WIXFORD
Acreage: 569.
Population: 1911, 93; 1921, 96; 1931, 116.
Wixford is a small parish lying across the valley of
Hay Brook, a tributary of the Arrow, which river forms
its western boundary. The ground rises from 122 ft. at
Wixford bridge to the 200-ft. contour on the north and
south. Moor Hall, now only a farm-house, is partly
situated in Bidford parish, but is reckoned as belonging
to the civil parish of Wixford. Aspley, formerly a submanor, but depopulated in the 16th century, was
situated close to Moor Hall. (fn. 1)
The village is small but contains some nine or ten
small buildings that are wholly or partly of 17th-century
timber-framing. One is a cottage immediately west of
the churchyard, with a tiled roof; The Fish Inn and
four detached cottages, two of them thatched, stand on
the main road to the south-west of the church; and
half-way between them and the church is a small farmhouse with red brick infilling. Farther east at the
junction of five roads is a small inn and a cottage, both
partly of framing. Wixford bridge is mentioned in
1566, (fn. 2) but the present structure is modern.
It is possible that the middle part of Moor Hall,
being the hall and its south wing, dates from the 15th
century, and that an upper floor was inserted and a
large fire-place built on the west side of the hall in the
16th century, but the evidence is not conclusive; a
moulded beam with curved braces in the upper story
may have been part of an original roof truss. The lower
story was formerly one large chamber, 27 ft. by 18 ft.,
with two chamfered ceiling-beams running each way,
dividing it into six compartments. Subsequently this
chamber was divided into two rooms and a passage
along the west side, the great fire-place being replaced
by a modern fire-place in the smaller room to the east
of it. The building was probably timber-framed, but
the lower story was rebuilt with thick stone walls and
the remainder is covered with rough-cast cement. The
original house evidently extended farther to the north.
In the 17th century a parallel but shorter wing was
added on the south half of the west side, projecting a
little beyond the original south end. It had labelled
windows, some of which are blocked and others converted into doorways or fitted with modern frames. In
modern times an L-shaped wing has been added to the
south half of the east front, and at the north end of the
17th-century wing.

MOOR HALL WIXFORD Sketch plan
The 17th-century wing had a wide fire-place (now
reduced) on its east side, and next north of it is a fine
heavy battened door to the cellar on the site of the
original buttery wing. A passage-way on the site of the
original screens between hall and buttery has some
early-17th-century panelling; the room over the cellar
and passage is lined with early-16th-century panelling
and has a late-16th-century panelled overmantel. Above
the 17th-century part is a re-used 16th-century beam,
serving as a purlin, which is carved with a dragon and
foliage.
All round the house are traces of a large moat and
adjoining north-east of it faint traces of another, beyond
which are artificial banks which probably surrounded
a series of large fish-ponds stretching to the north.
The Bidford-Alcester section of the Roman Ryknield
Street crosses the parish from south to north. Beyond
the church this has now degenerated into a green lane,
but it seems to have been the usual road to Alcester until
1785, when Viscount Beauchamp made the present
Alcester road, (fn. 3) which crosses the Arrow at Wixford
bridge and joins the road from Evesham. From a
junction in the village other roads branch off north-east
to Exhall and south-east to Cranhill on the StratfordBidford road.
There is a station on the L.M.S. line from Alcester
to Evesham (originally the Evesham-Redditch Railway
Company) opened in 1866.
The soil is various, with a subsoil of Keuper Red
Marl. Agriculture is the sole occupation and wheat,
beans, and potatoes are the chief crops. (fn. 4) The parish
was inclosed, with Exhall and Broom, by an Act of
1767. (fn. 5) But there had been some earlier inclosure here,
for at the beginning of the 17th century the inhabitants
of King's Broom complained that the Wixford men had
recently inclosed 'the ground called the More' and that
'a certeine ground called Asples' had also been inclosed
out of the common field. (fn. 6)
Wixford was originally known as Witlakesford,
which by the 16th century had become corrupted to
Wicklesford. (fn. 7) The first traceable instance of the
modern form occurs c. 1570. (fn. 8)
Manors
Ufa, Sheriff of Warwickshire, gave 6½
mansae in WIXFORD and Grafton to the
abbey of Evesham in 973 and also directed
that his body should be buried here. (fn. 9) The Wixford
portion of this land was lost by the monastery to Ufa's
son Wulfgeat who, having secured a grant of it for life,
contrived to retain it and pass it on to his successor
Wigor. From this Wigor, whom Domesday mentions
as the pre-Conquest holder, Abbot Ethelwig bought it
back, (fn. 10) and thus by 1086 it was once more in the
possession of Evesham, being then assessed at 5
hides. (fn. 11)
The Abbots of Evesham continued overlords of the
manor until the Dissolution. In 1206 the profits thereof, valued at £4, were said to be appropriated to the use
of the cook of the monastery. (fn. 12) In 1252 the abbot was
holding of the king in chief, but it was not known by
what service. (fn. 13) In 1276 the abbot claimed the lordship
of the 'hundred' of Wixford, with gallows and assize
of bread and ale by grant from Henry III, (fn. 14) but in
1285 he expressly denied that Wixford was a hundred
and said that it was only a manor within the king's
hundred of Barlichway. (fn. 15) The manor was valued in
1535 at £5 10s. 3d. (fn. 16)

Boteler of Oversley. Gules a fesse checky argent and sable between six crosses formy argent.
Abbot Robert of Evesham (1104–22) granted the
manor in fee farm to Ralph
Boteler of Oversley at a rent of
£4. (fn. 17) The tenancy of the Botelers and their descendants continued until 1537. John Boteler
of Wem in 1287 was holding of
the abbot in free socage, rendering £4 4s. 4½d. yearly. (fn. 18) When
the male line of the Botelers became extinct the manor passed to
Thomas Molynton, third husband of Elizabeth Boteler, who
held it in 1398. (fn. 19) A Robert
Molynton occurs as lord of the
manor in 1418, (fn. 20) but presumably he held only for
a term, as it descended, with Oversley (q.v.), to Sir
William Gascoigne, who in 1532 settled the profits of
the manor on his second son Henry on the latter's
marriage with Elizabeth Boynton (fn. 21) —a transaction
which gave rise to lengthy proceedings in Chancery. (fn. 22)
In 1537 Sir William and Sir Henry conveyed it to
Thomas Cromwell, (fn. 23) on whose execution in 1540 it
came into the hands of the Crown. A year later it
passed with other lands, by an exchange, to Sir George
Throckmorton, (fn. 24) in whose family it remained until
1919, when the estate was sold and the manorial rights
extinguished.
The hamlet of Wixford was said to have been alienated from the manor about the middle of the 13th
century. (fn. 25) In 1292 it was included with the manors
of Knowle and Grafton in the grant made by Edward I
to Westminster Abbey for the purpose of celebrating
the anniversary of Queen Eleanor. (fn. 26) In 1337 the abbot
complained that Robert de Lyndon of Wixford and
others had robbed and broken into his houses there. (fn. 27)
Presumably this property remained in the possession of
Westminster, probably as part of the manor of Knowle
or Grafton (q.v.), until the Dissolution, though there
is no other separate reference to it.
A mill at Wixford in 1086 rendered 10s. and 20
sticks of eels. (fn. 28) It was given, in exchange for a grant
of the manor, by Ralph Boteler to Abbot Reynold of
Evesham (1130–49), (fn. 29) and in 1206 its profits, valued
at ½ mark, were said to be devoted to the purchase of
wine and mead by the manciple of the monastery. (fn. 30)
John Boteler was paying 2s. 6d. rent to the Earl of
Warwick for a quarter of a mill here in 1287. (fn. 31) There
is no mill here now, but the traces of one can be clearly
distinguished in a field between Wixford bridge and
Moor Hall.
A fishery in the Arrow, held by John Boteler of the
Abbot of Bordesley, is mentioned in 1287. (fn. 32) A grant
of the manor of Moor Hall in 1570 also included a
fishery. (fn. 33)
MOOR HALL, according to Dugdale, was known in
the 12th century as Budeley, a name which occurs at
least as late as 1388. (fn. 34) Included among the possessions
of John Boteler in Wixford in 1287 were 20 acres of
arable and 2s. 6d. rent for a quarter of a mill which he
held of the Earl of Warwick by the service of a knight's
fee, rendering 1d. to William de Wytenton. (fn. 35) If this
was, as seems probable, Moor Hall, it appears to have
been held under the Botelers by a family who took their
name from the place, a Geoffrey de la More or Atte
Morhalle being mentioned in Wixford in 1327 and
1332. (fn. 36) At some time before 1376 John de Morehall
married Agnes daughter of Sir Walter Beisyn. The
only child of this marriage, Juliana, married first John
de Clopton of Quinton, Gloucestershire, by whom she
had a son and heir William, and secondly Thomas de
Cruwe, by whom she had no issue. (fn. 37) The Morehall
property therefore came ultimately, with that of the
Beisyns, to William (afterwards Sir William) de Clopton, to whom in 1400 his mother and stepfather, Juliana
and Thomas de Cruwe made over all their rights in
Moor Hall, Grafton, Wixford, Coughton, Bickmarsh,
Exhall, and the manor of Aspley. (fn. 38) Juliana died in
1411 and Thomas in 1418 and both are commemorated
by the magnificent brass in the church. Thomas de
Cruwe was a high official in the household of the Beauchamp Earls of Warwick, serving as attorney to the
Countess Margaret and afterwards as chief steward and
a member of the council of Richard Beauchamp her
son. He was chosen one of the Knights of the Shire in
the Coventry Parliament of 1404, was a Justice of the
Peace for the County, and served as Sheriff in 1413. (fn. 39)
At his death he was holding the manor of Moor Hall
for life of Robert Molynton's manor of Wixford by
payment of 2s. annually. (fn. 40) Sir William Clopton died
in 1419, leaving his property to be divided between his
two daughters, Agnes wife of Thomas Herberd, and
Joan—to whom Moor Hall was allotted—who married
Sir John Burgh. At the time of his death in 1471 Sir
John was holding Moor Hall for life as of the manor
of Oversley. (fn. 41) In the division of his estates between his
four daughters it passed to Elizabeth, wife of Thomas
Mitton. William Mitton died holding the manor as of
Oversley in 1513. (fn. 42) In 1551 his son Richard conveyed
it to Allen Hood (fn. 43) and in 1562 Edmund and Elizabeth
Hood granted it to Sir Robert Throckmorton of Coughton, (fn. 44) in whose family it remained until 1919.

Throckmorton. Gules a cheveron argent with three gimel bars sable thereon.
Sir Robert Throckmorton in 1570 granted the house
and manor to his son and heir Thomas, in augmentation
of his wife's jointure. (fn. 45) Thomas's
third daughter, Margaret, married
Sir Rice Griffin of Bickmarsh and
received Moor Hall as part of her
dowry. This grant was the occasion of a dispute between
Thomas, who claimed the overlordship, and his son-in-law, who
attempted to maintain, on the
strength of ancient deeds, that he
held the lands in chief. (fn. 46) The
hall meanwhile was occupied as a
dower-house by Agnes widow of
Thomas Throckmorton the younger, and her son
Robert, afterwards the first baronet, is said to have been
born there. (fn. 47) In 1696 the estate was sold by Sir Robert
Throckmorton the 3rd baronet, to Richard Bartlam of
Shelfield, for £1,120; Bartlam was to perform suit of
court at Oversley and Sir Robert reserved the right to
remove the 'wainscoat' from the dining-room of the
house. (fn. 48) The Bartlams resold it to the Throckmortons
towards the end of the 18th century (fn. 49) and in 1919 it
was purchased by Mary Cubberley, mother of the
present owners.
The manor of ASPLEY is first mentioned in 1400,
when it was in the possession of Thomas and Juliana
de Cruwe. (fn. 50) It descended with Moor Hall, but was
later depopulated and by the reign of James I survived
only in the field-name 'Asples' referred to above.
Church
The parish church of ST. MILBURGA
consists of an undivided chancel and nave,
a south chapel and porch.
The chancel and nave is a rectangle, narrow for its
length. Modern restoration has rather obscured its
history, but probably the nave is the original 12thcentury building and the chancel is a 13th-century
lengthening of the plan; it is possible, from the positions of the 12th-century doorways, that the nave was
lengthened also at the west end in the 13th
century. The south chapel with the south
arcade of two bays was built about 1400 by
Thomas de Cruwe, whose tomb stands in the
middle of it.
The church was restored in 1881 and probably the south porch and the western bell turret
are of that date.
The chancel and nave are 14½ ft. wide; the
chancel is 15½ ft. from east end to south arcade,
the arcade is 23½ ft. long, and the nave west of
it 27 ft. In the east wall is a restored window
of two trefoiled ogee-headed lights and a trefoiled
circle in a two-centred head; perhaps of late-13thcentury origin. In the north wall are five windows,
of which the two eastern appertain to the chancel.
The easternmost is a 13th-century lancet with rebated and chamfered jambs and splayed inner reveals
and restored rear-arch. The second appears to be
a modern piercing, with a segmental-pointed reararch, but in it is set a peculiar two-light window,
probably a crude piece of medieval workmanship.
It is of a single slab of yellow Campden stone
similar to that of the other windows, and has two
narrow pointed lights, 5 in. and 4 in., with chamfered
jambs and mullion: between the heads are sunk spandrels, inside and out, and at the top outside is a projecting human head cut from the solid: the tooling is
roughly executed, but seems to have been 'assisted' by
modern scraping. The third and fourth windows are
each of two trefoiled ogee-headed lights and a quatrefoil
in a two-centred head, all of a yellow stone and probably
of the 14th century, but mostly restored. The internal
splays are plastered and the segmental-pointed reararches modern. The fifth window is a narrow 13thcentury lancet.
The blocked north doorway, between the fourth and
fifth windows, is of the 12th century, and has plain
square jambs, chamfered imposts, and a plain round
arch, all of grey stone; the inner reveals are plastered
and the round rear-arch of modern stone. On its inner
face is set the ancient oak door, outside inwards: it is
of plain battens with modern fillets planted on and has
plain strap-hinges.
In the south wall of the chancel is a window of two
trefoiled ogee-headed lights and a trefoiled circle under
a square head, probably of the 14th century.
The arcade of two bays, to the south chapel, has an
octagonal pillar, and responds to match, with moulded
capitals and plain bases: the arches are two-centred and
of two chamfered orders, all of the early 15th century,
with some patches of modern stone in the responds and
pillar where former screens abutted them. The south
doorway, of the 12th century, has rebated jambs with
round nook-shafts with plain cushion capitals and chamfered abaci: the moulded bases are probably later repairs. The round arch is of two square orders with
small voussoirs. It has an ancient battened door studded
with nails and with later fillets planted on the outside:
there are five very narrow and deep horizontal rails
inside. Near the west end is a 13th-century lancet like
that opposite. In the west wall are two lancet windows,
all modern outside and plastered inside. Between them
outside is the only buttress, mostly modern but with
some old stones. Above the gabled roof is a modern
wooden bell-turret with a tall shingled oak roof.
![[Plan of Wixford church]](image-thumb.aspx?compid=57009&pubid=529&filename=fig115.gif)
[Plan of Wixford church]
The walling, of coursed squared rubble with angledressings, is mostly of modern restoration. The west
wall thins below the gable-head, which appears to be
of modern rebuilding.
The south chapel (30½ ft. by 14½ ft.) has a large east
window of five ogee-headed lights and vertical tracery—none of it cusped—in a four-centred main head; the
jambs and mullions are moulded. In the south wall are
two windows of three similar lights under a square-head.
West of them is a doorway with hollow-chamfered
jambs and two-centred head with a moulded label and
a four-centred rear-arch. The west wall is unpierced.
Both main body and chapel have modern pointed
wagon-head ceilings with moulded ribs, and cornices.
Below the west bell-cote is a boarded tympanum and
ceiling.
In the chancel is a 15th-century piscina with a
canopied cinquefoiled ogee head and moulded and
embattled capping. The recess is rounded in plan in
the lower part and has a projecting rounded sill and
basin moulded in front; in the upper half the recess is
cut square and has a rounded shelf coinciding with the
curve of the head. In the chapel is another 15th-century
piscina: the moulded sill is half-octagonal in plan and
the head projects as a three-sided canopy and has a
foiled ogee arch and an embattled capping. In the east
wall of the chapel against the arcade wall is a plain
rough recess, probably a locker: it now has a modern
segmental-pointed arch.
The font is modern, but in the south chapel is a plain
disused font, perhaps of the 15th century, with an
eight-sided bowl, a cylindrical stem, and square base
with a chamfered plinth.
A chest in the chapel is probably of late-13th-century
date: it is 5 ft. 9 in. by 1 ft. 6 in. by 1 ft. 11 in. high,
of rough boarding bound at the angles with scrolled
iron straps, the lid hung with three strap-hinges with
remains of scroll ornament and with cross-straps with
flowered ends (only one now remaining) to take the
staples for the locks; the feet of the side-styles are cut
with quadrants at the bottom and have the short posts
usual for the period.
In the tracery of the east window of the chapel are
some remains of the original glass, (fn. 51) almost colourless
except for the heraldry. In the piercings over the five
main lights are parts of angels with musical instruments,
a nimbed bearded head, some drapery, and canopy
work. Above these are two figures of apostles, the
dexter, probably St. Philip, holding a cross staff and a
book; over them are bits of canopy work with red and
blue ground. Six rounded piercings are filled with
heraldry. The dexter (north) three have the arms of
(a) Ferrers (imperfect); (b) Richard Beauchamp, Earl
of Warwick (1 and 4 Newburgh, 2 and 3 Beauchamp);
(c) Richard Beauchamp impaling Berkeley. Each shield
is surrounded by white foiling with infilling of blue,
purple, and green respectively. The three to the south
have: (a) a blank shield; (b) shield imperfect, apparently
argent a cross gules; (c) Earl of Chester, azure, three
wheat-sheaves or (shield imperfect). Two other piercings above have fragments, including heads of angels,
one with the chains of a censer.
The six piercings in the head of each of the two south
windows also contain fragments, mostly of an angel
choir with musical instruments (lutes, organ, &c.) or
with scrolls of music notation, in clouds and foliage.
None is complete.
Most of the closed lower part of the chancel screen
remains in place. It is 4 ft. 2 in. high with plain
chamfered top rail, muntins and door-posts. There are
five bays in the south half and one in the north, the
remainder of the latter being removed for the modern
pulpit; in the top of the rail are the mortices for the
former upper mullions. There are also remains of a
low side-screen, to the chapel, under the arcade; it is
4 ft. 1 in. high and has a moulded top-rail and moulded
muntins with masons' joints. There is about 10 ft.
length of it altogether in place and another 3 ft. 10 in.
length has been cut off and reset under the eastern arch
against the backs of the modern choir seats. All early
15th century.
At the west end of the nave are four 15th-century
benches now each cut into two half-lengths and fitted
with modern standards towards the middle passageway. The old standards against the walls are squareheaded and have chamfered edges. The top rails of the
backs are chamfered, excepting one 5-ft. length which
is moulded. One standard has a well-carved pair of
initials M G, probably only a random cutting. At the
west end of the chapel is an 18th-century table with
fluted square legs.
In the middle of the south chapel is a low altar tomb
9 ft. by 4 ft. 2 in. with one of the finest and best preserved brasses in the county, of Thomas de Cruwe and
Juliana his wife, 1411. The tomb is of grey marble;
the plinth and the edge of the top slab are moulded.
The effigy of the man, 5 ft. 2½ in. high, is on the sinister
side: he wears full plate armour with a bascinet (helmet)
with enriched edging, high gorget, breast-plates, palettes
at the shoulders, once enamelled with a cross, brassarts,
elbow caps with foiled round plates, gauntlets, skirt of
taces, cuisses, and jambs with plain knee-caps, sollerets,
and rowel-spurs; his feet rest on a lion; on his left his
sword without a belt and on his right his dagger. The
woman, 4 ft. 11½ in. high, wears a close head-dress with
net pads above the ears and a veil, close kirtle with
buttoned sleeves and cuffs extending to the knuckles,
and a mantle open in front, held together by tasselled
cords and rings; at her foot is a pet dog with a belled
collar. About the figures is a double canopy with enriched cinquefoiled pointed arches and ogee gables
with crockets and finials; on the tympana are sexfoiled
circles with the Cruwe badge, a human left foot cut off
at the ankle. The ornate side-posts are finished with
tall crocketed pinnacles, repeated between the main
gables from a moulded and carved pendant. Between
the heads and pinnacles are four badges and at the top
four shields of arms: these are charged (a) Richard
Beauchamp, Earl of Warwick; (fn. 52) (b) Cruwe impaling
Beisyn; (c) Cruwe; (d) a modern shield with a cross. (fn. 53)
The base shows a frieze of quatrefoiled squares, between two cable-rings containing the badge, and having
in the middle a shield charged with the arms of Clopton. The quatrefoils have alternately the badge of the
foot and a shield with a pierced molet.
The inscription set on the moulded edge of the slab
is in black letter and reads: '+ Hic jacent Thomas de
Cruwe Armiger qui istam capellam fecit fieri Qui obijt
die mensis Anno domini millimo cccc Et
Juliana uxor eius Que obijt vicesimo die mensis
Decembr' Anno dni Millesimo cccco undecimo Quor[..]
animab[us] ppicietur deus Ame[n]. Amen.' The last word
is added to fill up surplus space. Between the words are
incised the badge of the human foot. The date of
Thomas's death has never been filled in.
On the west wall of the chapel is a small brass set in
a modern frame and bearing the figure of a kneeling
child and a shield of twelve quarterings to Rice, fourth
son of Rice Griffin of Broom, who died 6 Jan. 1597–8,
'being in his infancye being but three-quarters olde'.
There are also numerous tablets and slabs of the 17th
and early 18th centuries commemorating members of
the Griffin family.
In the churchyard is a fine large base of a churchyard
cross with a moulded top edge, the stump of a shaft, and
three steps to the platform: 15th century. Lying loose
on the floor of the chapel is a carved cross-head which
may have belonged to it: on one side is the crucifixion,
and on the other a Virgin and Child: partly broken
away.
There are a curiously large number of scratchings on
the masonry: on the south wall of the chapel are at least
seven scratched sundials and two on the west wall, one
or two probably ancient the others imitative; the best,
on a west stone of the eastern south window, has
radiating lines and the numerals 7, 8, ix, x, xi and 1, 11,
111. There are also many other casual initials, &c.
Inside on the sloping sill of the western south window
are five sets of holes and lines after the style of the game
of nine men's morris. On the sill of the eastern window
is another sundial with Roman numerals and a variety
of other scratchings, some apparently fairly ancient.
The communion plate is modern (1887).
There is one ancient uninscribed bell, and another
by John Martin of Worcester, 1672, which was recast
in 1937, retaining the old inscription. (fn. 54)
Mention may be made of a fine yew tree with outspread branches supported by props. It is south of the
west end of the nave and covers some 24 paces in
diameter. (fn. 55)
The Registers begin in 1540 and are in the custody
of the Clerk of the County Council at the Shire Hall,
Warwick.
Advowson
Domesday makes no mention of a
priest at Wixford, though the dedication of the church to the Saxon saint
St. Milburg seems to be evidence of its antiquity; (fn. 56) but
it may have been in 1086, as certainly it was later, a
chapel of Salford. Henry I gave it with the mother
church to Kenilworth Priory, whose rights therein
were contested by the monks of Evesham as lords of
the manor. An agreement was finally made, and confirmed by Roger, Bishop of Worcester (1163–79), by
which Kenilworth retained the patronage, paying 10s.
annually to Evesham, and Evesham reserved the tithes
of the demesne lands. (fn. 57) In 1206 the Sacrist of Evesham
was receiving 10s. annually from the chapel at Wixford
and a meadow in Salford. (fn. 58)
A further controversy arose out of a grant of the
tithes of Wixford to Alcester Abbey by its founder,
Ralph Boteler. (fn. 59) This was settled by an agreement,
made in the presence of John de Coutances, Bishop of
Worcester (1195–8), which assigned the tithes of the
demesne to Alcester—though how this was reconciled
with the claims of Evesham is not clear—and the tithes
in villenage to the canons of Kenilworth, who also
received the lesser tithes as owners of the advowson.
The tithes of 'Budleia', i.e. Moor Hall (with the exception of certain tenements of which the tithe was
divided), were adjudged to belong to Alcester. (fn. 60)
Since the Reformation Wixford has been a chapelry
of Exhall (q.v.) and has never been served by a separate
incumbent. The thatched wooden hut in the churchyard is said to have been the stable for the visiting
clergyman's horse during service.
A chantry in honour of the Virgin and St. John the
Baptist was founded here in 1448 by William Wolashull, for one priest to say mass daily in the south chapel
of the church for the founder and for the souls of
Thomas and Juliana de Cruwe, Sir William Clopton,
and his wife Joan. The endowment consisted of a
dwelling in Wixford called Priest's Place, with 2 acres
of land and licence in mortmain up to £10 a year. (fn. 61)
In 1535 the chantry was valued at £4 2s. annually. (fn. 62)
From inquiries made in 1546 and 1566 it appears that
the original endowment was made by a bequest of
Thomas de Cruwe, that the priest, Richard Elyot, was
chaplain to Dame Sybil, widow of William Mitton,
lord of the manor of Moor Hall, and that his maintenance was provided by the goodwill of Richard Mitton,
her son and heir. On All Saints' Day the parishioners
used to hold a feast at the tomb in the chapel. (fn. 63) The
chapel of St. John the Baptist was thus attached to
Moor Hall and so passed to Sir Rice Griffin on his
marriage with Margaret Throckmorton. The Griffins
still had the right of burial in it and the responsibility
of maintenance in 1730. (fn. 64)
Charities
Throckmorton's Charity. By an indenture dated 20 Sept. 1709 Robert
Throckmorton gave property in Wixford, Exhall, and Broome, the rents to be applied by
the minister and churchwardens for the benefit of the
poor of Wixford and for the reparations of the church.
The endowment now consists of land and six cottages
at Wixford and Exhall let at a yearly rent of £16 15s.
Allen's Charity. The sum of 5s. is annually paid as
a rent-charge out of a parcel of land known as Tandy's
Piece at Bidford and is attributed to the gift of John
Allen. The rent is annually applied to the relief of one
or more poor persons by the rector and churchwardens.
John Wilcox by will dated 22 Oct. 1814 gave £500,
the interest to be applied by the minister and churchwardens to poor persons resident of the parish. The
dividends now amount to £13 6s. 4d.