Survey of London: Volume 46, South and East Clerkenwell. Originally published by London County Council, London, 2008.
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When the Survey of London resolved to tackle Clerkenwell some years back, the revival of that richly intricate district of the capital had not yet advanced very far. Today Southern Clerkenwell, just north of the City, has become one of London's prized locations. It is home to many in the creative industries, its restaurants and bars are thronged, and its population has been rising for two decades. That is to speak of the parts of Clerkenwell described in the present volume. Northern Clerkenwell, covered by the companion volume XLVII of the Survey, published simultaneously, has long boasted some of London's most enjoyable Georgian housing and urban landscapes, as well as an intriguingly mixed quarter beyond the Angel and Pentonville Road, reaching north into what most people think of as Islington. Long ripe for study, the two parts of Clerkenwell are surely among London's most fascinating historic districts.
Clerkenwell's present prosperity is deeply indebted to its past. Its density of development, its patterns of land-use and its street layout are all rooted in a long, unbroken history, going back to monastic foundations. The continuities in the area's industrial and commercial history are striking, while many of its robust and excellent buildings are now enjoying their second or even their third type of use. We now recognize that the juxtaposition of new and old architecture helps to endow our inner cities with vitality and character. In this respect, Clerkenwell has been exemplary. So it is appropriate that the Survey of London should crown the area's renewal with the in-depth analysis and description of its history and architectural fabric which it is uniquely equipped to do. Within the compass of the present volumes, the Survey brings together the riches of the area, aiming to omit nothing of significance, old or new. In so doing it has created a practical record of enduring value and usefulness for planners, residents, historians and the wider public.
Because of Clerkenwell's multiplicity of layers, these volumes are probably the most complex to have been undertaken in the hundred-year span of the Survey of London. They also mark some new departures. They are the second and third to be produced under the auspices of English Heritage, but the first to be sponsored by the Paul Mellon Centre for Studies in British Art, which has generously agreed to support publication of the Survey for an initial five-year period. Under this agreement, Yale University Press has become the publishers of the Survey volumes. The present books are the first fruits of that arrangement.
In another departure, these are the first volumes of the Survey to have photographs integrated with the text alongside the drawings, and to make widespread use of colour images. Integrated layouts promote ease of reading and reference, but require much attention to detail and appearance of design. It is to be hoped that those who are accustomed to the old-style Survey of London volumes with plates at the back will feel that standards of appearance have been maintained, and so will welcome and embrace the change.
While the Clerkenwell volumes have been in preparation, all previous parish volumes of the Survey have gone on line through the British History Online project, as part of English Heritage's commitment to widening access to its resources and scholarly activities. In that way, the knowledge contained in the series now reaches a far broader public. In due course, the intention is to make Clerkenwell accessible in the same way. But those who feel most at home with the format of the printed page may be assured that it is English Heritage's intention to maintain this august and beautiful series in book form, along with its proud standards of scholarship, writing and discrimination. For those qualities, it is hoped, these volumes may stand as the equal of their predecessors.
As with most Survey of London publications, the Clerkenwell volumes have been the product of a team of writers, researchers, illustrators and photographers. Much of the work was done during the General Editorship of John Greenacombe, and completed under the guidance of his successor, Andrew Saint. Both volumes were edited by Philip Temple. Research and writing on the area was begun by Alan Cox, the late Catherine Mullen (Catherine Steeves) and Rosalind Woodhouse. The greater part of the research and writing was undertaken by John Greenacombe, Peter Guillery, Aileen Reid, Harriet Richardson, Andrew Saint, Philip Temple and Colin Thom; additional contributions were provided by Carol Davidson Cragoe, Stephen Porter and Suzanne Waters. The drawings were prepared by Gemma Bryant, Michael F. Clements, Malcolm Dickson, Andrew Donald, Helen Jones and George Wilson, and new photography carried out by Sid Barker, Derek Kendall and Mike Seaforth. Charles Walker prepared many of the images for publication. Outside English Heritage, Wendy Dellit, Michael Jardine, Colin Taylor and Stephen G. Yoder also helped with some additional research.
Bedfordshire and Luton Archives and Records Service; Peter Drummond and colleagues at BDP; British Architectural Library, Royal Institute of British Architects; Master of Charterhouse; City of Westminster Archives Centre; City University; Corporation of London Record Office; CZWG; Daniel Watney; Guildhall Library (Corporation of London), especially Jeremy Smith and the staff of the Print Room; all the staff and former staff at the Islington Local History Centre, Finsbury Library, in particular Martin Banham, David Withey and Vada Hart; Alec Forshaw, David John and colleagues in the Islington Borough Conservation Department; Vaughan Melsom and colleagues at Islington Borough Council Building Control Service; Martin Tasker and colleagues at Islington Borough Council planning department; all the staff at London Metropolitan Archives (Corporation of London); London Transport Museum; Dr John Callow and fellow staff at the Marx Memorial Library, Clerkenwell Green; McCann-Erickson; Museum of London Archaeology Service; Pamela Willis and her colleagues at the Museum and Library of the Order of St John, St John's Gate; staff at English Heritage's National Monuments Record Centre in Swindon, in particular Lyndsay Jones, Alyson Rogers, Ian Savage and Nigel Wilkins; Northamptonshire Record Office; Peel Centre; St Bartholomew's Hospital Archives; St John Ambulance; Society of Friends Library, Friends House; Prue MacGibbon, Archivist to the Worshipful Company of Brewers; and the Victoria County History of England, especially Patricia Croot.
The Rev. Andrew Baughen; Alan Baxter; Victor Belcher; Gordon Brindley; Bridget Cherry; Jonathan Clarke; Mary Cosh; Gillian Darley; Maurice Dunman; John Eichler; Chris Ellmers; Tim Farmiloe; Mike Franks; Billy Gall-Gray; Rick Glanvill; Elain Harwood; Keith Haskins; Derek Keene; Michael Kerney; Gerald Levin; Yvonne E. Long; Alex Mahboubian; John Pike Mander; Thomas McCoog; Chris McKay; Sheila Munton; Peter Murray; John Partridge; Ann Pembroke; Jon Pollard; Paul Poulter; Alan Powers; Dorian Price; David Quigley; Vincent Sartori; Barney Sloane; Gavin Stamp; Anthony Symondson; Carol Thomas; Robert Thorne; Ken Thurlow; Peter Walden; Isobel Watson; Michael Weaver; Clare Willsdon; Lucy Worsley.