CHAPTER X.
"THE OLD COURT SUBURB."—KENSINGTON.
"When shall we walk to Totnam, or crosse o'er
The water? or take coach to Kensington
Or Paddington? or to some one or other
O' th' City out-leaps for an afternoon?"
Brome's "New Academy" (a play), 1658.
Descent of the Manor—A Parochial Enigma—Derivation of the Name of Kensington—Thackeray's "Esmond"—Leigh Hunt's Reminiscences—Gore House—Mr. Wilberforce, the Philanthropist—Lord Rodney—The Countess of Blessington and her Admirers—An Anecdote of Louis
Napoleon—Count D'Orsay's Picture—A Touching Incident—Sale of the Contents of Gore House, and Death of the Countess of Blessington—M. Soyer's "Symposium"—Sale of the Gore House Estate—Park House—Hamilton Lodge, the Residence of John Wilkes—Batty's
Hippodrome—St. Stephen's Church—Orford Lodge—Christ Church.
Kensington, which is technically described as a
suburb of London, in the Hundred of Ossulston,
has long enjoyed distinction from its Palace, in
which several successive sovereigns of the Hanoverian line held their court, and which was the
birth-place of Queen Victoria. In the time of the
Domesday survey the manor of Kensington was
owned by the Bishop of Coutances, to whom it was
granted by William the Conqueror. It was at that
time held by Aubrey de Vere, and subsequently, as
history tells us, it became the absolute property of
the De Veres, who afterwards gave twenty Earls of
Oxford to the English peerage. Aubrey de Vere
was Grand Justiciary of England, and was created
Earl of Oxford by the Empress Maud. Upon the
attainder of John, Earl of Oxford, who was beheaded during the struggle for power between the
houses of York and Lancaster, the manor was
bestowed by Edward IV. on his brother Richard,
Duke of Gloucester. After passing through the
hands of the Marquis of Berkeley and Sir Reginald
Bray, the property returned (as is supposed by
purchase) to John, Earl of Oxford, son of the
attainted nobleman above mentioned. The manor
is said to have again passed from that family, probably by sale, in the reign of Elizabeth; and early
in the seventeenth century the Earl of Argyll and
three other persons joined in a conveyance of the
property to Sir Walter Cope, whose daughter conveyed it by marriage to Henry Rich, Earl of
Holland. The manor subsequently passed into
the hands of Lord Kensington, who was maternally
descended from Robert Rich, last Earl of Warwick
and Holland, and whose barony, singularly enough,
is an Irish one, although the title is derived from
this place.
Parochially considered, Kensington is somewhat
of an enigma, for it is not only more than Kensington in some places, but it is not Kensington
itself in others. In Kensington parish, for instance, are included Earl's Court, Little Chelsea,
Old and New Brompton, Kensal Green, and even
some of the houses in Sloane Street; while, on the
other hand, Kensington Palace and Kensington
Gardens are not in Kensington, but in the parish
of St. Margaret's, Westminster.
The place, which now forms, as it were, part
and parcel of London, was down to comparatively
recent times a village, one mile and a half from
Hyde Park Corner. The name is stated by some
topographers to be derived from Kœnnigston, or
from the Saxon Kyning's-tun, a term synonymous
with King's End Town, and to be the same word
as Kennington and Kingston; our monarchs from
the earliest date having had residences at all three
places. Possibly, however, the "Ken" may be an
equivalent to "Kaen," or "Caen," which lies at
the root of "Kentish" Town, "Caen-wood," &c.;
but we will leave the origin of the name to be
discussed by antiquaries, and pass on to a survey
of the district in detail.
"Whatever was the origin of its name," writes
Leigh Hunt, in the "Old Court Suburb," "there
is no doubt that the first inhabited spot of Kensington was an inclosure from the great Middlesex
forest which once occupied this side of London,
and which extended northwards as far as Barnet."
Kensington has been always a favourite, not only
with royalty, but with those who more or less bask
in the sunshine of princes—poets, painters, &c.
The healthfulness and fashion of the place attracted
numerous families of distinction; and its importance was completed when William III. bought the
house and grounds of the Finch family (Earls of
Nottingham), and converted the former into a
palace, and the latter into royal gardens. It is
emphatically "the old Court suburb," and is
familiar to all readers of Thackeray, who has portrayed its features in many of his writings, especially
in "Esmond." Leigh Hunt observes that "there
is not a step of the way, from its commencement
at Kensington Gore to its termination beyond
Holland House, in which you are not greeted with
the face of some pleasant memory. Here, to
'minds' eyes' conversant with local biography,
stands a beauty looking out of a window; there,
a wit talking with other wits at a garden-gate;
there, a poet on the green sward, glad to get out of
the London smoke and find himself among trees.
Here come De Veres of the times of old; Hollands
and Davenants, of the Stuart and Cromwell times;
Evelyn, peering about him soberly, and Samuel
Pepys in a bustle. Here advance Prior, Swift,
Arbuthnot, Gay, Sir Isaac Newton; Steele, from
visiting Addison; Walpole, from visiting the Foxes;
Johnson, from a dinner with Elphinstone; 'Junius,'
from a communication with Wilkes. Here, in his
carriage, is King William III. going from the palace
to open Parliament; Queen Anne, for the same purpose; George I. and George II. (we shall have the
pleasure of looking at all these personages a little
more closely); and there, from out of Kensington
Gardens, comes bursting, as if the whole recorded
polite world were in flower at one and the same
period, all the fashion of the gayest times of those
sovereigns, blooming with chintzes, full-blown with
hoop-petticoats, towering with topknots and toupees.
Here comes 'Lady Mary,' quizzing everybody;
and Lady Suffolk, looking discreet; there, the
lovely Bellendens and Lepels; there, Miss Howe,
laughing with Nancy Lowther (who made her very
grave afterwards); there Chesterfield, Hanbury
Williams, Lord Hervey; Miss Chudleigh, not over
clothed; the Miss Gunnings, drawing crowds of
admirers; and here is George Selwyn, interchanging
wit with my Lady Townshend, the 'Lady Bellaston'
(so, at least, it has been said) of 'Tom Jones.'"
Probably there is not an old house in Kensington
in which some distinguished person has not lived,
during the reigns in which the Court resided there;
but the houses themselves are, as Leigh Hunt puts
it, "but dry bones, unless invested with interests of
flesh and blood."
The Royal Albert Hall and the gardens of the
Horticultural Society occupy the site of Gore House
and grounds. This is probably the estate called
the Gara, or the Gare, which Herbert, Abbot of
Westminster, gave to the nuns of Kilburn. The
spot was, according to John Timbs, anciently called
Kyng's Gore. Old Gore House was a low, plain,
and unpretending building, painted white, and
abutted on the roadway, about 150 yards to the
east of the chief public entrance to the Albert Hall.
Its external beauty, if it had any, belonged to its
southern, or garden side. Standing close to the
roadside, it looked as if meant originally for the
lodge of some great mansion which had never
actually been built; and the row, of which it formed
a part, as Leigh Hunt observes, in his "Old Court
Suburb," might easily lead one to imagine that it
had been divided into apartments for the retainers
of the Court, and that either a supernumerary set of
maids of honour had lived there, or else that some
four or five younger brothers of lords of the bedchamber had been the occupants, and expecting
places in reversion. "The two houses," adds the
writer, "seem to be nothing but one large drawingroom. They possess, however, parlours and second
storeys at the back, and they have good gardens, so
that, what with their flowers behind them, the park
in front, and their own neatness and elegance, the
miniature aristocracy of their appearance is not ill
borne out."
Here, for the best part of half a century, distinguished statesmen and philanthropists, and afterwards the light and frivolous butterflies of West-end
society, used to mix with men of letters and the
votaries of science. Here the "lions" of the day
were entertained from time to time; and there
were few houses to which the entrée was more
coveted. At the end of the last century it was
little more than a cottage, with a pleasant garden
in the rear attached to it, and it was tenanted by
a Government contractor, who does not seem to
have cared to go to any expense in keeping it in
order. Early in the present century it was enlarged on coming into the possession of Mr. Wilberforce, who soon grew very fond of the spot, and
here used to entertain Mr. Pitt, Lord Auckland
(who lived hard by), and such eminent philanthropists as Clarkson, Stephen, Zachary Macaulay,
and Romilly; indeed, it has often been said that
the agitation which ended in the abolition of West
Indian slavery was commenced in the library of
Gore House. Of this place Mr. Wilberforce often
speaks in his private correspondence; and in one
place he mentions his rus in urbe in the following
terms:—"We are just one mile from the turnpike
at Hyde Park Corner, having about three acres of
pleasure-ground around our house, or rather behind
it, and several old trees, walnut and mulberry, of
thick foliage. I can sit and read under their
shade with as much admiration of the beauties of
Nature as if I were down in Yorkshire, or anywhere
else 200 miles from the great city." Here, too,
his four sons, including the future Bishop of Oxford
and of Winchester, were mainly brought up in their
childhood and boyhood; and in the later years of
its hospitable owner's life it is on record that "its
costliness made him at times uneasy, lest it should
force him to curtail his charities," a thing which he
was always most anxious to avoid. Mrs. Wilberforce supported in this mansion a school for poor
girls, which was under her own personal superintendence. At Gore House the gallant admiral,
Lord Rodney, was for some time "laid up in port."
Mr. Wilberforce having occupied the house for
thirteen years, from 1808 down to 1821, it next
passed into the hands of a new meditator, but
not so much on the beauties of nature as on those
of art and literature—one who was more spirituelle
in salons, that "spiritual" in Wilberforce's sense of
the term—the "gorgeous" Countess of Blessington
became in turn its proprietor. She lived here
during her widowhood, surrounded by a bright and
fashionable crowd of aristocratic and literary admirers. Gore House became indeed a centre of
attraction to the world of letters; for besides giving
such dinners as Dr. Johnson would have thought
"worth being asked to," Lady Blessington prided
herself on her success in "bringing people together,"
in order to please and be pleased in turn. Here
were such men of the last generation as Lord
Melbourne, the poet Campbell, Samuel Rogers,
and many of the beaux of "the Regency" and of
the reign of George IV., including Count D'Orsay,
who married Lady Blessington's daughter, and made
the house his home.
"At Gore House," writes Mr. Blanchard Jerrold, "Prince Louis Napoleon met most of the
intellectual society of the time, and became the
friend of Count D'Orsay, Sir E. Lytton Bulwer,
Sir Henry Holland, Albany Fonblanque, and many
others who formed Lady Blessington's circle."
The Prince dined at Gore House with a small
party of West-end friends and acquaintances, including Lord Nugent and "Poodle" Byng, on
the evening before he started off on his wild and
abortive effort to make a descent on Boulogne in
August, 1840. "It was the fashion in that day,"
says Mr. Planché, in his "Recollections," "to
wear black satin handkerchiefs for evening dress;
and that of the Prince was fastened by a large
spread eagle in diamonds, clutching a thunderbolt
of rubies. There was in England at that time
but one man who, without the impeachment of
coxcombry, could have sported so magnificent a
jewel; and though to my knowledge I had never
seen him before, I felt convinced that he could be
no other than Prince Louis Napoleon. Such was
the fact. . . . There was a general conversation on
indifferent matters for some twenty minutes, during
which the Prince spoke but little, and then took
his departure with Count Montholon. Shortly
afterwards, Lord Nugent, Mr. Byng, and I, said
good night, and walked townward together. As
we went along, one of my companions said to the
other, 'What could Louis Napoleon mean by
asking us to dine with him at the Tuileries on
this day twelve months?' Four days afterwards
the question was answered. The news arrived of
the abortive landing at Boulogne and the captivity
of the Prince." On the first day after his escape
from Ham (1846), and his arrival in London, Prince
Louis Napoleon again dined here at a party, with
Lady Blessington, Count D'Orsay, Walter Savage
Landor, Mr. John Forster, &c., whom he amused
by recounting his recent adventure in detail.

THE OLD TURNPIKE, KENSINGTON, IN 1820.
Mr. Madden, in his "Life and Correspondence
of the Countess of Blessington," says:—"For
nineteen years Lady Blessington had maintained,
at first in Seamore Place, and afterwards at Kensington, a position almost queen-like in the world
of intellectual distinction, in fashionable literary
society, reigning over the best circles of London
celebrities, and reckoning among her admiring
friends, and the frequenters of her salons, the most
eminent men of England in every walk of literature, art, and science, in statesmanship, in the
military profession, and in every learned pursuit.
For nineteen years she had maintained in London
establishments seldom equalled, and still more
rarely surpassed, in all the appliances of a state of
society brilliant in the highest degree; but, alas! it
must be acknowledged, at the same time, a state
of splendid misery for a great portion of that time
to the mistress of those elegant and luxurious
establishments. And now, at the end of that
time, we find her forced to abandon that position,
to leave all the elegancies and refinements of her
home to become the property of strangers, and in
fact to make a departure from the scene of all her
former triumphs, with a privacy which must have
been most painful and humiliating."
Count D'Orsay painted a large garden view of
Gore House, with portraits of the Duke of Wellington, Lords Chesterfield, Douro, and Brougham,
Sir E. Landseer, the Miss Powers, and other
members of the fashionable circle that gathered
there. "In the foreground, to the right," says a
description of the picture, "are the great Duke
and Lady Blessington; in the centre, Sir E. Landseer, seated, in the act of sketching a fine cow, with
a calf by her side; Count D'Orsay himself, with
two favourite dogs, is seen on the right of the
group, and Lord Chesterfield on the left; nearer
the house are the two Miss Powers (nieces of
Lady Blessington), reading a letter, a gentleman
walking behind. Further to the left are Lord
Brougham, Lord Douro, &c., seated under a tree,
engaged in conversation."

THE "HALFWAY HOUSE," KENSINGTON, 1850.
Mr. Madden, in his book above quoted, gives
us anecdotes of, or letters from, most of the visitors
at Gore House when it was in its prime. Thomas
Moore, who sang so touchingly as to unlock the
fount of tears in the drawing-room, was often
there; so were Horace and James Smith, the
authors of the "Rejected Addresses;" so was Sir
Henry Lytton Bulwer and his brother, the late
Lord Lytton. Walter Savage Landor would repair
thither, with his stern eyebrows and kindly heart;
and Albert Smith and Thackeray, Charles Dickens
and William Jerdan, Mr. Monckton Milnes, Mr.
A. Baillie Cochrane, Mr. N. P. Willis, the Countess
Guiccioli (Byron's chere amie), Lords Brougham,
Lyndhurst, and Chesterfield, and all the other
celebrities, who, being added up together into one
sum, made up, what Joseph Hume would have
styled, the "tottle of the whole" of the Gore
House circle. Mr. N. P. Willis thus records an
incident during an evening here:—"We all sat
round the piano, and, after two or three songs
of Lady Blessington's choosing, Moore rambled
over the keys awhile, and then sang 'When first I
met thee,' with a pathos that beggars description.
When the last word had faltered out, he rose and
took Lady Blessington's hand, said good-night, and
was gone before a word was uttered. . . . I have
heard of women fainting at a song of Moore's; and
if the burden of it answered by chance to a secret
in the bosom of the listener, I should think, from
its comparative effect upon so old a stager as
myself, that the heart would break with it."
Lady Blessington's "curiosities" and treasures—the contents of the once favourite mansion—were
disposed of by auction in the summer of 1849;
and she herself went off to Paris, to die in debt,
and deserted by her butterfly admirers, but a few
weeks afterwards. The contents of the mansion
are thus described in the catalogue of the sale:—"Costly and elegant effects: comprising all the
magnificent furniture, rare porcelain, sculpture in
marble, bronzes, and an assemblage of objects of
art and decoration; a casket of valuable jewellery
and bijouterie, services of rich chased silver and
silver-gilt plate, a superbly-fitted silver dressingcase; collection of ancient and modern pictures,
including many portraits of distinguished persons,
valuable original drawings, and fine engravings,
framed and in portfolios; the extensive and interesting library of books, comprising upwards of
5,000 volumes, expensive table services of china
and rich cut glass, and an infinity of useful and
valuable articles. All the property of the Right
Hon. the Countess of Blessington, retiring to the
Continent."
In 1851, during the time of the Great Exhibition, Gore House was made a "Symposium,"
or restaurant, by M. Alexis Soyer, whose cuisine,
whilst chef of the Reform Club, enjoyed European
fame. (fn. 1) Its walls were once more adorned with a
splendour and costliness which it had not known
for some years, though, possibly, not with equal
taste as that which was so conspicuous under the
régime of the clever and brilliant lady who had
made it a home. Soyer first came to England on
a visit to his brother, who was then cook to the
Duke of Cambridge; and at Cambridge House he
cooked his first dinner in England for the then
Prince George. Soyer afterwards entered the
service of various noblemen: amongst others, of
Lord Ailsa, Lord Panmure, &c. He then was
employed by the Reform Club, and the breakfast
given by that club, on the occasion of the Queen's
coronation, obtained him high commendation.
Mr. Mark Boyd, in his "Social Gleanings," tells a
good story about M. Soyer. "Meeting him in an
omnibus, after his return from the Crimea, I congratulated him on the laurels he had gained with
our army, and was anxious to learn how he had
managed this under the privations to which our
brave fellows were exposed from short rations,
and often from no rations at all! 'Dere is my
merit, Monsieur Boyd,' he replied, 'for I did
make good dishes out of nothing.'" It is to be
feared that his words were literally true.
The Gore House estate, comprising some twentyone acres, was purchased in 1852 by the Commissioners of the Great Exhibition, out of the
surplus fund of that Exhibition, for the sum of
£60,000, as a site for a new National Gallery;
and the Baron de Villars' estate, adjoining, nearly
fifty acres, fronting the Brompton Road, was
bought for £153,500, as a site for a Museum
of Manufactures; "these localities being recommended for the dryness of the soil, and as the
only ground safe for future years amidst the growth
of the metropolis." On the latter site, as we have
shown in the previous chapter, the South Kensington Museum and the Schools of Art and
Science have been erected; but instead of the
National Gallery, the ground at Kensington Gore
was made to serve as the site for the Albert
Hall, &c.
Park House, at the eastern end of the Gore,
close by Prince's Gate, indicates the northern
boundary of the once famous Kensington or
Brompton Park Nursery, which figures in the pages
of the Spectator as the establishment of Messrs.
Loudon and Wise, the most celebrated gardeners
of their time. Near to this was Noel House, so
called from having been built by one of the
Campbells.
Hamilton Lodge, Kensington Gore, was the
occasional residence of John Wilkes, who here
entertained Counts Woronzow and Nesselrode, and
Sir Philip Francis, the supposed author of the
"Letters of Junius."
A little to the west of Kensington Gore, immediately opposite to the broad walk of Kensington
Gardens, was, in 1850–1, Batty's Grand National
Hippodrome. Its site, which lies at the back of
the Prince of Wales' Terrace, covering a considerable space of ground between the two thoroughfares known as Palace Gate and Victoria Road,
was for many years used as a riding school, but
was ultimately given up for building purposes.
Near the old turnpike, which stood a little westward of Gore House, was a small inn known as
the halfway house between London and Hammersmith. It was a curious and picturesque structure,
but was swept away about the year 1860.
Opposite Queen's Gate Gardens, and adjoining
the Gloucester Road, on the west side of the
Horticultural Gardens, is St. Stephen's Church,
built in 1866, from the designs of Mr. Joseph
Peacock, and is an architectural ornament to the
neighbourhood. In this immediate locality was
Orford Lodge, built on the site of the "Old Florida
Tea Gardens," for the late Duchess of Gloucester,
after whom Gloucester Road is named. The
Lodge was subsequently tenanted by the Princess
Sophia, and also by the Right Hon. George Canning, who was here visited by Queen Caroline.
The house was taken down in the year 1852. The
thoroughfare which connected Chelsea with the
great western road through the village between the
Gore and Kensington Square rejoiced in the not
very pleasant-sounding name of "Hogmire Lane"—a name, however, suggestive of farm-yards and
piggeries, which then, doubtless, were plentiful in
the neighbourhood.
Christ Church, in the Victoria Road, is a neat
edifice, of Gothic design, dating from the year
1851, and accommodating about 800 persons.
All its seats are open. It was built from the
designs of Mr. Benjamin Ferrey. The architecture
is of the Decorated style, varying from geometrical
to flowing. It comprises a nave and chancel,
tower and spire. The windows throughout are of
flowered quarries; that at the east end is a rich
diaper pattern, copied from one in York Minster.
CHAPTER XI.
KENSINGTON (continued).
"Faith, and it's the Old Court Suburb that you spoke of, is it? Sure, an' it's a mighty fine place for the quality."—Old Play.
The Old Court Suburb—Pepys at "Kingly Kensington"—The High Street—Thackeray's "Esmond"—Palace Gate—Colby House—Singular
Death—Kensington House: its Early History—Famous Inhabitants—Old Kensington Bedlam—The New House—Young Street—Kensington
Square—Famous Inhabitants—Talleyrand—An Aged Waltzer—Macaulay's Description of Talleyrand—The New Parish Church—The Old
Building—The Monuments—The Bells—The Parish Registers—The Charity School—Campden House—"The Dogs"—Sir James South's
Observatory—A Singular Sale—Other Noted Residents at Kensington—Insecurity of the Kensington Road—A Remarkable Dramatic
Performance—A Ghost Story—The Crippled Boys' Home—Scarsdale House—The Roman Catholic University College—Roman Catholic
Chapels—The Pro-Cathedral—The "Adam and Eve."
Hitherto, since leaving the side of the river at
Chelsea, we have been mostly passing over modern
ground, which a century ago was scantily dotted
with private residences, and which, therefore, can
scarcely be expected as yet to have much of a past
history. But now, as we look round the "Old
Court Suburb" of Kensington, and its venerable
and somewhat narrow High Street, we find ourselves again confronted with houses and persons of
an earlier era, and, consequently, we shall be able
to dwell at greater length on the annals and anecdotes of which Kensington has been the scene.
The Palace and the Church, of course, will form
our central objects, to which, perhaps, we ought to
add that old-world haunt of fashion, Kensington
Square. The old town of Kensington consisted
principally of one long street, extending about
three-quarters of a mile in length, from the Gore to
Earl's Terrace; but even that thoroughfare is of
comparatively modern growth, for the only highway for travellers westward, in former times, was
the old Roman (or present Uxbridge) Road, then
bending southerly (as it still branches) to Turnham
Green. Within the last century a number of small
streets have been built on either side. Bowack,
in his "History of Middlesex," thus describes the
place in the middle of the last century:—"This
town, standing in a wholesome air, not above three
miles from London, has ever been resorted to by
persons of quality and citizens, and for many years
past honoured with several fine seats belonging
to the Earls of Nottingham and Warwick. We
cannot, indeed, find it was ever taken notice of
in history, except for the great western road
through it, nor hath anything occurred in it that
might perpetuate its name, till his late Majesty,
King William, was pleased to ennoble it with his
court and royal presence. Since which time it
has flourished even almost beyond belief, and is
inhabited by gentry and persons of note; there is
also abundance of shopkeepers, and all sorts of
artificers in it, which makes it appear rather like
part of London than a country village. It is,
with its dependencies, about three times as big
as Chelsea, in number of houses, and in summer
time extremely filled with lodgers, for the pleasure
of the air, walks, and gardens round it, to the
great advantage of its inhabitants. The buildings
are chiefly of brick, regular, and built into streets;
the largest is that through which the road lies,
reclining back from the Queen's House, a considerable way beyond the church. From the
church runs a row of buildings towards the north,
called Church Lane; but the most beautiful part
of it is the Square, south of the road, which,
for beauty of buildings, and worthy inhabitants,
exceed several noted squares in London."
Kensington—"kingly Kensington," as Dean
Swift called it—is not very frequently mentioned
by Pepys, as that country village had not, in his
days, become the "court suburb." He mentions,
however, accompanying "my lord" (the Earl of
Sandwich) to dine at Kensington with Lord Campden, at Campden House, and afterwards to call at
Holland House. With two other trivial exceptions,
this is all that we learn about Kensington from the
old gossip's "Diary;" neither does the place figure
in the "Memoirs of the Count de Gramont." It is
on record that George II. admired the flat grounds
of Kensington and Kew, as reminding him of
"Yarmany." It is described by Bowack, in 1705,
as being about three times as big as Chelsea.
The manor of Abbots' Kensington, which occupies an area of about 1,140 acres in all, extends
northwards so far as to include all the Gravel Pits
and Notting Hill.
Although Kensington is so near London, and
contains so many new buildings, the High Street
has a considerable resemblance to that of a country
town. The houses, for the most part, are of moderate size, and considerable variety is displayed in
the style of building, so that the fronts of scarcely
any two houses are alike. Faulkner, writing in
1820, remarks: "The town, being in the direct
road for the western parts of England, is in a considerable bustle, and resembles the most populous
streets in London, especially in an evening, when
the mail-coaches are setting out for their various
destinations." The chief coaching-inn and postinghouse, at that time, was the "Red Lion," at the
back of which is still to be seen a curious sun-dial,
bearing the date 1713. Readers of Thackeray's
"Esmond" will not have forgotten the picture he
has given of the scene which might have been
witnessed from the tavern at the corner of the
old High Street, on the occasion of the accession
of King George I.:—"Out of the window of the
tavern, and looking over the garden wall, you
can see the green before Kensington Palace, the
palace gate (round which the ministers' coaches
are standing), and the barrack building. As we
were looking out from this window in gloomy distraction, we heard presently the trumpets blowing,
and some of us ran to the window of the front
room looking into the High Street, and saw a regiment of horse coming. 'It's Ormond's Guards,'
says one. 'No, by G—; it's Argyle's old regiment!' says my general, clapping down his crutch.
It was indeed Argyle's regiment that was brought
up from Westminster, and that took the part of
the regiment at Kensington." The sequel is soon
told, and it shall here be told, in the words of
"Esmond:"—"With some delays in procuring
horses, we got to Hammersmith about four o'clock
on Sunday morning, the 1st of August (1714), and
half an hour after, it then being bright day, we
rode by my Lady Warwick's house, and so down
the street of Kensington. Early as the hour was,
there was a bustle in the street, and many people
moving to and fro. Round the gate leading to
the palace, where the guard is, there was especially
a great crowd; and the coach ahead of us stopped,
and the bishop's man got down, to know what the
concourse meant. Then presently came out from
the gate horse-guards with their trumpets, and a
company of heralds with their tabards. The
trumpets blew, and the herald-at-arms came forward, and proclaimed 'George, by the grace of
God, of Great Britain, France, and Ireland, King,
Defender of the Faith.' And the people shouted
'God save the King!'" Thus was the first sovereign of the Hanoverian line proclaimed in the
High Street of Kensington; and there, with the
sound of King George's trumpets, were the last
hopes of the Stuart line scattered to the winds of
heaven. The spot where this proclamation took
place is surely an object of historic interest to
after ages.
Almost at the entrance of the High Street is the
Palace Gate, with its sentinels on duty, and opposite to it stood, till recently, a good, moderatesized house—a sort of undergrown mansion—which, as Leigh Hunt says, looked as if it "had
been made for some rich old bachelor who chose
to live alone, but liked to have everything about
him strong and safe." Such was probably the
case, for it was called Colby House, and was the
abode of Sir Thomas Colby, of whom Dr. King
tells us in his "Anecdotes of his Own Times," that
being worth £200,000, and having no near relatives,
he met with his death by getting up from his warm
bed on a winter night to fetch the key of his cellar,
which he had forgotten, for fear his servant might
help himself to a bottle of wine. The house was
inhabited, when Faulkner wrote his "History of
Kensington," by one of the leading magistrates of
the county. Its former eccentric owner was buried
in the parish church. The house was standing till
about 1872, when it was pulled down, along with
the large red house, Kensington House, adjoining,
to make a site for Baron Grant's mansion.
Kensington House, a dull and heavy building of
red brick on the south side of the high road,
nearly facing the Palace gates, was for some years
inhabited by the notorious Duchess of Portsmouth,
one of the many mistresses of Charles II. The
house was long and low in proportion, and was
screened from the road by a high wall. It is
recorded that King Charles supped here the night
before he was seized with the illness which proved
his last. The house was afterwards turned into a
school, kept by Elphinstone, who was known as
the translator of Martial, and as a friend of Dr.
Jortin, Benjamin Franklin, and Dr. Johnson. He
was ludicrously caricatured by Smollett, in "Roderick Random," which was consequently a forbidden
book in his school. At the outbreak of the first
French Revolution the house was occupied by
some French emigrant priests, members of the
Jesuit Order, who kept here a college for the youth
of the French and some of the English aristocracy,
under the assumed name of "Les Pères de la Foi."
The late Mr. Richard Lalor Sheil was sent here
when a boy, and he tells us how the school was
visited by "Monsieur"—as Charles X., afterwards
King of France, was then called—in his brother's
lifetime.
The building has been described as follows by
Mr. Sheil (fn. 2) :—"I landed at Bristol, and with a
French clergyman, the Abbé de Grimeau, who had
been my tutor, I proceeded to London. The abbé
informed me that I was to be sent to Kensington
House, a college established by the Pères de la
Foi—for so the French Jesuits settled in England
at that time called themselves—and that he had
directions to leave me there upon his way to
Languedoc, from whence he had been exiled in
the Revolution, and to which he had been driven
by the maladie de pays to return. Accordingly, we
set off for Kensington House, which is situated
exactly opposite the avenue leading to the palace,
and has the beautiful garden attached to it in
front. A large iron gate, wrought into rustic
flowers, and other fantastic forms, showed that the
Jesuit school had once been the residence of some
person of distinction. . . . It was a large oldfashioned house, with many remains of decayed
splendour. In a beautiful walk of trees, which
ran down from the rear of the building through the
play-ground, I saw several French boys playing at
swing-swang; and the moment I entered, my ears
were filled with the shrill vociferations of some
hundreds of little emigrants, who were engaged in
their various amusements, and babbled, screamed,
laughed, and shouted, in all the velocity of their
rapid and joyous language. I did not hear a word
of English, and at once perceived that I was as
much amongst Frenchmen as if I had been suddenly transferred to a Parisian college. Having
got this peep at the gaiety of the school into
which I was to be introduced, I was led, with
my companion, to a chamber covered with faded
gilding, and which had once been richly tapestried,
where I found the head of the establishment, in
the person of a French nobleman, Monsieur le
Prince de Broglie."
Here, in 1821, whilst the house was still in the
hands of the Jesuits, died—it is said, from the effects
of tight lacing—Mrs. Inchbald, the authoress of
the "Simple Story." She had resided in several
other houses in Kensington before coming here.
She had written many volumes, which she had by
her in manuscript; but on her death-bed, from
some motive or other, she requested a friend to
tear them to pieces before her eyes, not having the
strength to perform the heroic deed of immolation
with her own hands. Mr. and Mrs. Cosway,
too, resided here for a short time, after leaving
Stratford Place, and before settling down in the
Edgware Road.
The building was subsequently turned into a
private lunatic asylum, and was then popularly
known as Old Kensington Bedlam. It was purchased in 1873 by "Baron" Albert Grant, who
pulled it down and erected a modern Italian palace
on its site. The cost of the building and grounds
is stated to have exceeded one million sterling.
The mansion contains a grand hall and staircase,
built entirely of white marble, drawing-rooms,
library, picture-gallery, three dining-rooms en suite,
and a spacious ball-room. In the construction of
the windows, numbering over a hundred, no less
than three tons of stone have been used. In the
formation of the grounds, which are twelve acres
in extent, Mr. Grant purchased an Irish colony
situated in the rear of the Kensington High Street—formerly called the "Rookery" and "Jenning's
Buildings"—both of which had been a nuisance to
the parish for years past. These places are now
entirely demolished, and the ground has been converted into a picturesque lake, three acres in extent,
with two small islands in the centre. To secure
an uninterrupted view of the Kensington Gardens,
Mr. Grant purchased the pretty antique lodge
which used to stand at the entrance to the gardens,
together with the dead wall enclosing the grounds.
These have been removed, and in their stead a
handsome range of gilt iron railings erected.
Continuing our way westward, we come to the
turning at Young Street, which leads into the
square above alluded to. It is an old-fashioned,
oblong enclosure, and bears the name of Ken
sington Square. It was commenced in the reign
of James II., and finished about 1698, as appeared
by a date at one time affixed at the north-east
corner. It is described by Bowack, in 1705, as
"the most beautiful part of the parish south of
the main road," and as "exceeding several noted
squares in London for beauty of its buildings and
(for) worthy inhabitants." While the Court was at
Kensington, most of the houses were inhabited by
"persons of quality," ambassadors, gentry, and
clergy; and at one time, as Faulkner tells us, upwards of forty carriages were kept by residents in
and about the neighbourhood. In the reigns of
William and Anne and the first two Georges, this
square was the most fashionable spot in the suburbs;
indeed, in the time of George II., the demand for
lodgings here was so great, "that an ambassador, a
bishop, and a physician have been known to occupy
apartments in the same house." The celebrated
Duchess de Mazarin appears to have resided here
in 1692; and here she probably had among her
visitors her "adoring old friend, Saint Evremond,
with his white locks, little skull cap, and the great
wen on his forehead." Here, too, Addison lodged
for some time; and here it was that he read over
some of Montaigne's "Essays." It is said that,
finding little or no information in the chapters as
to the subjects their titles promised, he closed
the book more confused than satisfied. "What
think you of this famous French author?" said a
gentleman present. "Think?" said he, smiling:
"why, that a pair of manacles, or a stone doublet,
would probably have been of some service to that
author's infirmity." "Would you imprison a man
for singularity in writing?" "Why, let me tell
you," replied Addison, "if he had been a horse
he would have been pounded for straying; and
why he ought to be more favoured because he is a
man, I cannot understand." We shall have more,
however, to say of Addison when we come to
Holland House.

INTERIOR OF KENSINGTON CHURCH, 1850.
Somewhere about the south-west corner of the
square lived, for several years, physician to King
William III., and butt of all the wits of the time,
Sir Richard Blackmore, the poet, of whom we have
spoken in our account of Earl's Court. Hough,
the good old Bishop of Winchester, lived here for
many years; as also did Mawson, Bishop of Ely;
and Dr. Herring, Bishop of Bangor, and afterwards.
Archbishop of Canterbury. Among other noted
residents were the Rev. W. Beloe, the translator of
Herodotus; and the Earl of Clanricarde.

OLD KENSINGTON CHURCH, ABOUT 1750.

OLD VIEW OF KENSINGTON, ABOUT 1750.
Another resident in Kensington Square, during
the early part of the present century, was Prince
de Talleyrand, at one time Bishop of Autun, in
France, and subsequently Ambassador-Extraordinary for that country to the Court of St. James's.
Lord Palmerston used to declare that he was
"exceedingly quiet and courteous, but he had a
strange versatility not revealed to the world at
large." When eighty years of age, and extremely
lame, he still was fond of sharing the amusements
of the young, and his smile was then so benign as
quite to discredit the "sarcastic sneer" for which
he was famous. "One night at the Duchess of
Gramont's," writes Lady Clementina Davies, in
her "Recollections of Society," "a game of forfeits
was proposed. The duchess joined in the game,
and lost her king. She asked how she could get
it back. She was told she must ask some gentleman in the room to take a tour de valse with her,
and she invited the lame and aged diplomatist to
dance with her. He smiled, and instantly rose to
comply. Several young men offered to take his
place, but neither he nor the gay little duchess
would allow of this, and Talleyrand seemed able
to perform his share in the valse, and to be pleased
with the exertion. He remained with his partner,
and conversed with her in a style of brilliant
animation. When Louis XVIII. was restored to
the French throne, the sage minister said to him,
'Now, sir, as a king of the French people, you
must learn to forget!' The Bourbons might have
fared better could they have taken this wise
counsel!"
Lady Clementina Davies, who lived on terms
of intimacy with the Prince, declares that it is quite
an error to suppose that he was a mere political
hypocrite, or that he transferred his services from
one sovereign to another with reckless indifference;
but that, on the contrary, his only motive was a
patriotic desire to advance the interests of his
country. He was shamefully used by his parents
on account of his club-foot; he was deprived of all
his rights as the eldest son, and forced against his
will to become a priest. In spite of his cynicism,
the great diplomatist was a remarkably pleasanttempered man, full of kindness to children, and
possessing conversational powers of the highest
orders.
Talleyrand, in the year 1831, is thus described
by Macaulay among the guests he met at Holland
House:—"He is certainly the greatest curiosity
that I ever fell in with. His head is sunk down
between two high shoulders. One of his feet is
hideously distorted. His face is as pale as that of
a corpse, and wrinkled to a frightful degree. His
eyes have an odd glassy stare, quite peculiar to
them. His hair, thickly powdered and pomatumed,
hangs down his shoulders on each side as straight
as a pound of tallow candles. His conversation,
however, soon makes you forget his ugliness and
infirmities. There is a poignancy without effort
in all that he says, which reminds me a little of the
character which the wits of Johnson's circle give of
Beauclerk. . . . He told several stories about
the political men of France, not of any great value
in themselves; but his way of telling them was
beyond all praise—concise, pointed, and delicately
satirical. . . . I could not help breaking out
into admiration of his talent for relating anecdotes.
Lady Holland said that he had been considered
for nearly forty years as the best teller of a story
in Europe, and that there was certainly nobody
like him in that respect."
In this square, also, resided James Mill, the
historian of British India, and father of Mr. John
Stuart Mill, the political economist, and some time
Member of Parliament for Westminster. He died
in June 1836, and was buried in the vaults below
the parish church.
Part of the western side of the square is occupied by the front of the Kensington Proprietary
Grammar School; and three or four of the largest
mansions near the south-west angle form now the
Convent of the Dames de Sacré Cœur, on whose
garden a handsome Roman Catholic church, and
also a convent chapel, have been lately built.
It is in Kensington Square that Thackeray, in his
"Esmond," lays the scene which presents us with
James Stuart, "the Prince" from Saint Germains,
as lodging, and passing for the time as Lord Castlewood, holding himself in readiness for action when
the death of Queen Anne was expected. He
pictures the Prince walking restlessly upon "the
Mall" at Kensington. The "little house in Kensington Square" figures from first to last in the
above-mentioned work as the residence of Lady
Castlewood and of Beatrix Esmond, and is the
centre at once of love-making and of political
plots, in the interest of the exiled Stuarts.
About the middle of the High Street stands
Kensington Church, dedicated to St. Mary the
Virgin. The present fabric dates only from the
year 1869, having replaced an older structure. It
was built from the designs of Sir Gilbert Scott, and
has about it a degree of architectural dignity which
befits the importance of the parish as the "Old
Court Suburb," the abode of royalty, and a quarter
inhabited by many wealthy and aristocratic families.
The style of design is that which was in vogue
towards the close of the thirteenth century, and
known as the Decorated, though it is freely
adapted to present uses. It consists of a large
nave and chancel, each with aisles, and additional
aisles at the eastern part of the nave, which at
that part, consequently, has double aisles on each
side. The whole is of very lofty proportions, with
clerestory both to nave and chancel. The tower
and spire, which are on a considerable scale, are
at the north-east angle, and connected with the
chancel by an extra aisle, which contains the organ.
The cost of the building was about £35,000,
towards which Her Majesty the Queen gave £200,
while the late vicar of the parish, Archdeacon
Sinclair, made a donation of £1,000.
The old parish church of St. Mary's, though a
plain and unpretending edifice, which Bishop
Blomfield used to designate the ugliest in his
diocese, was an interesting structure, not only on
account of the numerous monuments which it contained, but far more on account of the historical
reminiscences connected with it. What with partial
rebuildings and wholesale repairs, it had been
altered a dozen times in less than two centuries.
It superseded a previous building of which little or
nothing is recorded. It is more than probable
that the ancient parish church of Kensington stood
nearly on the spot in Holland Street, now occupied
by the church of the Carmelite Fathers, and opposite the vicarage. At all events, it stood a little
to the north of the parish church of subsequent
centuries, and not far from the Manor House, to
which the vicarage is a successor; indeed, there
is a tradition, but unconfirmed, that the original
parish church stood some distance to the north,
near the Gravel Pits, and was removed hither at
the time of the Conquest. The road, by its
very narrowness and curvings, shows that it is an
ancient way, and it is still traditionally called, or
at all events was called within the memory of the
present generation, the "Parson's Yard." It will
not be a little singular if hereafter it should be
discovered that the Carmelites have been building
on the old foundations. The resolution to build
this church was adopted by the vestry in 1696,
and among the contributors were William III. and
Queen Mary, as well as the Princess Anne. The
king and queen not only subscribed to the building
fund, but presented the reading-desk and pulpit,
which had crowns carved upon them, with the
initials "W." and "M. R." A pew, curtained round
in the fashion of old times, was, in consequence,
set apart for the royal family, and long continued
to be occupied by residents in Kensington Palace,
and among whom were the Duke and Duchess of
Kent and the late Duke of Cambridge. It was
in this church that the Duchess of Kent returned
thanks after the birth of Queen Victoria.
Here were monuments to Edward, eighth Earl of
Warwick and Holland, who died in 1759; and to
"the three Colmans:" Francis Colman, some time
British Minister to the Court of Florence; his son,
George, "the Elder," and his grandson, George, "the
Younger." The two latter wrote several comedies,
and were proprietors of the Haymarket Theatre.
Here also was buried one Sir Manhood Penruddock, who was "slain at Notting Wood, in fight,
in the year 1608." At that time the nation was at
peace; the "fight" which is recorded in the parish
register probably means a "duel." Two interesting
monuments by Chantrey, which were erected in
the old parish church, have been replaced in the
new edifice: the one in memory of a former vicar,
Dr. T. Rennell; the other to a Peninsular officer,
Colonel Hutchins, a native of Earl's Court.
Near one of the entrances to the church was a
tablet recording a reputed donation of lands to the
parish by Oliver Cromwell, of which Lysons states:
"An anonymous benefactor, in 1652, gave some
land at Kensington Gravel-pits, on which was
formerly a malthouse. This is called Cromwell's
gift, and a tradition has prevailed that is was given
by Oliver Cromwell; but the parish have no
evidence to ascertain it."
The peal of bells was cast by Janeway, of
Chelsea, in 1772. In the parish books are several
entries of sums paid for ringing the church bells
on public occasions since the Revolution. The
Battle of the Boyne, for instance, is thus recorded: "May 2, 1690.—Paid William Reynolds
for the ringers on that day the news came of the
victory gained by his Majesty at and near the
Boyne, 12s." And again, the Battle of Blenheim
is thus noted: "1704.—Paid Mr. Jackman for a
barrel of beer for the victory over the French and
Bavarians, 15s." Another entry runs as follows:
"For Limerick's being taken, and 'twas false,"
(sic): on this occasion the ringers were contented
with eighteen pence. Various sums are mentioned
as having been paid on the arrival of King William
and his Queen, such as became the royal parish,
"kingly Kensington." In Murray's "Environs of
London" it is stated that this church has had its
"Vicar of Bray," in one Thomas Hodges, collated to the living by Archbishop Juxon. He kept
his preferment during the Civil War and interregnum, by joining alternately with either party.
Although a frequent preacher before the Long
Parliament, and one of the Assembly of Divines,
he was made Dean of Hereford after the Restoration, but continued Vicar of Kensington.
Amongst the many interesting associations of
the old church are several of the present century.
Mr. Wilberforce, who, as we have stated, resided
at Kensington Gore, is still remembered by many
of the old inhabitants as sitting in the pew appropriated to the Holland House family. George
Canning, who resided at Gloucester Lodge, might
often be seen sitting in the royal pew; Coke, of
Norfolk, the eminent agriculturist, had a pew here,
which he regularly occupied. Professor Nassau
W. Senior, the political economist, although living
so far distant as Hyde Park Gate, might often be
seen, in company with the late Mr. Thackeray,
attending the early service; but neither of these
eminent writers, it is said, rented a pew in the
church. Lord Macaulay, too, whilst living at Holly
Lodge, Campden Hill, regularly attended here
during the last two summers of his life.
To the churchyard, in 1814, was added a new
cemetery, where was previously an avenue of elms,
through which ran the original approach from the
town to Campden House. In the churchyard
is a monument to Mrs. Elizabeth Inchbald, who
is truthfully and touchingly described on it as "a
beauty, a virtue, a player, and authoress of 'A
Simple Story.'" She commenced her career as an
actress in 1777, on the York circuit, but quitted the
stage in 1789, continuing, however, for many years to
entertain the public in the character of a dramatic
author. Mrs. Inchbald died on the 1st of March,
1821, as we have stated above, at old Kensington
House. The following instances of longevity are
to be found in the registers of burials:—1786,
Margaret Smart, aged 103; 1804, Jane Hartwell,
from Methwold's Almshouses, aged 100; 1807,
William Griffiths, of the Gravel-pits, aged 103.
The present vicarage, built about 1774, superseded a humble structure little more than a cottage
with latticed windows.
Returning again into the High Street, we notice,
a few yards beyond the church, a curious-looking
brick building, of two storeys, above which is a
square tower, probably intended to hold a bell;
this was the old Kensington Charity School, built
by Sir John Vanbrugh. It is now a savings'-bank,
with a new school-room by the side of it. Adjoining this building is the new Vestry Hall, which
has been recently erected in the style of architecture in vogue in the reign of James I.
On the opposite side of the way, in a house
which stood on the site of the Metropolitan Railway Station, lived for some years the celebrated
political writer, William Cobbett, whom we have
mentioned above. In a garden at the back of his
house, and also at a farm which he possessed at
the same time at Barn-Elms, Cobbett cultivated his
Indian corn, his American forest-trees, his pigs,
poultry, and butchers' meat, all which he pronounced to be the best that were ever beheld; but
the aristocratic suburb, we are told, did not prove
a congenial soil, and he quitted it a bankrupt. He
entered Parliament as member for Oldham, but did
not live long afterwards, dying in 1835.
Campden House—which stands on the western
side of Church Street, in its own grounds—is mentioned in the "New View of London," published
in 1708, among the noble palaces belonging to Her
Majesty, Queen Anne, "for the Court to reside in
at pleasure." But this statement is not quite true.
The house never absolutely belonged to royalty.
It was the residence of Baptist Hicks, Viscount
Campden, after whom it was called, and who was
the founder of Hicks's Hall, in Clerkenwell; (fn. 3) and
it caused his name to be given to the neighbourhood as Campden Hill. The mansion, which
underwent considerable alterations in its exterior at
the beginning of the present century, was spacious
and picturesque, with its bay windows and turrets;
several of the rooms had ceilings richly worked in
stucco, and chimney-cases much ornamented. It
was built about the year 1612, for Sir Baptist Hicks,
whose arms (with that date), and those of his
sons-in-law, Edward Lord Noel and Sir Charles
Morison, figured in one of the windows. In the
great dining-room it is said that Charles II. more
than once supped with Lord Campden. It has
fine wainscoat panels, and the ceiling was divided
into compartments, in which figured the arms of
the family, and their alliances. The house was
rented from the Noel family by the Princess of
Denmark (afterwards Queen Anne), who resided
there about five years with her son, the Duke of
Gloucester; and about that time, according to
Lysons, the adjoining house, afterwards the residence of Mrs. Pitt, is said to have been built
for the accommodation of Her Majesty's household. The amusements and pursuits of the Duke
of Gloucester, who died in early boyhood, were
principally of a military cast, for he is said to have
formed a regiment of his youthful companions,
chiefly from Kensington, who seem to have been
upon constant duty at Campden House. At the
beginning of the eighteenth century Campden
House was in the occupation of the Dowager
Countess of Burlington and her son, Richard
Boyle, afterwards Earl, famous for his taste in the
fine arts. The house was afterwards held by the
Noels, who parted with it to Nicholas Lechmere,
the politician, who was created Lord Lechmere,
and who resided here for several years. His lordship, probably, is now best remembered by the
place he occupies in Gay's (or Swift's) ballad, entitled "Duke upon Duke," where, having challenged
one Sir John Guise to fight a duel, he contrives to
give his foe the slip:—
"Back in the dark, by Brompton Park,
He turned up through the Gore;
So slunk to Campden House so high,
All in his coach and four."
Towards the close of the last century the mansion
became a boarding-school for ladies. George
Selwyn speaks of going there to see a protégé of
his, Maria Fagniani, who was held to be a very
lucky person, for he and his friend Lord March
(afterwards Duke of Queensberry—"Old Q.") took
themselves respectively for her father, and each of
them left her a fortune. She afterwards married
the Marquis of Hertford. (fn. 4) In the Mirror for
1840, we read: "There are two dogs, carved out
of stone, on the end walls of the gate or entrance,
leading to Campden House, near Campden Hill,
Kensington; they are pointer dogs, and very
beautifully carved. The boys in the neighbourhood have done them much damage by pelting
them with stones for fun, but they have stood all
their knocks well—their legs are nearly worn away.
From these two dogs the entrance is generally
called by the inhabitants 'The Dogs,' by way of
distinction. 'The House,' the entrance-lane to
which they guard, was formerly occupied by Queen
Anne; it is a plain substantial house, and now occupied as a ladies' school." Later on it was again
converted into a private residence. It contained in
all about thirty rooms, besides a private theatre, in
which the Campden amateur artists used to perform
for charitable objects. The terrace steps and parapets were extremely massive and handsome, and
in the garden, which was sheltered and sunny, the
wild olive is said to have flourished. A caper-tree
produced fruit here for nearly a century. The
building was destroyed by fire in 1862.
At Campden Hill was the observatory of Sir
James South, one of the founders of the Royal
Astronomical Society. Among his working instruments here was a 7-feet transit instrument, a 4-feet
transit circle, and one of the equatorials with which,
between the years 1821 and 1823, he and Sir John
Herschel made a catalogue of 380 double stars.
It was about the year 1825 that Sir James settled
at Campden Hill; but in the equipment of his
observatory he appears to have been unfortunate,
for one large equatorial instrument, constructed at
great expense, which became the subject of a lawsuit, gave him such dissatisfaction that he ordered
it to be broken up, and the parts sold by auction.
Large printed placards were posted throughout the
neighbourhood of Kensington, and advertisements
also appeared in the daily papers, announcing that
on such a day (named) a sale of an extraordinary
nature would take place at the observatory. These
placards, from their singular character, attracted
much attention. The following is a copy:—
"Observatory, Campden Hill, Kensington.
"To shycock toy-makers, smoke-jack makers,
mock-coin makers, dealers in old metals, collectors of and dealers in artificial curiosities, and
to such Fellows of the Astronomical Society as,
at the meeting of that most learned and equally
upright body, on the 13th of May last, were enlightened by Mr. Airy's (the Astronomer Royal)
profound exposé of the mechanical incapacity of
English astronomical instrument-makers of the
present day:—To be sold by hand, on the premises, by Mr. M'Lelland, on Wednesday, December 21, 1842, between eleven and twelve
o'clock in the forenoon, several hundred-weight of
brass, gun-metal, &c., being the metal of the great
equatorial instrument made for the Kensington
Observatory by Messrs. Troughton and Simms;
the wooden polar axis of which, by the same
artists, and its botchings, cobbled up by their
assistants (Mr. Airy and the Rev. R. Sheepshanks)
were, in consequence of public advertisements, on
the 8th of July, 1839, purchased by divers vendors
of old clothes, and licensed dealers in dead cows
and horses, &c., with the exception of a fragment
of mahogany, specially reserved at the request
of several distinguished philosophers, which, on
account of the great anxiety expressed by foreign
astronomers and foreign astronomical instrumentmakers, to possess when converted into snuff-boxes
as a souvenir piquante of the state of the art of
astronomical instrument-making in England during
the nineteenth century, will, at the conclusion of
the sale, be disposed of at per pound."
At the hour appointed a number of marine-store
dealers and other dealers in metal (some of whom
had come in carts from town), with a sprinkling
of astronomical instrument-makers, and scientific
persons, were assembled outside Sir James South's
residence, and were admitted into the grounds by
a small door in the hedge close to the well-known
circular building in which the equatorial instrument
was at first placed. On entering the grounds, to
the left appeared the wreck of the instrument which
a few years ago excited the interest of men of
science throughout the world, lying arranged in
lots numbered from 0 to 14, lot 15 being the fragment of mahogany spoken of in the bill, and lot
16 a plaster bust of Professor Airy, which was
mounted on the ledge of a window above the
centre lot. On the right, on the spacious lawn,
was erected a large beam and scales, with weights
for the purpose of ascertaining the weights of the
different metals. Sir James South was present
during the sale. He appeared in high spirits, and
conversed with the company with his accustomed
urbanity. The sale not being conducted by hammer,
but by hand, was a very silent proceeding, and
afforded no scope for either the eloquence or ingenuity of the auctioneer. The iron portion of the
instrument, consisting of bolts, screws, &c., as well
as the copper part, was unmutilated. The former
fetched £3, and the latter 7d. per pound. The great
equatorial instrument itself—viz., the tube, circle,
&c., made of brass, had been broken into numerous
pieces, which were divided into several lots, so
that any attempt to reunite them would most certainly be futile. Even the portions of the enormous
tube were bored with holes, and battered to attair
that object. Sir James South, in answer to an in
quiry by a gentleman present as to the cause of so
much deterioration in the value of the property
having been made, said he had been told that he
should get only the value of old metal for it; and
knowing that those who purchased the material, had
the parts been sold in a perfect state, would take
them to the manufacturers, and from them receive
a valuable consideration for them, he therefore determined to prevent its being devoted to any such
ignoble purpose, and had mutilated it so that it
should be of no value to any one beyond the intrinsic value of the metal. Notwithstanding these
singular proceedings, one of Sir James's "equatorials" still remained mounted in his observatory,
besides a few other instruments, including a transit
circle, celebrated as having formerly belonged to
Mr. Groombridge, and as having been the instrument with which the observations were made for
the formation of the catalogue of circumpolar stars
which bear his name. Sir James, whose contribubutions to scientific literature are well known, died
here in 1867, at an advanced age. Kensington, of
late years, has recovered some of its aristocratical
character as a place of residence. Argyll Lodge,
on Campden Hill, is the town-house of the Duke
of Argyll, and Bedford Lodge, close by, was for
many years the mansion of the Dowager Duchess
of Bedford.

CAMPDEN HOUSE, 1720.

KENSINGTON HIGH STREET, IN 1860.
At Holly Lodge, Campden Hill, on the 28th of
December, 1859, died Thomas Babington, Lord
Macaulay, the essayist, orator, and historian, of
whom we have already had occasion to speak in
our accounts of the Albany and of Great Ormond
Street. (fn. 5) When, after having been raised to the
peerage, he went to reside at Holly Lodge, he
desired to have a list of the parochial charities,
and a seat in the parish church. Although confined to the house by asthma during the winter,
he was, as we have stated above, very regular in
his attendance during the summer. A few days
before his death, discussing the subject of churchrates, he said, "Church-rates cannot last; and the
proper substitute for them is a large subscription—I will give £100 as my share. I am not an exclusive, but of all Christian communions I consider
the Church of England to be the best."
Lord Macaulay took great delight in his house
and garden here; and he was never more pleased
than when in his library, surrounded by his nephews
and nieces.
At a house in Orbell's Buildings, previously
called Pitt's Buildings, on the south-east side of
Campden Hill, died, March 20th, 1727, the great
Sir Isaac Newton, at the age of eighty-five. His
house seems to have had a back entrance in Church
Street, where a gateway next the "George" Tavern
is inscribed "Newton House." His estate at
Kensington he left to a daughter of his nephew,
Mr. Conduit, who married Lord Lymington, afterwards Earl of Portsmouth; and hence it is that the
manuscripts of the great philosopher have been
kept in the custody of the Wallop family.
A writer in the Times stated, in 1870, that the
house actually occupied by Sir Isaac Newton was
not the house named after him, but Bullingham
House, where, he adds, "a slab put up in remembrance of him may still be seen in the garden wall."
The neighbourhood of Kensington Gravel Pits,
by which name is understood a district of some
extent bordering on the Uxbridge Road, has long
been noted for salubrity of the air, and was a
favourite residence of artists half a century ago.
The high road through this district, known as
High Street, Notting Hill, forms a kind of second
Kensington High Street, being to the northern
boundary of the suburb what the High Street, in
the road to Hammersmith, is to Kensington proper.
Swift had lodgings in the Gravel Pits during the
winter of 1712–13; and Lord Chatham's sister,
Anne Pitt, is recorded to have died "at her house
in Pitt Place, Kensington Gravel Pits," in 1780.
To the south of the Gravel Pits was the Mall,
which still exists as a street running at right angles
to the Uxbridge Road.
Sheffield House, which stood between Church
Street and Kensington Gravel Pits, owed its name
to property possessed in this quarter by Sheffield,
Duke of Buckingham, with the descendants of
whose family it long remained. The house, however, has disappeared, and in its place have risen
rows of houses overlooking Campden House
Gardens and Palace Green.
Time was, and not so very long ago, when the
artist body made their homes at Kentish and
Camden Town, at Highgate, Hampstead, and St.
John's Wood; but of late years they have flocked
in far larger numbers to Kensington, no doubt on
account of the convenience of access thence to all
parts of the town, and of the good northern light
which is secured to them by Kensington Gardens
and the Park round Holland House. The Royal
Academy Catalogue for 1876 shows that out of
the total number of exhibitors, about a hundred
lived in and around Kensington.
At his residence in the Mall, in 1844, died
Sir Augustus Callcott, R.A., the eminent English
landscape painter. Sir Augustus and his brother
John W. Callcott, the musician, were the sons of
a builder who resided near the "Gravel Pits,"
Kensington, where they were born in 1779 and
1766 respectively. At the time of the fire at
Campden House, above mentioned, the adjoining
mansion was in the occupation of Mr. Augustus
Egg, a distinguished Royal Academician, and fears
were entertained for the safety of his house and its
valuable contents.
Sir David Wilkie was living in Kensington in
1834. Here he showed to his friends his picture
of "John Knox preaching to his Congregation"
before sending it in to the Academy. Mr. J. R.
Planché, who was among the visitors, drew his
attention to certain anachronisms in the armour,
which the painter promised to alter; but time went
on, the promise was never fulfilled, and the painting
still exists to hand down a wilful blunder to posterity. Wilkie's first residence here was in Lower
Phillimore Place, near the milestone; there he
painted his "Chelsea Pensioners," his "Reading
of the Will," his "Distraining for Rent," and his
"Blind-man's Buff." He afterwards removed to
Shaftesbury House, on the Terrace, and here the
sunny hours of his life were spent. We get a
glimpse of his daily habits in a letter which he
wrote to his sister soon after settling here: "I dine,
as formerly," he tells her, "at two o'clock, paint
two hours in the forenoon and two hours in the
afternoon, and take a short walk in the Park or
through the fields twice a day." His last residence
here, as Peter Cunningham tells us, was a detached
mansion in Vicarage Place, at the head of Church
Lane; there he took leave of his friends before his
visit to the Holy Land, which shortly preceded his
death.
At Kensington, John Evelyn, as he tells us in
his "Diary," went to visit Dr. Tenison (afterwards
Archbishop of Canterbury), "whither he had retired to refresh himself after he had been sick of
the small-pox." This was just before the erection
of the school in Leicester Square which bears
Tenison's name. Kensington was the birthplace
of Lord Chancellor Camden, who died in 1794, at
the age of eighty. Sir John Fielding, the wellknown magistrate, was also a resident here. Here,
too, lived, and here died at an advanced age, Lady
Margaret Macdonald, the mother of Chief Baron
Macdonald, a lady who was visited by Dr. Johnson
in his tour to the Hebrides. She was buried in
the centre vault of the old church, close to the
reading-desk, which was given to the parish by
William III. It was her attendant and connection,
Flora Macdonald, who so heroically aided the
escape of "Bonny Prince Charlie," after his defeat
at Culloden.
Another Kensingtonian was Robert Nelson, the
author of "Fasts and Festivals," and one of the
founders of the Society for Promoting Christian
Knowledge. He died in 1715, and was a man
of such polished and courtly manners, that Dr.
Johnson affirms him to have been the original
whence Samuel Richardson drew his "Sir Charles
Grandison."
It is worthy of note that the high road between
London and Kensington was the first place where
oil lamps with glazed lights were placed, for the
convenience of the Court as they travelled backwards and forwards to St. James's and Whitehall.
This was about the year 1694. The old method
of lighting the thoroughfare with lanterns and
wicks of cotton was then gradually laid aside. It
does not appear, however, that the example of
Kensington was at all speedily followed by the rest
of the metropolis at the West End; for more than
a quarter of a century later, in 1718, we find Lady
Mary Wortley Montagu (fn. 6) contrasting the lighting
of London at night with that of Paris in most unfavourable terms. If Chelsea, as Thackeray observes in his "Esmond," was even in Anne's time
"distant from London, and the roads to it were
bad, and infested by footpads," the same was true
also of Kensington. Indeed, as a proof of the
insecurity of the roads in the suburbs until after the
introduction of gas, and the establishment of a
police force, we may be pardoned for informing our
readers, on the authority of Walker's "Original,"
that, "at Kensington, within the memory of man,
on Sunday evenings a bell used to be rung at intervals to muster the people returning to town. As
soon as a band was assembled sufficiently numerous
to ensure mutual protection, it set off, and so on till
all had passed." So insecure was the state of the
road—in fact, in spite of the patrol—that we read
of a plot being concocted for the purpose of
robbing Queen Anne as she returned from London
to Kensington in her coach. Indeed, even as
late as the end of the last century, a journey from
London to the suburbs after night-fall was not
accomplished without danger to purse and person
too. Horace Walpole often travelled along this
road in his carriage between Berkeley Square and
Strawberry Hill. On one occasion, as he intimates
in one of his letters to the Miss Berrys, he
composed a long set of verses in praise of General
Conway, then in chief command at the Horse
Guards, whilst in his carriage, having "conceived
and executed them between Hammersmith and
Hyde Park Corner."
We learn from a private letter in the Record
Office, descriptive of the Fire of London, that on
that occasion a great quantity of the goods and
property of the citizens was brought as far westward
as Kensington for safety. The writer adds: "Had
your lordship been at Kensington you would have
thought for five days—for so long the fire lasted—that it had been Doomsday, and that the heavens
themselves had been on fire; and the fearful cries
and howlings of undone people did much increase
the resemblance. My walks and gardens were
almost covered with the ashes of papers, linen, &c.,
and pieces of ceiling and plaster-work, blown
thither by the tempest."
"In a curious little nook of the 'Court Suburb,'
wherein the drama had furtively taken root," writes
Mr. J. R. Planché, in his "Recollections," "I witnessed the performance of a piece entitled the
'Queen's Lover,' by a company of actors, all previously unknown to me, even by name, but who
generally exhibited talent, and one, in my humble
opinion, genius." Mr. Planché went thither in the
company of Madame Vestris and Mr. Alfred Bunn,
who at the time had succeeded to the united stage
kingdom of Covent Garden and of Drury Lane.
The person of "genius" was Henry Gaskell Denvil,
in whom Bunn thought that he had found a second
Kean. Instead, however, of encouraging him, he
crushed his spirits and drove him out of life.
It would, perhaps, be a little singular if such an
interesting "old-world" sort of place as Kensington
should be without its "ghost-story;" and it may
be gratifying to find that it is not. Here is one, of
no older date than the year 1868, which we quote
from the newspaper reports at the time:—"In a
small house, about twenty yards away from the
main road, live an old lady, eighty-four years of
age, and her daughter, with one servant. They
have lived in the same house for nearly twenty
years without any annoyance; but for the last few
months they are being constantly startled by a sharp
loud knocking upon the panel of the street-door.
Upon opening the door, however quickly, no sign
of any one is to be discovered. No sooner are the
ladies quietly settled again than rap-rap-rap! comes
upon the door. And this is repeated at irregular
intervals through the evening. For some time it
was attributed to some imps of school-boys, who
are always ready for mischief, and but little notice
was taken of it; but the continuance of what was
only annoying became at last a serious nuisance.
The most nimble efforts were made, without success,
to 'catch' the offenders, but until a few nights ago
the attacks were so arranged as never to take place
in the presence of male visitors; consequently the
ladies received much pity, but little sympathy, from
their friends. After a time they became nervous,
and at last really frightened. On Thursday evening
a gentleman, the son of the old lady, called, and
found them quite ill from nervous excitement, and
was comforting them as well as he could, when a
quick rap-rap-rap! at the front door made him jump
up. In two seconds he was at the door, rushed
out, looking in every direction without discovering
a sound or a trace of any human being in any of
the adjacent roads. Then, for the first time, he
was able to understand from what his mother and
sister had suffered, and set to work to examine the
approaches to the door inside and out, and to solve
the mystery, if possible. No sooner had he gone
back to the little dining-room, and placed a chair
in the open doorway, with a big stick handy to
'trounce' the perpetrator the next time, and begun
to discuss what it was, than rap-rap-rap! sent him
flying out into the street, to the astonishment of a
passing cabman, who must have thought a madman
had just escaped his keeper. This happened four
or five times more; in fact, it only ceased about a
quarter to eleven. He went round to the policestation, and had an officer put on special duty
opposite the house for the next day, and spent the
following morning in calling upon the neighbours,
and carefully examining the gardens and walls
which abutted upon the 'haunted' house. Not a
mark of any sort was to be found, and he was quite
convinced that the door could not have been reached
from any point but right in front from the street,
as there is no cellar or drain under the house.
In the evening he took a friend down with him, and
two more of his friends looked in later. The ladies
were found in a painful state of nervous fright, as
the nuisance had already been going on, and the
maid-servant was crying. Altogether, it was a scene
of misery. In the course of conversation the following facts came out:—It began on a Friday, the
18th of October, and has never missed a Friday
since then. It has never been heard on Sunday,
seldom on Saturday; never before the gas-lamps
are lit, never after eleven. Just as all were talking
at once, rap-rap-rap! In an instant all four gentlemen were in the front garden; the policeman was
quietly standing opposite the door; the lady of the
house opposite watching the door from her portico,
and another gentleman from the leads. All declared
that not a living creature had been near the house
for at least a quarter of an hour. The whole thing
seems inexplicable, and has created quite a sensation
in the neighbourhood." The mystery was afterwards solved, for it appeared that the servant-girl
had caused the rapping by means of wires.
In Scarsdale Terrace, Wright's Lane, near the
railway station, Kensington High Street, is the
Crippled Boys' National Industrial Home. This
charity was instituted in 1865, and was originally
located in a house in the High Street. There are
about fifty crippled boys in the Home, received from
all parts of the kingdom, once destitute, neglected,
or ill treated in their own dwellings, without any
chance of rising, like other youths, to social independence by their own exertions, but now happily
engaged for a term of three years in learning an
industrial employment for this end. This charity
has, notwithstanding its limited means, been of
great service to many, the greater portion of whom
are seen or heard of from time to time; and it is
astonishing to find how many crippled children there
are throughout the country, whose anxious appeals
to the committee for admission are very distressing.
Scarsdale House, a small mansion close by, was
for many years a boarding-school, and as such,
says Leigh Hunt, it must have been an eyesore to
William Cobbett, the political writer, the back of
whose premises in the High Street it overlooked.
Scarsdale House, now no longer a boarding-school,
appears to have returned to the occupation of the
family who are understood to have built it, for its
present inmate is the Hon. Edward Cecil Curzon,
brother of the late Lord Zouche. It is conjectured
that the house was built by the Earl of Scarsdale,
whose family name was Leake, the Scarsdale celebrated by Pope for his love of the bottle—
"Each mortal has his pleasure;—none deny
Scarsdale his bottle, Darty his ham-pie."
Another edifice in Wright's Lane, standing on
the site of Abingdon House, is the Roman Catholic
University College, which was formally inaugurated
in October, 1874. The building, although comparatively small, is very complete in its arrangements, and comprises a theatre, lecture-rooms, a
school of science, a discussion-room, and a chapel.
There is besides a spacious building erected in the
grounds, where a club has been established, under
the management of the students themselves. In
it are billiard-rooms and fencing-rooms for the use
of the students, whilst a number of other rooms
are set apart for the amusement or edification of
the students in other ways. The students, it may
be added, include young men from Ushaw, Stonyhurst, Beaumont Lodge, Oscott, Prior Park, and St.
George's, Croydon; and the college was founded
mainly through the instrumentality of Monsignor
Capel, who was appointed its first rector.
Kensington always has had a large Irish element,
and of late years, owing to the increasing population of the place, rapid strides have been made
by the Roman Catholic body in augmenting their
numbers.
The London Review of 1865 gives the following
account of the progress of the Roman Catholic
body of Kensington at that time:—"Formerly, for
the accommodation of the whole of the Roman
Catholics of this parish, there was but one small
chapel near the High Street, which appeared
amply sufficient for the members of that creed.
But ten or twelve years ago a Roman Catholic
builder purchased, at an enormous price, a plot of
ground, about three acres in extent, beside the
Church of the Holy Trinity, Brompton. For a time
considerable mystery prevailed as to the uses it was
to be applied to; but, shortly after the buildings
were commenced, they were discovered to be the
future residence and church of the Oratorian
Fathers, removed to it from their former dwelling;
and the chapel, a small and commodious erection,
was opened for divine service. At first the congregation was of the scantiest description: even
on Sundays at high mass, small as the chapel was,
it was frequently only half filled; while on week
days, at many of the services, it was no uncommon
circumstance to find the attendance scarcely more
numerous than the number of priests serving at the
altar. By degrees the congregation increased, till
the chapel was found too small for their accommodation, and extensive alterations were made to it;
but these, again, were soon filled to overflowing, and
further alterations had to be made, till at last the
building was capable of holding, without difficulty,
from 2,000 to 2,500 persons. It is now frequently
so crowded at high mass that it is difficult for an
individual entering it after the commencement of
the service to find even standing room. In the
meantime the monastery itself, if that is the proper
term, was completed—a splendid appearance it
presents—and we believe is fully occupied. The
Roman Catholic population in the parish or mission,
under the spiritual direction of the Fathers of the
Oratory, now comprise between 7,000 and 8,000
souls. The average attendance at mass on Sunday
is about 5,000, and the average number of communicants for the last two years has been about 45,000
annually. But in addition to this church, Kensington has three others—St. Mary's, Upper Holland
Street; St. Simon Stock, belonging to the Carmelite
Friars; and the Church of St. Francis Assisi, in
Notting Hill. Of monasteries, or religious communities of men, it has the Oratorians before mentioned, and the Discalced Carmelites, in Vicarage
Place. Of convents of ladies it has the Assumption,
in Kensington Square; the Poor Clares Convent, in
Edmond Terrace; the Franciscan Convent, in
Portobello Road; and the Sisters of Jesus, in
Holland Villas. Of schools, the Roman Catholics
possess, in the parish of Kensington, the Orphanage, in the Fulham Road; the Industrial School of
St. Vincent de Paul; as well as the large Industrial
School for Girls in the southern ward. All these
schools are very numerously attended; the gross
number of pupils amounting to 1,200, those of the
Oratory alone being 1,000. The kindness and consideration shown by the Roman Catholic teachers
to the children of the poor is above all praise, not
only in Kensington, but in all localities where they
are under their charge; and the love they receive
from their pupils in return forms one of their most
powerful engines in their system of proselytising."
The chapel of St. Mary's above mentioned, in
Holland Street, is close to the principal street in
Kensington, and is thus described in the "Catholic
Hand-book," published in 1857:—" It is a plain,
unpretending edifice, the cross upon its front being
the only feature to distinguish it from an ordinary
Dissenting meeting-house. Its interior has a remarkable air of neatness. The building itself is an
oblong square, built north and south, and capable
of accommodating about 300 persons. It is lit
by three windows at the northern end, and one
window at the eastern and western sides. It is
devoid of ornament, except at the south end, where
the altar is raised between two pillars. The body of
the chapel is fitted with low open seats, and at the
northern end is a spacious gallery." Being superseded by other and larger ecclesiastical edifices,
the old chapel is now used as a school-room. It
was built about 1812 by the family of Mr. Wheble,
the manufacturer of the celebrated Kensington
candles, who began life with a small shop in High
Street, but died worth a quarter of a million.
In Newland Terrace, on the south side of the
main road, is the Church of Our Lady of Victories,
which serves as a pro-cathedral, superseding the
Church of St. Mary's, Moorfields. It is a lofty
Gothic structure of the Early English type, with
some details approaching more nearly to the Decorated style. It consists of a nave and side aisles,
and a shallow chancel, in which is the throne of the
archiepiscopal see of Westminster. The windows
of the apse are filled with stained glass.
In the Kensington Road is the "Adam and Eve"
public-house, where Sheridan, on his way to or
from Holland House, regularly stopped for a dram;
and there he ran up a long bill, which, as we learn
from Moore's diary, Lord Holland had to pay.

WEST FRONT OF KENSINGTON PALACE.