterfield Street, to which has been given the name of
Chesterfield Gardens.
Philip Dormer Stanhope, fourth Earl of Chesterfield, was the son of Philip, third Earl, and of
Lady Elizabeth Savile, daughter of the Marchioness
of Halifax. His grandmother superintended his
education till his eighteenth year, when he went to
Cambridge. After his university career he spent a
few years in foreign travel, mixing freely with the
best society of the chief Continental towns, and at
the Hague, adding to his many accomplishments
the pernicious vice of gaming. While at Paris he
received his final polish under the tuition of the
beauties of that place, and, no doubt, gained much
of the experience which forms the ground-work of
the advice, which he afterwards transcribed in his
"Letters" for the very questionable benefit of
his son.
Before the death of his father, he sat in the
House of Commons as representative of two
Cornish boroughs, St. Germains and Lostwithiel,
and became a distinguished speaker; and after
his accession to the title, in 1726, and his consequent removal to the Upper House, he soon
obtained some slight celebrity as an orator. His
Court favour varied greatly. During the life of
George I., he was appointed Gentleman of the
Bedchamber to the Prince of Wales; but on that
prince's accession as George II., he was greatly
disappointed by the absence of that royal favour
which he conceived he had a right to expect. He
was, however, in the following year appointed Ambassador to Holland, where he greatly distinguished
himself by his diplomatic talent; and it was at the
expiration of his two years of service there that, on
his return to England, he was appointed Lord
Steward of the Household; but having joined a
strong opposition against Walpole, and incurring the
decided enmity of the king, he was dismissed from
this situation with marks of strong resentment.
There are various stories as to the radical cause of
the king's dislike to the brilliant statesman, but
probably any one of them would have been sufficient to create, at the least, a decided coldness.
Archdeacon Coxe's version of it is confirmed by
Walpole, who was concerned in it, in his memoir
of George II.; but there is a discrepancy as to
dates, and a tone of improbability about some of
the details, which throw more than a shadow of
doubt over the whole. Briefly, it runs to the
following effect: that Chesterfield had ardently
desired the post of Secretary of State, and an
arrangement had been made in his favour; upon
which he had an audience of the Queen, to which
he was introduced by Walpole, and immediately
after paid a longer visit to Lady Suffolk, then
reigning favourite, than was approved of by the
Queen, who thereupon procured that his appointment should not take place. Here it may be
remarked that Chesterfield had been intimately
acquainted with Mrs. Howard long before she
had attracted the notice of Queen Caroline or
George II.; and further, that, having been created
Countess of Suffolk in 1731, and thus set at her
ease as to money matters, she was well disposed to
leave the Court, but did not do so till 1735, three
years after the dismissal of Chesterfield, to which
Archdeacon Coxe represents her retirement as the
ominous preliminary! Walpole relates a similar
parallel indiscretion of Chesterfield's; and it appears that it was not till two years before the earl's
death that he was informed, by Horace Walpole
himself, that the cause of his disgrace was his
having offended the Queen by paying court to
Lady Suffolk. Be this as it may, there was another
and more probable cause for the royal dislike,
which lay in his marriage with the daughter of
George I. and the Duchess of Kendal, Melosina
de Schulenburg, created, in her own right, Countess
of Walsingham, and considered, as long as her
father lived, one of the wealthiest heiresses in the
kingdom. George I. opposed the inclinations of
his tall, dark-haired, and graceful daughter, in consequence of Chesterfield's notorious addiction to
gambling; but, a very few months after Chesterfield's dismissal from court, Lady Walsingham
became Lady Chesterfield. Her husband's house
in Grosvenor Square was next door to the Duchess
of Kendal's, whose society he much frequented;
and it was she who suggested legal measures respecting a will of the late king, which George II.
was said to have suppressed and destroyed, and by
which, as the duchess alleged, a splendid provision had been made for Lady Walsingham; and
at last, rather than submit to a judicial examination
of the affair, George II. compromised the suit by a
payment of £20,000 to the Earl and Countess of
Chesterfield. These things were not likely to
smooth the way for the ex-Lord Steward's return
to St. James's; nor was it facilitated by his inveterate habit of ridiculing and disparaging the
Electorate and all its concerns, which he continued
to his dying day.
His marriage took place in 1733; fourteen years
after, in 1747, he commenced building the "rather
fine house," as he described it, in May Fair. When
the famous boudoir of blue damask and gold, of
which much has been said, and more hinted, was
finished, and to which Madame de Monconseil
contributed the two magnificent bras de porcelaine
to be placed on each side of the costly mantelpiece, the lordly owner took possession of the
house, a year before the other rooms were finished,
their slow progress greatly vexing him. In 1745
his lordship was admitted a member of the Cabinet,
and in the next year appointed Lord-Lieutenant
of Ireland. Three years later we find the earl
retiring from the office of principal Secretary of
State, to which the king had been constrained, by
his undoubted talent, to appoint him; and thus at
the early age of fifty-four, he resigned finally the
cares of official life. He was, nevertheless, still an
active member of the Upper House, and among
the measures with which his name is identified are
some of historical importance. In spite of much
opposition, within and without of the House, he
carried the Bill for the Reform of the Calendar, and
gave us the "new style," which set our calculation
of the year in harmony with that of the rest of
Western Europe.
Dr. King, in "Anecdotes of his Own Times
(1819), says that the earl resigned his employment
of Secretary of State because "he would not submit to be a cipher in his office, and work under a
man who had not a hundredth part of his knowledge and understanding, and resolved to meddle
no more in public affairs. However," he adds,
"he was lately so much disgusted with our bad
measures, that he could not help animadverting on
them, though in his usual calm and polite manner.
His petition to the king is an excellent satire, and
hath discovered to the whole nation how, at a time
when we are oppressed with taxes, and the common
people everywhere grown mutinous for want of
bread, the public money is squandered away in
pensions, generally bestowed upon the most worthless men."
It was during Lord Chesterfield's last brief
tenure of the seals of office that Dr. Johnson's
eagerly-sought introduction to him took place.
The then unknown author, whose dictionary, now
a great fact, was then merely an idea floating in the
brain of an apparently ordinary mortal, waited in
the ante-room of the Secretary of State, and when,
having seen Colley Cibber preferred before him, he
was admitted, he received, besides approval of his
plan, a donation of ten guineas! Not many months
before he had received fifteen guineas for "The
Vanity of Human Wishes." And many years after,
he remarked to Boswell: "Sir, ten pounds were to
me at that time a great sum."
"The world has been for many years," writes
Boswell, in his "Life of Johnson," "amused with a
story, confidently told, and as confidently repeated,
with additional circumstances, that a sudden disgust was taken by Johnson upon occasion of his
having been one day kept long in waiting in Lord
Chesterfield's ante-chamber, for which the reason
assigned was, that he had company with him; and
that, at last, when the door opened, out walked
Colley Cibber; and that Johnson was so violently
provoked when he found for whom he had been so
long excluded, that he went away in a passion, and
never would return. I remember having mentioned this story to George, Lord Lyttleton, who
told me he was very intimate with Lord Chesterfield; and holding it as a well-known truth, defended Lord Chesterfield by saying, that 'Cibber,
who had been introduced familiarly by the backstairs, had probably not been there above ten
minutes.' It may seem strange even to entertain
a doubt concerning a story so long and so widely
current, and thus implicitly adopted, if not sanctioned, by the authority which I have mentioned;
but Johnson himself assured me that there was
not the least foundation for it. He told me that
there never was any particular incident which produced a quarrel between Lord Chesterfield and
him; but that his lordship's continued neglect was
the reason why he resolved to have no connection
with him.
"When the dictionary was upon the eve of
publication, Lord Chesterfield, who, it is said, had
flattered himself with expectations that Johnson
would dedicate the work to him, attempted, in a
courtly manner, to soothe and insinuate himself
with the sage, conscious, as it should seem, of the
cold indifference with which he had treated its
learned author; and further attempted to conciliate him, by writing two papers in The World,
in recommendation of the work; and it must be
confessed that they contain some studied compliments, so finely turned, that if there had been no
previous offence, it is probable that Johnson would
have been highly delighted. Praise, in general,
was pleasing to him; but by praise from a man of
rank and elegant accomplishments he was peculiarly gratified.
"This courtly device," continues Boswell, "failed
of its effect. Johnson, who thought that 'all was
false and hollow,' despised the honeyed words, and
was even indignant that Lord Chesterfield should,
for a moment, imagine that he could be the dupe
of such an artifice." His expression to Boswell
concerning Lord Chesterfield, upon this occasion,
was: "Sir, after making great professions, he had
for many years taken no notice of me; but when
my dictionary was coming out, he fell a-scribbling
in The World about it. Upon which I wrote him
a letter, expressed in civil terms, but such as might
show him that I did not mind what he said or
wrote, and that I had done with him."
Dr. Johnson appeared to have had a remarkable
delicacy with respect to the circulation of this
letter; for Dr. Douglas, Bishop of Salisbury, informed Boswell that, having many years ago pressed
him to be allowed to read it to the second Lord
Hardwicke, who was very desirous to hear it (promising at the same time that no copy of it should
be taken), Johnson seemed much pleased that it
attracted the attention of a nobleman of such a
respectable character; but, after pausing some
time, declined to comply with the request, saying,
with a smile, "No, sir, I have hurt the dog too
much already," or words to this purpose.
Dr. Adams expostulated with Johnson, and suggested that his not being admitted when he called
on him, to which Johnson had alluded in his letter,
was probably not to be imputed to Lord Chesterfield; for his lordship had declared to Dodsley that
"he would have turned off the best servant he
ever had if he had known that he denied him to a
man who would have been always more than welcome." And in confirmation of this, he insisted
on Lord Chesterfield's general affability and easiness of access, especially to literary men. Johnson:
"Sir, that is not Lord Chesterfield; he is the
proudest man this day existing." Adams: "No,
there is one person, at least, as proud; I think, by
your own account, you are the prouder man of the
two." Johnson: "But mine was defensive pride."
This, as Dr. Adams well observed, was one of
those happy turns for which Johnson was so
remarkably ready.
Johnson having now explicitly avowed his
opinion of Lord Chesterfield, did not refrain from
expressing himself concerning that nobleman with
pointed freedom. "This man," said he, "I thought
had been a lord among wits, but I find he is only a
wit among lords!"
Johnson's remark on Lord Chesterfield's "Letters
to his Son"—a natural son, of course, for the title
passed at his death to a cousin—is well known to
most readers of modern literature: "Take out the
immorality, and the book should be put into the
hands of every young gentleman."
Of Lord Chesterfield we are told by the Hon. G.
Agar-Ellis, afterwards Lord Dover, in the Keepsake,
that "the love of literature, and, still more, any
talent for it, was so rare an attribute in a 'man of
quality,' that his lordship, in his day, stood almost
alone as a noble author, and as the Mæcenas of all
others." But the first of these assertions is surely
an exaggeration; and as to the latter character,
Lord Chesterfield's treatment of Dr. Johnson, in
his own courtly mansion, was not very much like
that of the courteous and kindly Mæcenas to the
poet Horace.
A good story is told by Mr. Frost, in his "Old
Showmen," respecting Lord Chesterfield. His
lordship once made a wager with Heidigger, a
Swiss by birth, and by office Master of the Revels,
and who had the reputation of being "as ugly as
sin," that he could find an uglier person in the
course of a week. The seven days elapsed, and
Lord Chesterfield lost his wager.
One of his lordship's most familiar acquaintances
was the elder brother of the first Lord Rokeby,
called "Long Sir Thomas Robinson" on account of
his height, and to distinguish him from Sir Thomas
Robinson, first Lord Grantham. Hawkins relates
how that Lord Chesterfield "employed him as a
mediator with Johnson, who, on his first visit,
treated him very indignantly." It was on his
request for an epigram that Lord Chesterfield
made the distich:—
"Unlike my subject will I make my song:
It shall be witty, and it shan't be long;"
and it was he to whom he said in his last illness,
"Ah, Sir Thomas, it will be sooner over with me
than it would be with you, for I am dying by inches."
Lord Chesterfield was very short. Sir Thomas did
not long survive his witty friend, and died in 1777.
Lord Chesterfield had but one child—the illegitimate son, Philip Stanhope, to whom his famous
"Letters" were addressed; and he, after disappointing Chesterfield's expectations, was carried off
in the prime of life. The aged peer survived him
some five years, and died in 1773, almost an
octogenarian.
Lord Chesterfield's wit did not die with him, for
even his will contained a grim satire on the Dean
and Chapter of Westminster, some of whose lands,
adjoining Chesterfield House, were taken by the
earl, after a hard bargain, for the purpose of forming
Stanhope Street. The substance of the clause in
the will referred to is to the effect that, if his
"godson," as he calls him, Philip Stanhope, should
at any time indulge in horse-racing, or the keeping
of race-horses or hounds; or if he should reside for
one night at Newmarket during the time of the races
there, or should lose in any one day the sum of
£500 by gambling, then he should forfeit and pay
out of his estate the sum of £5,000, "to and for the
use of the Dean and Chapter of Westminster." As
his death took place before that of the earl, the
Dean and Chapter could have no claim upon the
estate of the "godson," as the contingent interest
never accrued in their favour.